Albums

€ 36,51€ 48,68

Opera - Verschenen op 30 november 2018 | LSO Live

Booklet Onderscheidingen 4F de Télérama
€ 35,96
€ 23,96

Volledige opera's - Verschenen op 2 mei 2018 | PentaTone

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Record of the Month - Diapason d'or / Arte - Le Choix de France Musique - Choc de Classica
The story of the Pêcheurs de perles [Pearl Fishers] by Bizet is nothing short of torturous: after its first outing in 1863, the score – whose manuscript is now in private hands and no longer available, alas – fell into obscurity, and was only returned to its rightful place in the sun after the composer's death, once Carmen had made his name. Alas – a thousand times, alas – many different theatre directors took themselves for great geniuses and made little amendments to the work, cutting here, adding there, changing bits up to and including the end. Until the 1960s, this calamitously cack-handed version was the one that was performed – this libretto looks a little flat, why not add a few mistakes? – until musicologists stumbled across the original documents, in particular the cut-down version by Bizet himself, as well as the "conductor's score" of the time, which contained many notes about orchestration. This version, put together in 2014 by Hugh MacDonald, is sung by the flower of great French lyrical music – Julie Fuchs, Florian Sempey, Cyrille Dubois and Luc Bertin-Hugault – and returns as closely as possible to the original version of the work, so that the listener will encounter a number of big surprises, and good surprises too: additional numbers, several melodic and dramatic developments: almost a whole new score. © SM/Qobuz
€ 17,49
€ 12,49

Operafragmenten - Verschenen op 23 februari 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice - Diamant d'Opéra Magazine - Choc de Classica - 5 Sterne Fono Forum Klassik
With his ensemble Pygmalion, Raphaël Pichon has written the listing for this album in the form of a "pastiche" of a Mass for the Dead, a Requiem both sacred and profane. While it is a long way from having all the defining traits, it does possess all the outlines: Introit, Kyrie, Gradual, Sequence, Offertory, In Paradisum... The idea came about after a recent discovery, in the Bibliothèque Nationale of an anonymous requiem mass from the 18th century, in which the writer constructed a "parody" based on musical extracts from Castor and Pollux and the Fêtes de Paphos by Jean-Philippe Rameau. Note that the term "parody" doesn't necessarily imply satire or mockery: it refers to the practice of taking up older music and setting new words to it. This fusion of sacred music (the mass) and profane music (lyrical tragedy), a common practice during the Enlightenment, was a procedure that Pichon wanted to take up. In French society at the time, when Catholicism was the norm, where the political system was monarchical rule by divine right, the representation of ancient pagan Hell on theatrical stages seemed to betray a fascination in the beliefs of the ancients. And so this programme melds together pagan fable with a Christian imaginary, where Hell takes on different faces. It is the place of unjust and eternal torment, a place of privation where a couple is separated, one half kept in Hades. But, in the lyrical tragedy, Hell is also a place of perdition: obscure forces unleashed in Sabbath rites, a Satanic vision which unearths the darkest depths of the human soul... Stéphane Degout is the author of this tragedy, bringing together such varied characters as Phaedra, Pluto, and the Parcae. The composers whose music is put to use are Rameau and Gluck, with a single borrowing from Rebel: it would have been a shame not to mention his singular Chaos (taken from Éléments), which starts with a dissonant chord containing the seven notes of the scale of D minor. © SM/Qobuz
€ 22,49
€ 14,99

Volledige opera's - Verschenen op 9 februari 2018 | Cypres

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
Nineteen musicians in the pit, three on stage; resolutely tonal music in a straight line of succession running from Stravinsky, Prokofiev, Martinů, Weill; French lyrics more declaimed than sung - by, happily, Francophone singer-actors led by Stéphane Degout, Vincent Le Texier, Yann Beuron and Chloé Briot: this is the framework that Philippe Boesmans chose for his latest opera Pinocchio, recorded live at La Monnaie in Brussels. The script is the work of Joël Pommerat, and it aims for an hour and fifteen of the quasi-melodrama based on the style which was in vogue in the 19th century in which to showcase the baffling musical richness of Collodi's work: and with immense success, it must be said. Pommerat is not necessarily looking to write a purely lyrical Pinocchio, but rather to develop an opera within an opera, using Brecht's favoured method of defamiliarisation, a sort of play-within-a-play, where "real" events alternate with narrative description of what's happening or about to happen. This is, without a shadow of a doubt, a major work for the contemporary scene, a worthy 21st-century successor to the Magic Flute and its fantasy world, immersive, and full of illusions, prisms and invitations to new readings: in short, a masterpiece. And it can hardly come as a surprise that the subject hasn't drawn the attention of more composers since it first appeared in 1881, as only cinema and television have really taken it seriously (and Disneyesque animations, heaping on the sugar), with the exception of Jonathan Dove's unique 2007 work, The Adventures of Pinocchio © SM/Qobuz
€ 29,99
€ 19,99

Opera - Verschenen op 1 december 2017 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 5 Sterne Fono Forum Klassik
The opera Dorilla in Tempe, which was first performed in Venice in 1726, exudes a delightful rural atmosphere. The libretto tells a bucolic story set in a valley of Thessaly. Between amorous twists and a huge sacrifice, the various misadventures of Dorilla offer Vivaldi the occasion to deploy a luminous sound palette where hunting horns and flutes often support choruses and soloists. He resumed the work in 1728, still in Venice, then again in 1732 in Prague and one last time in 1734 at "his" theatre - Sant’Angelo. Only this 1734 version has reached us, and so it serves as a basis for present recordings. It is a "pasticcio", for which Vivaldi used various composers - Hasse, Giacomelli, Sarri and Leo in this case - whose melodies replace some of his own; about a third of them are borrowed from colleagues in fact. It was never Vivaldi’s intention to recycle on the sly: the principle of "pasticcio" was the most widespread at the time and very popular with the public. The particularly rare vocal timbres are noticeable: they are made up of almost exclusively deep voices, including three mezzos and one baritone and even two deep castratos, nowadays replaced by contraltos who are much easier to dig up. The entire score gives off a mad energy; a delightful peculiarity adorns part of the opening, in which Vivaldi takes over one of the movements with his Four Seasons with the addition of a choir - proof that even though this music is rich at the base, it can still be further enriched, provided your name is Vivaldi! Diego Fasolis and his ensemble I Barrochisti offer us here one of the very, very rare discographical performances of this neglected masterpiece. © SM/Qobuz
€ 31,99
€ 27,99

Volledige opera's - Verschenen op 24 november 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Record of the Year - Gramophone Award - Gramophone Record of the Month - 4 étoiles de Classica
We will gladly forgive the occasional "weakness" in sound technology in this recording of Troyens by Berlioz (recorded live in concert in April 2017). In light of the first-rate quality of the music and vocals that appear on the disc (a majority of which are French voices, with Stéphane Degout at their head) this immense work is from the Strasbourg Philharmonic Orchestra and the three choirs which have been brought together – because the work demands immense swelling choirs – which are the choir of the Opéra national du Rhin, the Opéra National de Bade, and the Strasbourg Philharmonic's own choir. This recording rests, of course, on the complete original edition, which gives the listener a chance to hear Les Troyens as the work was performed in 1863, at the Théâtre-Lyrique, in which some intense chopping saw Acts I and II condensed into one part and Acts III to V into another, producing two distinct operas (La Prise de Troie and Les Troyens à Carthage). We also get a taste, naturally, of Berlioz's immensely rich orchestral innovations: with every new work, he would invent some exciting new prototype from scratch, never content to rest on his laurels. The listener should note the presence of six saxhorns, recently invented by Adolphe Sax (of whom Berlioz was an indefatigable champion, even if he didn't often use his instruments in his scores, no doubt because of the poor quality of the early instrumentalists who learned - however well or badly - Sax's instruments); bass clarinet, and an army of percussion pieces including several instruments which must have been rare in those days: crotales, goblet drums, tom-toms, thunder sheets... clearly, this is a milestone in the Berlioz discography. © SM/Qobuz
€ 24,99
€ 17,99

Volledige opera's - Verschenen op 24 maart 2017 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice
€ 20,99
€ 13,99

Volledige opera's - Verschenen op 2 september 2016 | Ediciones Singulares

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
€ 17,99
€ 11,99

Volledige opera's - Verschenen op 17 juni 2016 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama
€ 28,49
€ 24,49

Opera - Verschenen op 2 oktober 2015 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - 4F de Télérama - Diapason d'or / Arte - Choc de Classica
€ 17,49€ 24,99
€ 12,59€ 17,99

Volledige opera's - Verschenen op 27 april 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama
€ 14,99
€ 9,99

Opera - Verschenen op 24 februari 2015 | Cypres

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Choc de Classica
€ 28,99
€ 24,49

Volledige opera's - Verschenen op 14 november 2014 | Sony Classical

Hi-Res Booklet + Video Onderscheidingen 4F de Télérama
€ 31,99
€ 22,99

Opera - Verschenen op 22 september 2014 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diamant d'Opéra Magazine - Choc de Classica - 5 Sterne Fono Forum Klassik
€ 31,99
€ 22,99

Opera - Verschenen op 22 september 2014 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diamant d'Opéra Magazine - Choc de Classica
€ 28,99
€ 24,49

Opera - Verschenen op 14 februari 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles de Classica - Hi-Res Audio
€ 15,99
€ 11,49

Operafragmenten - Verschenen op 21 januari 2013 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama - Hi-Res Audio
€ 15,99

Opera - Verschenen op 6 januari 2012 | Sony Classical

Onderscheidingen 4F de Télérama - Choc de Classica
€ 22,39€ 31,99
€ 16,09€ 22,99

Volledige opera's - Verschenen op 4 oktober 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica - Hi-Res Audio
€ 17,99
€ 11,99

Opera - Verschenen op 2 augustus 2011 | PentaTone

Hi-Res Booklet Onderscheidingen 4F de Télérama - Hi-Res Audio

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Opera in het magazine