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Symfonische muziek - Verschenen op 1 januari 1943 | Universal Music Australia Pty Ltd.

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 1950 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason - 5 étoiles de Classica
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Concerten voor viool - Verschenen op 1 januari 1953 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason - 5 étoiles de Classica
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Concerten voor viool - Verschenen op 1 januari 1955 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 étoiles de Classica
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Volledige opera's - Verschenen op 1 januari 1956 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 1957 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Klassiek - Verschenen op 1 september 1957 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason
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Volledige opera's - Verschenen op 1 januari 1966 | Decca

Onderscheidingen 5 de Diapason
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Volledige opera's - Verschenen op 1 januari 1972 | Warner Classics

Onderscheidingen 5 de Diapason
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Volledige opera's - Verschenen op 1 januari 1986 | Warner Classics

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 1986 | Archiv Produktion

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 1989 | Decca Music Group Ltd.

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 16 februari 1990 | Arcana

Booklet Onderscheidingen 5 de Diapason
This is a major project, the fruit of an unusual collaboration between the editor Michel Bernstein and the Viennese performer, pianist Paul Badura-Skoda, who passed away in 2019. Completed in the 1980s, this complete collection of Beethoven’s sonatas played on period instruments was no longer available. It is therefore an even greater blessing to have it again in a publication which now represents a double homage: to Beethoven for the 250th anniversary of his birth, and to the memory of Badura-Skoda. Paul Badura-Skoda was an avid collector of period instruments, much like his longtime friend Jörg Demus. For this series of recordings, he chose seven pianofortes of the era, each one depending on the piece and the evolution of the making of the instrument. Badura-Skoda only ever played on period instruments and not on copies, risking all the mechanical faults that this entails. Playing on old instruments became something of an obsession for the pianist who started his career at the end of the war playing on modern instruments (that he loved just as much) under the direction of the great conductors of his youth like Wilhelm Furtwängler or Herbert von Karajan. To this day, he remains the only pianist to have recorded all the sonatas by Mozart, Beethoven and Schubert on both period and modern instruments. His comprehensive knowledge of the instruments allowed him to understand the intentions of the composers and correct any editor’s mistake accumulated over the centuries. Furthermore, his historic knowledge married with his reliable Viennese style makes his discographic legacy even more precious. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 1 januari 1992 | Timpani

Onderscheidingen 5 de Diapason - 10 de Classica-Répertoire - Grand Prix de l'Académie Charles Cros - Le Choix de France Musique
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Volledige opera's - Verschenen op 4 mei 1993 | Berlin Classics

Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 15 februari 1994 | Arion

Onderscheidingen 5 de Diapason - 4 étoiles du Monde de la Musique - 9 de Répertoire
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Klassiek - Verschenen op 1 januari 1996 | Timpani

Booklet Onderscheidingen 5 de Diapason - 10 de Répertoire - Grand Prix de l'Académie Charles Cros
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Klassiek - Verschenen op 1 september 1996 | La Dolce Volta

Onderscheidingen 5 de Diapason

Klassiek - Verschenen op 1 september 1998 | INA Mémoire vive

Onderscheidingen 5 de Diapason - Choc du Monde de la Musique - 10 de Répertoire
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Kamermuziek - Verschenen op 1 september 1998 | INA Mémoire vive

Onderscheidingen 5 de Diapason