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il Gusto Barocco Bach: Brandenburg Concerto No. 2: I. —

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Bach: Brandenburg Concerto No. 2: I. —

il Gusto Barocco

Symfonische muziek - Verschenen op 26 februari 2021 | Berlin Classics

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Marcus Bosch Works by Tchaikovsky, Stravinsky, Prokofiev

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Works by Tchaikovsky, Stravinsky, Prokofiev

Marcus Bosch

Symfonische muziek - Verschenen op 5 februari 2021 | Coviello Classics

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The promise of fortune and the danger of doom are rarely as close as in gambling. In the 19th and early 20th centuries, the fascination with challenging fate with cards, dice, or other gambling devices influenced by chance was particularly widespread. Russians were apparently particularly receptive to the dangerous charms: Alexander Pushkin's story Queen of Spades or Fyodor Dostoyevsky's novel The Gambler bear witness to this as literary traces; with Piotr I. Tchaikovsky and Sergei Prokofiev, two prominent compatriots were inspired to compose. Igor Stravinsky's Jeu de cartes completes the playful compendium, which at the same time offers a fascinating view of the stylistic development from high romanticism to the special Russian style of modernism. Marcus Bosch and the Norddeutsche Philharmonie present all of this with sparkling brilliance - and, of course, with a great deal of joy in playing. © Coviello Classics

Bundespolizeiorchester München Rhapsody in Blue

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Rhapsody in Blue

Bundespolizeiorchester München

Symfonische muziek - Verschenen op 18 december 2020 | B-Ton

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Tonhalle-Orchester Zürich Tchaikovsky: Symphony No. 5 & Francesca da Rimini

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Tchaikovsky: Symphony No. 5 & Francesca da Rimini

Tonhalle-Orchester Zürich

Symfonische muziek - Verschenen op 20 november 2020 | Alpha

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Paavo Järvi, Principal Conductor and Music Director of the Tonhalle-Orchester Zürich since October 2019, here launches a complete recording of Tchaikovsky’s symphonies, the first in both his rich discography and that of the Swiss orchestra: ‘When I think of the Fifth Symphony, I think of vulnerability and hope. It looks directly into our soul. It is perhaps the finest of his symphonies. The famous horn solo moves me and enriches me every time I hear it . . . Unlike the Sixth, the Fifth still holds out hope for life’. The symphonic poem Francesca da Rimini, Op. 32 completes this programme. This dark and violent ‘symphonic fantasy after Dante’, a drama of jealousy, was premiered in 1877, at the same time as Swan Lake. © Alpha Classics

Royal Liverpool Philharmonic Orchestra Stravinsky: Petrushka, Rossini/Respighi: La Boutique Fantasque

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Stravinsky: Petrushka, Rossini/Respighi: La Boutique Fantasque

Royal Liverpool Philharmonic Orchestra

Balletten - Verschenen op 30 oktober 2020 | PM Classics Ltd.

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François-Xavier Roth Debussy: La mer, Prélude à l'après-midi d'un faune – Ravel: Rapsodie espagnole

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Debussy: La mer, Prélude à l'après-midi d'un faune – Ravel: Rapsodie espagnole

François-Xavier Roth

Symfonische muziek - Verschenen op 23 oktober 2020 | LSO Live

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François-Xavier Roth, Principal Guest Conductor of the London Symphony Orchestra, displays his deep affinity with the music of Debussy and Ravel on his latest LSO Live album. A fascination with his Spanish heritage would be a recurring theme in many of Ravel's creations. Mysterious melodies weave delicately throughout his early work Rapsodie espagnole, punctuated by bursts of Spanish-inspired fanfares and Habanera dance rhythms. The voluptuous flute opening of the Prélude à l'après-midi d'un faune immediately conjures a world of luxurious fantasy, weaving through the music's changing scenes with effortless spontaneity. Every instrument adds something unique, and the whole work appears to float free of form and convention. In La mer, Debussy tells the story of the eternal odyssey of the ocean. He sails through storm and calm, wind and rain, in music that rises and falls with the rhythms of the sea. The score is so vivid that you can almost smell sea salt and see the crests of the waves. © LSO Live

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The English Connection

Douglas Bostock

Symfonische muziek - Verschenen op 2 oktober 2020 | Coviello Classics

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Kirill Petrenko Beethoven : Symphony No. 7

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Beethoven : Symphony No. 7

Kirill Petrenko

Symfonieën - Verschenen op 25 september 2020 | Berlin Philharmonic Orchestra

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Orchestre National de Lille Mahler: Symphony No. 7

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Mahler: Symphony No. 7

Orchestre National de Lille

Symfonische muziek - Verschenen op 25 september 2020 | Alpha

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Alexandre Bloch, who has been Music Director of the Orchestre National de Lille since 2016, has chosen to devote a whole season of concerts to Mahler’s symphonies. The Seventh (1904-05) is the most rarely recorded of the cycle – unjustly, because this work later nicknamed ‘Song of the Night’ testifies as clearly as its companions to the metaphysical grandiloquence that haunted Mahler during its gestation. From the gloomy Adagio of the first movement to the thundering Rondo that concludes the work, Alexandre Bloch and his orchestra lead us from the anguish of twilight to the ecstasies of dawn. © Alpha Classics

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A Symphonic Journey from Philly to Utopia

Dirk Brossé

Symfonische muziek - Verschenen op 25 september 2020 | Antarctica Records

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Philharmonia Orchestra Tchaikovsky: Swan Lake

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Tchaikovsky: Swan Lake

Philharmonia Orchestra

Balletten - Verschenen op 4 september 2020 | Signum Records

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Philharmonie Zuidnederland Andriessen: Miroir de peine - Berlioz: Symphonie fantastique

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Andriessen: Miroir de peine - Berlioz: Symphonie fantastique

Philharmonie Zuidnederland

Symfonische muziek - Verschenen op 4 september 2020 | Fuga Libera

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This third album released by philharmonie zuidnederland contains works by the Dutch composer Hendrik Andriessen and Hector Berlioz. A highlight of Andriessen’s French-influenced output has been chosen, the song cycle Miroir de peine ("Mirror of suffering", 1923), with its texts by Henri Gheon sung in highly expressive fashion by the mezzo-soprano Christianne Stotijn. The coupling is the Symphonie fantastique by Berlioz, written at the end of a period of ‘mental overheating’ in his obsessive love for Harriet Constance Smithson. This resulted in a musical gem, officially called "Episode from an artist’s life", "Fantastical Symphony" in five parts), in which he used every technique to get through to his audience. Here, Berlioz leaves nothing to the imagination. © Fuga Libera