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Volledige opera's - Verschenen op 18 oktober 2019 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason
The remarkable Hypermnestre by Charles-Hubert Gervais is the latest unremembered early 18th-century French opera to be recorded afresh for Glossa, and conducted by György Vashegyi. Gervais was a contemporary of Campra and Destouches, learning from Lully and paving the way for Rameau and, like Marais and François Couperin, open to the Italianising trends of “les goûts réunis”. A high-quality libretto from Joseph La Font tackles the story of Hypermnestra which proved so popular in the early eighteenth century. The Glossa recording contains both the original fifth act and the major revision of it from 1717 and Vashegyi drives the whole tragedy expertly to its bitter (and not-so-bitter!) end. Musically, this “tragédie lyrique” provides powerful opportunities for the trio of leading characters, here taken by Katherine Watson (Hypermnestre), Thomas Dolié (Danaüs, her father) and Mathias Vidal (Lyncée, her betrothed), but they are ably supported by Juliette Mars, Chantal Santon-Jeffery, Manuel Núñez Camelino and Philippe-Nicolas Martin. No French opera of this time would have been complete without a generous helping of choral or instrumental music and Gervais – a master of melody, harmony and orchestration – serves these up in a dazzling set of divertissements and festive set pieces full of dances (including a massive passacaille); all this performed with great stylistic awareness and vivacity by Vashegyi’s Orfeo Orchestra and Purcell Choir. © Glossa
HI-RES€ 29,99
CD€ 19,99

Volledige opera's - Verschenen op 5 juli 2019 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason
HI-RES€ 23,99
CD€ 15,99

Volledige opera's - Verschenen op 14 februari 2020 | Bru Zane

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 étoiles de Classica
Faded into oblivion and absent from stages since 1879, the vivacious Maître Péronilla was lavishly put on at the Théâtre des Champs-Elysées in the Spring of 2019 to celebrate 200 years since the birth of Jacques Offenbach. This publication is the result of a collaboration between the Bru-Zane Foundation and Radio France for the recording. This piece of music was written in the last few years of Offenbach’s life, a Spanish language operetta that was part of the wave of Spanish fever that was crashing over France since Bizet and Chabrier and that would last until Debussy and Ravel. With its frenzied rhythm and signature Offenbach dialogue (aided by Nuitter and Ferrier, who hit the mark at every occasion), this work cheerfully borrows from a variety of styles while reprising a few of the composer’s older techniques but with a new sense of refinement that supersedes the previously light atmosphere. The rarity of this work is partly due to the convoluted nature of the libretto. The plotline revolves around an arranged marriage, presenting twenty different characters from three separate generations. The wonderful cast of singers has done a great job of reviving the opera buffa, with Antoinette Dennefeld playing young but tender scholar Frimouskino standing out. Eric Huchet and Véronique Gens are at the pinnacle of the joy and vivacity that seem to have taken hold of the whole cast of protagonists of this production directed by Markus Poschner who also conducts the National Orchestra of France and the Radio France choir. © François Hudry