Albums

€ 21,49
€ 14,99

Soundtrack - Verschenen op 7 juni 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or
What a pleasure it is to return to Riccardo Chailly, at the head of the Filarmonica della Scala, with a collection on Rota (1911-1979) and more particularly his songs written for the great films of Fellini such as Amarcord, Huit et Demi, and La Dolce Vita! Before him, another Riccardo, Muti, had dedicated, in the 1990s, two albums with Sony Classical to the film scores of the Italian composer – with one collection on his non-cinematographic corpus. Whether Rota’s music was for cinema or the concert hall was of little importance as he rolled out, to the likes of Bernard Herrmann in the United States, a style that was true to himself where one feels his genius and prowess for evoking ambiance mixed with an incredible dexterity for the most diverse genres, as can be heard in Suite taken here from La Dolce Vita. The beginning (O Venezia, Venaga, Venusia) of the following Il Casanova di Federico Fellini, in which the chiming of the pendulum evokes the tragic destiny of the character and the harmonization of somber colors creates a sea-like atmosphere, remains without a doubt one of the most striking tracks on the album. This ambiance returns in the final part, this time all the more mind-blowing (The Dancing Doll). Often influences from the East, of Chostakovitch and Khachaturian (Il Duca di Württenberg), can be heard along with more meridian styles inherited from Italian symphonists from the end of the 19th century and the beginning of the 20th century. A passionate album not to be missed. © Pierre-Yves Lascar/Qobuz
€ 15,99
€ 11,49

Symfonische muziek - Verschenen op 7 juni 2019 | NoMadMusic

Hi-Res Booklet
€ 17,49
€ 12,49

Symfonieën - Verschenen op 10 mei 2019 | Berlin Philharmonic Orchestra

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
€ 21,49
€ 14,99

Symfonieën - Verschenen op 3 mei 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Record of the Month
€ 23,49
€ 16,49

Symfonische muziek - Verschenen op 26 april 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica
€ 21,99
€ 18,99

Symfonieën - Verschenen op 5 april 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
€ 15,49€ 19,49
€ 10,99€ 13,99

Symfonieën - Verschenen op 22 maart 2019 | Deutsche Grammophon (DG)

Hi-Res
€ 15,99
€ 11,49

Symfonische muziek - Verschenen op 15 maart 2019 | London Philharmonic Orchestra

Hi-Res Booklet Onderscheidingen 5 de Diapason
€ 78,49
€ 55,99

Symfonieën - Verschenen op 1 maart 2019 | Decca Music Group Ltd.

Hi-Res Booklet
€ 28,99
€ 20,99

Symfonische muziek - Verschenen op 22 februari 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
€ 11,99
€ 8,49

Symfonische muziek - Verschenen op 8 februari 2019 | LSO Live

Hi-Res Booklet
Widely recognized as one of the leading conductors of his generation, LSO Principal Guest Conductor Gianandrea Noseda presents a work of concentrated emotional intensity in the first of a new series exploring Tchaikovsky's final three symphonies. Urgent, supercharged and violent in places, Tchaikovsky's Fourth is said to reflect the turmoil he found himself in while composing: a disastrous marriage, struggles with his sexuality and severe depression. Yet, despite the gloomy outlook, the symphony proves undoubtedly that Tchaikovsky knew how to fill his works with memorable melodies. Known for his mastery of Russian repertoire, for this album Noseda pairs Tchaikovsky with a masterpiece by his fellow countryman, Mussorgsky's Pictures at an Exhibition, performed here in Ravel's iconic orchestration. © LSO Live
€ 8,99
€ 5,99

Symfonische muziek - Verschenen op 8 februari 2019 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
Without question the figurehead of classical Brazilian music will always be Villa-Lobos. But of course, that’s not counting his friend and unfaltering mentor, Alberto Nepomuceno, the man who founded the country’s national music school. With the encouragement of Edvard Grieg, from the 1890s Nepomuceno began to explore traditional popular music in Brazil and tentatively began to incorporate it into his compositions. As time went by, he did so more and more boldly and Villa-Lobos then picked up where he left off, building on the foundations he had laid. None other than Richard Strauss conducted the opening of his O Garatuja (which is featured on this album) at the Rio Opera during his first tour of South America, just a few days before the composer’s untimely death. His Série Brasileira from 1897 paved the way for many of the Brazilian styles that later emerged, such as for Milhaud who took themes directly from music on the streets at the time and incorporated a wide variety of percussion instruments into his music. This is an impeccable orchestral composition and a testament to the excellent teaching Nepomuceno received during his long period in Europe – in Germany he conducted the Berlin Philharmonic playing two of his works, in Austria he had a famous encounter with Mahler, in France he became friends with Debussy, Saint-Saëns and Indy and he also went to Norway, Switzerland and Belgium. Here, his music is performed by a very impressive orchestra based in Belo Horizonte called the Philharmonic Orchestra of Minas Gerais. © SM/Qobuz
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 1 februari 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
€ 14,39
€ 10,79

Symfonische muziek - Verschenen op 25 januari 2019 | Philharmonia Records - Opernhaus Zürich

Hi-Res
€ 28,99
€ 24,49

Symfonieën - Verschenen op 18 januari 2019 | Sony Music Labels Inc.

Hi-Res Booklet Onderscheidingen 5 de Diapason
€ 16,49
€ 10,99

Symfonische muziek - Verschenen op 18 januari 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Editor's Choice - Le Choix de France Musique - Choc de Classica
Alpha begins a complete cycle of the symphonies by Sibelius alongside some of his symphonic poems with Gothenburg Symphony and its new chief conductor Santtu-Matias Rouvali. In the great tradition of Finnish conductors, Santtu-Matias Rouvali is known for his extremely physical and organic interpretations: ‘Music unmistakeably flows from him’, commented The Sunday Times. This was evident when, at a very young age, he stepped in to conduct a concert with the Finnish Radio Symphony Orchestra which began the journey to his first tenure as Chief Conductor with the Tampere Philharmonic; a meteoric rise to a career working at the highest musical level internationally; and a third post as Principal Guest Conductor of the Philharmonia Orchestra in London. When Bachtrack asked him how he shapes the orchestral sound, he replied: ‘I sing it, I move my hands the way I want it (…) the conductor should be able to show tempo somewhere in the body (…) I was also a drum kit player, so my feet and hands can do different things at the same time. When you read the score, you sing it in your head (…) I think it’s the sense of inside groove that you get from playing percussion which is very important in Sibelius’s music.’ In the Gothenburg Symphony he finds a prestigious cohort of musicians with an impressive discography, and joins a line of their illustrious musical directors, notably Neeme Järvi, the orchestra’s principal conductor from 1982 to 2004, but also Gustavo Dudamel, who is honorary conductor. © Outhere Music
€ 21,49
€ 14,99

Symfonieën - Verschenen op 11 januari 2019 | Decca Music Group Ltd.

Hi-Res Booklet
€ 23,99
€ 19,99

Symfonische muziek - Verschenen op 7 januari 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason
Like every year, the Vienna Musikverein welcomes the musicians of the Vienna Philharmonic Orchestra to its great hall! German conductor Christian Thielemann will be the man with the baton for the traditional 2019 New Year concert, which will open with Carl Michael Ziehrer’s Schönfeld Marsch op.422. Named as musical director of the imperial court balls in 1907, putting an end to the Strauss dynasty’s tenure in this position, Ziehrer wrote around 600 compositions for orchestra (waltzes, polkas, marches etc.) and 23 operettas, including the Schönfeld Marsch. Named as the head of the Viennese orchestra for the first time, succeeding many renowned conductors (from Daniel Barenboim to Lorin Maazel, Nikolaus Harnoncourt or Gustavo Dudamel), Thielmann is familiar with the Strauss dynasty’s repertoire - he recorded (amongst others) An Alpine Symphony, Op. 64 and Der Rosenkavalier (The Knight of the Rose) in March 2011 with the Wiener Philharmoniker. For this concert, which is broadcast in 92 countries, he leads the most beautiful of repertoires from the Strauss era (Künstlerleben op. 316, Die Tänzerin. Polka française op. 351, Lob der Frauen. Polka Mazur, op. 315…). © Sandra Dubroca/Qobuz
€ 29,99
€ 19,99

Symfonische muziek - Verschenen op 4 januari 2019 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or
It's hardly common to become a global star at the age of 96; and even less so to record Beethoven's nine symphonies at that age – especially if these recordings rejuvenate our whole approach to a corpus that seemed to have no secrets left. And as the most familiar landscape can suddenly take on a new appearance when viewed from a new angle, so can music. The Swede Herbert Blomstedt, son of a strict pastor and cut from the same cloth as his countryman Ingmar Bergman, is possessed of a freshness and physical appearance that belie his age: the greatest concession he has made has been to cut down from 100 concerts a year to 70, conducting the greatest orchestras in the world. After his recent refreshing reinterpretation of Beethoven and Mozart's last two symphonies, recorded in concert in 2017, we find him here dealing with the works of the great Swedish composer Wilhelm Stenhammar, recorded at concerts given in Gothenburg in 2013 and 2014. Bowled over by hearing his friend Sibelius's Second Symphony, Stenhammar tried to renew his own style, writing a "second symphony" of his own, and as soon as it was done, in May 1915, he wrote to the Finnish composer. Written for the Gothenburg Symphony Orchestra, which plays it in this recording, it is structured classically around four movements. The first is built on a folk music theme; the second is a kind of great nocturnal procession that precedes a Scherzo written as a stylised dance whose central Trio is played on wind instruments whose quality Stenhammar looked to underline. As for the Finale (which, how to put it, gave some critics a headache...), it is to this day one of the most masterful pages of symphonic music written in Sweden. First performed in 1914, the Serenade in F major, written after a trip to Florence, was quickly withdrawn by the composer, who made a new version in five movements which was performed in 1919 and enjoyed lasting success at home. Just like Mendelssohn's "Italian" Symphony, Tchaikovski’s Souvenir de Florence and Italian Capriccio , or indeed Strauss's Aus Italien the work highlights the magic attraction that Italy exercises on Northern composers. It is an illuminating and idealised description of a dreamy Arcadia, largely inspired by antiquity. © François Hudry/Qobuz
€ 14,99
€ 9,99

Symfonische muziek - Verschenen op 4 januari 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason