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Soundtrack - Verschenen op 7 oktober 2016 | Jube Classic

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Symfonische muziek - Verschenen op 9 februari 2018 | harmonia mundi

Hi-Res Booklet
Although a valedictory mood underpins it, Mahler’s Ninth Symphony offers above all a profound meditation on the fate of humanity and seems to exude an immense love of life. Sustained by the commitment and excellence of the artists, this recording reveals the formal, technical and orchestral modernity of a work that was to exert a genuine fascination on the Viennese composers of the following generation. © harmonia mundi
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Symfonische muziek - Verschenen op 8 november 2019 | Berlin Philharmonic Orchestra

Hi-Res Booklet
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Symfonische muziek - Verschenen op 12 oktober 2018 | CAvi-music

Hi-Res Booklet
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Balletten - Verschenen op 5 december 2014 | RCA Red Seal

Hi-Res Booklet Onderscheidingen 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Symfonische muziek - Verschenen op 8 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
The premiere of Mahler’s Third Symphony took place in June 1902 in Krefeld (not far from Düsseldorf), but it was indeed the Gürzenich Orchestra of Cologne which gave that first performance... greeted with acclaim – this was not always the composer’s experience with his masterpieces. Originally conceived as a hymn to Nature, in which the inert chaos of the opening movement is gradually left behind, the work calls for enormous forces (large orchestra, women’s choir, boys’ choir, and contralto soloist) and at each hearing leaves an unforgettable impression on the audience. Such was the case in October 2018, when François-Xavier Roth led the esteemed successors of the work’s first interpreters in this latest Mahler adventure. © harmonia mundi
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Balletten - Verschenen op 27 januari 2015 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or
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Symfonische muziek - Verschenen op 6 oktober 2017 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
At the start of the 20th Century, "Hungarian Music" was still under the influence of the Magyaresque writing of Brahms and Liszt, which was more a mix of the sounds of the Viennese salons with Romany themes than a real reflection of popular musical traditions. It was not until the advent of the ethnomusicological research of Bartók and Kodály that the "real Hungary" made its appearance in the smart press. No-one will be surprised, then, to learn that Leo Weiner's Serenade Op. 3, written in 1906, still contains many Brahmso-Liszto-Viennese elements, whereas the further forward we move through time, the more his Hungarian language (and Romanian language, as a large eastern chunk of historic Hungary was ceded to Romania after the First World War) converges with the real folk music sound. That said, what sets Weiner apart from Bartók and Kodály is that the former suffuses his harmonisations and his transcriptions with a symphonic and post-romantic spirit (the same spirit that inspired Enescu's folk music explorations, for example), without the harmonic research of his two Hungarian colleagues, who drew upon the same trove of people's music to produce works that were ever-more-cutting edge, more avant-garde, more modern. Until the Fourth and Fifth (and last) Divertimentos of 1951, the tone remains romantic. And oh: how delicious! Neeme Järvi and the Estonian National Orchestra perform.
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Soundtrack - Verschenen op 4 november 2013 | Warner Classics International

Hi-Res Onderscheidingen Hi-Res Audio
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Symfonische muziek - Verschenen op 30 september 2016 | MUNCHNER PHILHARMONIKER GBR

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 9 augustus 2013 | audite Musikproduktion

Hi-Res Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 18 juli 2014 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 8 april 2015 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen Diapason d'or
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Symfonische muziek - Verschenen op 26 februari 2016 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 30 september 2016 | MUNCHNER PHILHARMONIKER GBR

Hi-Res Booklet
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Symfonische muziek - Verschenen op 16 maart 2012 | audite Musikproduktion

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Symfonische muziek - Verschenen op 14 november 2014 | Suite Classics

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Symfonische muziek - Verschenen op 22 juni 2018 | harmonia mundi

Hi-Res Booklet
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Symfonische muziek - Verschenen op 31 augustus 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
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Symfonische muziek - Verschenen op 16 februari 2018 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason
No, this is not a re-edit, but really a brand new recording – January 2017 – made by the WDR Symphony Orchestra Cologne and Marek Janowski. In addition to the vigorous and explosive Symphonic Metamorphosis of Themes by Carl Maria von Weber, the theme in question stemming from Schiller’s version of Gozzi’s Turandot, the recording also features the rarer – and much less “fun” – Nobilissima visione suite. In the initial eponymous ballet from which the suite is derived, Hindemith depicted in musical tones a few episodes of the life of Giovanni di Pietro di Bernardone, better known as Saint Francis of Assisi. The last movement depicts, provided such a text can even be depicted, the Canticle of the Sun; Hindemith turns it into an immense and intense passacaglia that instead of actually “telling” the Canticle, manages to convey its sheer grandeur. The album closes on another splendour, Konzertmusik for Brass and String Orchestra, Op. 50 from 1930, as ordered by Serge Koussevitzky and the Boston Orchestra. In the great polyphonic tradition, the composer “opposes” groups, in this case the brass – 4 trumpets, 4 horns, 3 trombones, 1 tuba – and the strings (for which the partition requires the largest possible headcount), resulting in a fantastic musical, contrapuntal and architectural richness, not to mention a touch of humour in the race between both ensembles in the second part, as the brass play a rather quirky waltz with jazzy accents and the strings a much more “serious” style is adopted. For anyone barely familiar with Hindemith, these two latest works are a must-have, and more than likely a true revelation! © SM/Qobuz