Albums

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Symfonische muziek - Verschenen op 26 april 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica
€ 97,99
€ 69,99

Symfonieën - Verschenen op 1 november 2016 | Decca

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - Choc de Classica
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Symfonische muziek - Verschenen op 18 januari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica
A new aesthetic calls for new forms: such is the challenge the composer set for himself in the two works presented here. In Les Nuits d’été, Berlioz pioneered, well before Mahler and Ravel, a song cycle for voice and orchestra. In Harold in Italy, scored for large orchestra and solo viola, he experimented with the symphonic genre. These period-instrument performances by Les Siècles, led by François-Xavier Roth, with violist Tabea Zimmermann, also feature Stéphane Degout in the vocal cycle, heard here in the composer’s own version for baritone. File under: out of the ordinary. © harmonia mundi
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Symfonische muziek - Verschenen op 12 april 2019 | Universal Music Division Decca Records France

Hi-Res Booklet Onderscheidingen Choc de Classica
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Symfonieën - Verschenen op 27 oktober 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month - Diapason d'or / Arte - Choc de Classica - 5 Sterne Fono Forum Klassik
An album, a symphony: you would think that we had returned to the days of the Long Play, and the era of Mravinsky, Doráti, Markevitch, Karajan as well as many other performers and interpreters who have marked the discographic history of the last symphony from Piotr Ilitch Tchaikovsky. The album cover also seems to confirm it: it brings to mind the old RCA covers from the 50s and 60s. Sony Classical, being very supportive of the artistic endeavours of the Greco-Russian master, didn't hesitate to bring out a roughly 45-minute album - they had done better with the Rites of Spring (2015), which was feted in the press. Here, Teodor Currentzis continues his exploration of Tchaikovsky's world, with the Pathétique, putting the accent on the dynamic contrasts, sometimes naturally, sometimes by technical means (adagio lamentoso), and bringing to bear some methods that are normally specific to pop music. He exploits the sombre tone of the work, even above its rhythmic energy, and looks to create atmospheres that one could often call morbid. For record-lovers, this release is a great opportunity to revisit his discography, and for all other ardent Qobuz users it is an opportunity to rediscover this true emblem of the orchestral repertoire. © TG/Qobuz
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Symfonieën - Verschenen op 6 juli 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Grammy Awards
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Symfonische muziek - Verschenen op 7 december 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica
The originality of this recording (which presents works that are, in fact, rather common) comes from the orchestra Les Siècles playing on periodic instruments, in this case from the period in which Debussy wrote these masterpieces. This is particularly relevant for woodwinds and brass, whose mechanisms and sounds around 1900 were very different - more incisive perhaps, and undoubtedly more differentiated - which for music like Debussy's offers a real plus in the orchestral balance. Moreover, the number of strings remains reasonable, this way the woodwind is never swallowed up as it often is with large international orchestras. The listener will be able to hear this music as Debussy heard it, or at least how he would have liked to have heard it because in his time orchestras and conductors did not always have a clear understanding of his style or the infinite colours on his palette. © SM/Qobuz
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Symfonische muziek - Verschenen op 12 januari 2018 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Choc de Classica
The rediscovery of Stravinsky's Funeral Song, from a recording made in St Petersburg in Spring 2015, was a major event. Composed over the summer of 1908 in honour of his late teacher Rimsky-Korsakov, who died in June that year, it marked a moment where Stravinsky was working at many different types of writing, looking for a personal language. The work was first performed at a memorial concert in St Petersburg in January 1909 but thereafter it disappeared without a trace: the only evidence of its existence was in accounts of the concert and the composer's own nostalgic memories of the work he saw as "the best of my works before Firebird, and the most advanced in terms of chromatic harmonies." And here at last is the world's first ever recording of it! A stunning little treasure in which we can still hear Rimsky, and also the Stravinsky of Firebird, but perhaps also still the Stravinsky of the Rite of Spring, which was still very recent, a testimony to the composer's breakneck evolution. It was in the same year, 1908, that Stravinsky interrupted his writing of Fireworks when he heard the news of Rismsky's death in order to compose his Funeral Song; the Scherzo Fantastique was the last score by the young composer that the old master would ever get to read, although he never heard it performed. With this recording, Riccardo Chilly offers us a judicious selection of four works from the composer's youth (we also find The Faun and the Shepherdess of 1906, a little cycle of three melodies with orchestra, sung in French, here with Sophie Koch) followed by the big turning point that is the Rite of Spring, with a reading which is both clear and fiery. © SM/Qobuz
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Symfonieën - Verschenen op 5 februari 2016 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Choc Classica de l'année
Nothing new under the sun ? Oh but yes! This recording of the Fourth and Fifth Symphonies of Beethoven by the venerable Nikolaus Harnoncourt lives and breathes brand new. The difference is most notable seeing as he calls on an instrumentarium (along the lines of what Beethoven had in his time) particularly wind-based, whose sound is frankly different from what we know today. Listeners beware: you'll never listen to these two Beethoven symphonies with the same ear once you've had a taste of the original fountain that is sourced here in the 85th year of Harnoncourts wonderful musical mind © SM / Qobuz
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Symfonische muziek - Verschenen op 1 maart 2011 | Chandos

Hi-Res Booklet Onderscheidingen Choc de Classica - Exceptional sound - Hi-Res Audio
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€ 9,99

Symfonische muziek - Verschenen op 3 juni 2016 | BR-Klassik

Hi-Res Booklet Onderscheidingen Choc de Classica
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€ 14,99

Symfonische muziek - Verschenen op 24 april 2015 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen Victoire de la musique - Choc de Classica
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€ 9,99

Symfonische muziek - Verschenen op 7 september 2018 | Chandos

Hi-Res Booklet Onderscheidingen Choc de Classica
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€ 9,99

Symfonische muziek - Verschenen op 27 juli 2010 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - The Qobuz Ideal Discography - Exceptional sound
€ 6,99€ 12,49

Symfonieën - Verschenen op 16 november 2018 | Deutsche Grammophon (DG)

Booklet Onderscheidingen Diapason d'or / Arte - Choc de Classica
€ 16,49
€ 10,99

Symfonieën - Verschenen op 21 april 2015 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica
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€ 12,49

Symfonieën - Verschenen op 22 januari 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen Choc de Classica
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Symfonische muziek - Verschenen op 21 februari 2014 | Sony Classical

Onderscheidingen Choc de Classica
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€ 19,99

Symfonieën - Verschenen op 6 april 2018 | BIS

Hi-Res Booklet Onderscheidingen Choc de Classica
€ 8,99

Symfonische muziek - Verschenen op 18 mei 2009 | naïve classique

Booklet Onderscheidingen Choc de Classica - Exceptional sound