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Klassiek - Verschijnt op 25 oktober 2019 | Berlin Classics

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Klassiek - Verschijnt op 18 oktober 2019 | Klarthe

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Klassiek - Verschijnt op 11 oktober 2019 | Musique en Wallonie

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Klassiek - Verschijnt op 11 oktober 2019 | Berlin Classics

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Klassiek - Verschijnt op 27 september 2019 | Masterworks

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Klassiek - Verschijnt op 27 september 2019 | Aparté

Hi-Res Booklet
Bruno Rigutto performed a new recording, matured over time, of Chopin's Nocturnes, 40 years after his first complete recording of these pieces. His long-time attendance and his poetic approach to this corpus make this new album an exciting object. This second complete recording is enriched with the sheen that only time and long-lasting imagination can give to the performance. For the French pianist, playing Chopin's music has a mysterious aura. The performer's sensitivity has to resonate with the composer's affects. The alchemy is complete, the interpreter drawing from within himself the atmospheres to create subtle nuances and phrasings. Finally, the album is the mirror of the inner life of Chopin since it follows the chronological order of composition of the Nocturnes. So this is the soundtrack to Chopin’s life that we are following as we listen. The listener discovers or rediscovers Bruno Rigutto under the nocturnal rays of romanticism, which are infused with the works of one of the most endearing composers and pianists. © Aparté
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Klassiek - Verschijnt op 27 september 2019 | NMC Recordings

Hi-Res Booklet
Drama, or a fascination with theatrical possibilities, is present in many of David Sawer’s works, and he has written a number of scores for the theatre and for radio. Operas include From Morning to Midnight which received an Olivier Award nomination for Outstanding Achievement in Opera, Skin Deep with librettist Armando Iannucci, and The Skating Rink, which premiered at Garsington Opera to critical acclaim. All three of the pieces on this album (David’s third for NMC) have a connection with dance: the Rumpelstiltskin-Suite (2011) originated in Sawer’s 2009, 70-minute ballet Rumpelstiltskin; the early ensemble piece Cat’s-Eye (1986) was choreographed by Richard Alston for Rambert in 1992; and premiered in concert in 2016, April\March was commissioned for the Royal Ballet. David Sawer describes Rumpelstiltskin as “a grotesque fable for our times”. He leaves it to us to ponder the modern-day resonances of this dark tale of greed, deceit, cruelty and abuse. Cats-Eye is inspired by the fantascope projector, with its spectacular optical tricks that shocked audiences in the 1800s. A simple device called “l’oeil-de-chat”, caused these images to appear and disappear: as the eye closed, the source of light was extinguished. In this piece Sawer brings in instruments together – often in pairs – then they are pulled apart or pitted against others. Past and present is explored in April\March – the back to front calendar of the title pointing to a reversal in time. This album also includes the bonus track Between, a gentle, beautifully ethereal work which captures a kind of otherworldly essence of the harp completely without sentimentalism. © NMC Records
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Klassiek - Verschijnt op 20 september 2019 | deutsche harmonia mundi

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Concertmuziek - Verschenen op 13 september 2019 | Alpha

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After releasing two recordings – the first devoted to Chopin and the second to Ravel and Scriabin – and winning First Prize at the Géza Anda Competition in 2015, which gave his career a powerful momentum, the young American pianist Andrew Tyson has conceived a new tailor-made programme of music by Domenico Scarlatti, Schubert, Mompou and Albéniz. His programme focuses on landscapes, starting out from Federico Mompou’s piece of that name (Paisajes) and taking us on a journey elsewhere in Spain (Sonatas by Domenico Scarlatti, Book I of Iberia by Isaac Albéniz) and the Austrian countryside (where Franz Schubert composed the Sonata in A Major D. 664). © Alpha Classics
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Concertmuziek - Verschenen op 13 september 2019 | Berlin Classics

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In her numerous concerts, the most famous female pianist of the nineteenth century performed works by her contemporaries, thereby adding to their success and enhancing their popularity. In view of this fact, it is all too easy to forget that Clara Schumann was herself a highly talented composer. This recording pays homage to her two greatest cyclical works: the Piano Concerto op. 7 and the Piano Trio op. 17. While the concerto illustrates the spirit of the youthful virtuosa, the trio, with its melodic lines and polyphonic structure, is testimony to the artistic maturity of the versatile Clara Schumann. © Berlin Classics
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Klassiek - Verschenen op 13 september 2019 | Musique en Wallonie

Hi-Res Booklet
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Klassiek - Verschenen op 6 september 2019 | harmonia mundi

Hi-Res Booklet
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Klassiek - Verschenen op 6 september 2019 | Le Palais des Dégustateurs

Hi-Res Booklet
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Klassiek - Verschenen op 30 augustus 2019 | Mirare

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Klassiek - Verschenen op 30 augustus 2019 | Ad Vitam records

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Klassiek - Verschenen op 16 augustus 2019 | Ramée

Hi-Res Booklet
With Cupid’s assistance, the sculptor Pygmalion brings his beloved creation to life. This recording treats us to two versions of the celebrated story. Jean-Philippe Rameau’s familiar oneact opera Pigmalion, in which the deus ex machina fulfils Pygmalion’s desires, is followed by Georg Benda’s little-known gem of the same name: a gripping monodrama for spoken voice and orchestra in which we can imagine the sculptor undergoing an inner conflict between desire and reality. Rising star Korneel Bernolet conducts his Apotheosis Orchestra and a group of young vocal partners: the Canadian haute-contre Philippe Gagné sings the passionate Pigmalion in Rameau’s opéra-ballet, alongside Lieselot De Wilde as his wife Céphise and Caroline Weynants as the divine Amour. Morgane Heyse performs the role of the enchanted Statue in both versions. German bass-baritone Norman D. Patzke makes his debut as voice actor for Benda’s monodrama. © Ramée/Outhere
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Klassiek - Verschenen op 16 augustus 2019 | Fuga Libera

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Jean-Luc Votano, principal clarinet of the Liège Royal Philharmonic (OPRL), here presents a work by a ‘classic’ figure of the twentieth century, the Kammerkonzert for clarinet, string quartet and string orchestra of Karl Amadeus Hartmann (1930), along with two compositions of the twenty-first: Magnus Lindberg’s Clarinet Concerto, of which Votano gave the Belgian premiere with the OPRL, and Fantasme - Cercles de Mana by Johan Farjot. The latter work, scored for clarinet, viola, cello and orchestra, here receives its world premiere before being performed to a concert hall audience. An album that admirably reflects the virtuosity and musicality of one of the OPRL’s principal soloists. © Fuga Libera/Outhere
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Klassiek - Verschenen op 2 augustus 2019 | Warner Classics

Hi-Res Booklet
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Klassiek - Verschenen op 26 juli 2019 | Brilliant Classics

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Klassiek - Verschenen op 19 juli 2019 | Berlin Classics

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