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1838 albums gesorteerd op Date: from newest to oldest en gefilterd op Klassiek en 24 bits / 88.2 kHz - Stereo
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Klassiek - Verschijnt op 6 maart 2020 | Berlin Classics

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Klassiek - Verschijnt op 7 februari 2020 | Berlin Classics

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Klassiek - Verschijnt op 24 januari 2020 | Berlin Classics

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Vocale muziek (wereldlijk en religieus) - Verschijnt op 10 januari 2020 | Berlin Classics

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Symfonische muziek - Verschijnt op 27 december 2019 | Berlin Classics

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Symfonische muziek - Verschijnt op 6 december 2019 | Berlin Classics

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Symfonische muziek - Verschijnt op 22 november 2019 | Berlin Classics

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Klassiek - Verschijnt op 8 november 2019 | Berlin Classics

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Klassiek - Verschijnt op 25 oktober 2019 | Berlin Classics

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Symfonische muziek - Verschijnt op 25 oktober 2019 | Berlin Classics

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Klassiek - Verschijnt op 18 oktober 2019 | Klarthe

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Klassiek - Verschijnt op 11 oktober 2019 | Musique en Wallonie

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Klassiek - Verschijnt op 11 oktober 2019 | Berlin Classics

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Klassiek - Verschijnt op 11 oktober 2019 | Ricercar

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Kamermuziek - Verschijnt op 4 oktober 2019 | Orchid Classics

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Klassiek - Verschijnt op 27 september 2019 | Masterworks

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Klassiek - Verschijnt op 27 september 2019 | Aparté

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Bruno Rigutto performed a new recording, matured over time, of Chopin's Nocturnes, 40 years after his first complete recording of these pieces. His long-time attendance and his poetic approach to this corpus make this new album an exciting object. This second complete recording is enriched with the sheen that only time and long-lasting imagination can give to the performance. For the French pianist, playing Chopin's music has a mysterious aura. The performer's sensitivity has to resonate with the composer's affects. The alchemy is complete, the interpreter drawing from within himself the atmospheres to create subtle nuances and phrasings. Finally, the album is the mirror of the inner life of Chopin since it follows the chronological order of composition of the Nocturnes. So this is the soundtrack to Chopin’s life that we are following as we listen. The listener discovers or rediscovers Bruno Rigutto under the nocturnal rays of romanticism, which are infused with the works of one of the most endearing composers and pianists. © Aparté
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Klassiek - Verschijnt op 27 september 2019 | Leaf Music

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Klassiek - Verschijnt op 27 september 2019 | NMC Recordings

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Drama, or a fascination with theatrical possibilities, is present in many of David Sawer’s works, and he has written a number of scores for the theatre and for radio. Operas include From Morning to Midnight which received an Olivier Award nomination for Outstanding Achievement in Opera, Skin Deep with librettist Armando Iannucci, and The Skating Rink, which premiered at Garsington Opera to critical acclaim. All three of the pieces on this album (David’s third for NMC) have a connection with dance: the Rumpelstiltskin-Suite (2011) originated in Sawer’s 2009, 70-minute ballet Rumpelstiltskin; the early ensemble piece Cat’s-Eye (1986) was choreographed by Richard Alston for Rambert in 1992; and premiered in concert in 2016, April\March was commissioned for the Royal Ballet. David Sawer describes Rumpelstiltskin as “a grotesque fable for our times”. He leaves it to us to ponder the modern-day resonances of this dark tale of greed, deceit, cruelty and abuse. Cats-Eye is inspired by the fantascope projector, with its spectacular optical tricks that shocked audiences in the 1800s. A simple device called “l’oeil-de-chat”, caused these images to appear and disappear: as the eye closed, the source of light was extinguished. In this piece Sawer brings in instruments together – often in pairs – then they are pulled apart or pitted against others. Past and present is explored in April\March – the back to front calendar of the title pointing to a reversal in time. This album also includes the bonus track Between, a gentle, beautifully ethereal work which captures a kind of otherworldly essence of the harp completely without sentimentalism. © NMC Records
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Klassiek - Verschijnt op 27 september 2019 | NMC Recordings

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The chamber works on this portrait album, the latest in our "Debut Discs series", demonstrate Joanna Bailie’s distinct and powerful skill of mixing field recordings and other found audio material alongside partial transcriptions, which are played simultaneously on acoustic instruments. The effect is otherworldly and immersive. In the three-part Symphony-Street-Souvenir Bailie pays homage to the Italian composer Aldo Clementi (1925-2011). She borrows and twists one of Clementi’s compositional techniques, and introduces some of his musical obsessions. Symphony uses the opening of the First Symphony of Brahms, one of Clementi’s favourite composers; Street, a Copenhagen carillon (with accompanying ambient street sounds); and Souvenir a music box. Over these a mixed chamber ensemble interweaves subtle layers and slow glissandi. Trains features fragments of music on solo cello over a textural bed of radically slowed down audio material. In Artificial Environments Nos. 1 to 5 you hear the composer’s voice, like a futuristic tour guide in a science fiction world with recorded sounds captured in locations around Europe – the hills of Umbria, Copenhagen, Malmö, London and Brussels and in Artificial Environments No. 8 the solo piano is paired with an urban soundscape, recorded whilst walking up and down a queue of tourists waiting to enter Notre Dame in Paris. © NMC Records