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Concerten voor cello - Verschenen op 12 oktober 2018 | Myrios Classics

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
Two “Soviet” concertos for cello and orchestra, both written in 1966, that is the idea behind this recording of cellist Maximilian Hornung. Of course, the most famous of the two is and remains Shostakovich's Second Concerto, written for and premiered by Rostropovich. Less famous, except perhaps in Georgia, is the Georgian composer Sulkhan Tsintsadze (1925-1991), himself a renowned virtuoso cellist, who composed an impressive number of chamber music, concertos, symphonies, operas, oratorios, completely ignored by the rest of the world, what a pity. Tsintsadze, as might be thought from a "regional" Soviet composer, often borrows from the folklore of his country, but this is in no way a limitation or a specialization, no more than the way Khatchaturian would sometimes borrow from Armenia. Here is his Concerto No. 2 in five episodes, in which Tsintsadze is certainly quite indebted to Shostakovich, but also to Prokofiev undoubtedly, even to Khatchaturian here and there. The instrumental language is both brilliant and idiomatic. The contrast between his concerto and that of Shostakovich – keeping in mind that they both date from the same year – is striking. The cellist Maximilian Hornung has already performed as a soloist with the Bavarian Radio Orchestra, the Tonhalle Zurich, the London Philharmonic, the Orchestre National de France, the London Philharmonia; in short, many of the most prestigious orchestras in the world. © SM/Qobuz
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Klassiek - Verschenen op 19 oktober 2018 | L'Encelade

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Kamermuziek - Verschenen op 19 oktober 2018 | Metier

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Klassiek - Verschenen op 26 oktober 2018 | Ricercar

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Klassiek - Verschenen op 26 oktober 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 26 oktober 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 26 oktober 2018 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 26 oktober 2018 | Sono Luminus

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Kamermuziek - Verschenen op 2 november 2018 | ACOUSENCE Classics

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Kamermuziek - Verschenen op 2 november 2018 | ACOUSENCE Classics

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Volledige opera's - Verschenen op 9 november 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or
Lady Macbeth's introduction alone, "Vieni t'affretta", sung by the formidable Shirley Verrett is enough to make this an immortal record! But there's a lot more to come. Recorded in the middle of a 1975 anthology performance at La Scala in Milan and superbly produced by Giorgio Strehler, this album possesses a theatricality that is difficult to recreate in a studio. Claudio Abbado directs with great subtlety and eloquence. Domingo, Cappuccilli, and Ghiaurov are all on top form. It's rare that this blend of Shakespeare and Verdi is performed with such a perfect sense of the dramatic. This is a brilliantly unique record. © François Hudry/Qobuz
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Klassiek - Verschenen op 9 november 2018 | dream window

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Klassiek - Verschenen op 9 november 2018 | Universal Music Italia srL.

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Klassiek - Verschenen op 9 november 2018 | Universal Music Italia srL.

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Klassiek - Verschenen op 16 november 2018 | Steinway and Sons

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Kamermuziek - Verschenen op 16 november 2018 | Sono Luminus

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Klassiek - Verschenen op 16 november 2018 | Channel Classics Records

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Klassiek - Verschenen op 16 november 2018 | Foghorn Classics

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Klassiek - Verschenen op 16 november 2018 | Solo Musica

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Klassiek - Verschenen op 16 november 2018 | Steinway and Sons

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