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CD€ 97,99

Klassiek - Verschenen op 22 januari 2016 | Warner Classics

Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice
HI-RES€ 55,99
CD€ 48,99

Klassiek - Verschenen op 28 oktober 2016 | Warner Classics

Hi-Res Onderscheidingen Gramophone Editor's Choice
CD€ 33,99

Klassiek - Verschenen op 22 januari 2016 | Warner Classics

Booklet Onderscheidingen Gramophone Editor's Choice
CD€ 19,99

Koormuziek - Verschenen op 1 maart 2011 | SDG

Booklet Onderscheidingen Gramophone Editor's Choice
HI-RES€ 29,99
CD€ 19,99

Duo´s - Verschenen op 29 januari 2016 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Gramophone Editor's Choice
HI-RES€ 28,99
CD€ 20,99

Kamermuziek - Verschenen op 26 oktober 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 étoiles de Classica
During the course of a full career, which justly earned him the name of "prince of baroque violinists", Giuliano Carmignola developed a remarkable vision of Bach's works for solo violin. Carmignola, a student of Szeryng and Milstein, knows this repertoire inside and out, creating a feeling of spontaneity and improvisation while remaining closely faithful to Bach's writing. He uses a discreet but present vibrato beautifully (a far cry from some other baroque musicians who step much further back from the material), and he favours a free approach to rhythm and an expressive style that highlights all the colours and subtleties of Bach's phrasing. His playing is influenced by the historical techniques unearthed by modern musicology, but it is also profoundly original, lyrical, and moving. The three Sonatas and three Partitas date back to the 1720s, the era of the great instrumental masterworks known as the Brandeburg Concertos, the First Book of the Well-Tempered Clavier and the Cello Suites. The sonatas take the form of church sonatas – four movements, slow-fast-slow-fast – and the partitas borrow from the old-style dance suites in five, six or even eight movements. © SM/Qobuz
CD€ 21,99

Klassiek - Verschenen op 19 januari 2015 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
CD€ 17,99

Klassiek - Verschenen op 30 september 2016 | APR

Booklet Onderscheidingen Gramophone Editor's Choice
HI-RES€ 22,49
CD€ 14,99

Klassiek - Verschenen op 12 november 2018 | Melodiya

Hi-Res Onderscheidingen Gramophone Editor's Choice
HI-RES€ 22,49
CD€ 14,99

Klassiek - Verschenen op 2 maart 2015 | Resonus Classics

Hi-Res Booklet Onderscheidingen Gramophone Award - Gramophone Editor's Choice
HI-RES€ 21,99
CD€ 14,99

Kamermuziek - Verschenen op 18 november 2014 | Academy of Ancient Music

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
HI-RES€ 21,99
CD€ 14,99

Missen, passies, requiems - Verschenen op 1 januari 2016 | CPO

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
HI-RES€ 21,49
CD€ 14,99

Klassiek - Verschenen op 25 november 2016 | ECM New Series

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
HI-RES€ 21,49
CD€ 14,99

Piano solo - Verschenen op 7 september 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
HI-RES€ 15,99
CD€ 13,49

Klassiek - Verschenen op 1 januari 2016 | Warner Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
HI-RES€ 18,99
CD€ 15,99

Piano solo - Verschenen op 5 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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CD€ 17,99

Concerten voor viool - Verschenen op 15 maart 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
After the double album of the Violin and Harpsichord Sonatas with Kristian Bezuidenhout, here is the next instalment in a Bach recording adventure that began nine years ago with a set of the Sonatas and Partitas. Isabelle Faust, Bernhard Forck and his partners at the Akademie für Alte Musik Berlin have explored a multitude of other works by Bach: harpsichord concertos, trio sonatas for organ, instrumental movements from sacred cantatas etc. All are revealed here as direct or indirect relatives of the three monumental Concertos BWV 1041-43. This fascinating achievement is a timely reminder that the master of The Well-Tempered Clavier was also a virtuoso violinist! © harmonia mundi
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Kamermuziek - Verschenen op 5 oktober 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 étoiles de Classica
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CD€ 13,49

Klassiek - Verschenen op 24 februari 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen Gramophone Award - Gramophone Editor's Choice
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CD€ 13,49

Klassiek - Verschenen op 26 oktober 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
Not just restricted to the baroque repertoire, Japanese violinist and violist Shunsuke Sato (also written as Shunske Sato) does not hesitate to play some of the most contemporary works, many of which he wrote for himself. This means that his own way of playing Bach benefits from both teachings - the art of playing baroque on instruments and with ancient bows, and the art of playing in a contemporary style. This is, no doubt, what makes his reading of Bach so wonderful as he searches for pure beauty, making the instrument sing and linking the phrases with such coherence. Accompanying him, we find the wonderful Swiss ensemble il pomo d’oro (all lowercase) who embrace these musicologically indisputable teachings with a tone that sometimes even sounds romantic. In truth, Bach’s music often flirts with more tender accentuation, for example in the slow movement of Concerto for two violins, which Sato plays here with Zefira Valova, a violinist from the ensemble. It should be noted that the ensemble also seeks to rediscover the most intimate sounds that Bach could have conceived in these concertos, some of which were undoubtedly written to be performed at Café Zimmermann: one musician per desk! The resulting sounds are hugely different from other recordings which are sometimes performed by orchestras that are far too large for this work. © SM/Qobuz