Albums

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Klassiek - Verschijnt op 30 augustus 2019 | Coro

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Klassiek - Verschenen op 28 juni 2019 | iMD-Fleur Inverse

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Klassiek - Verschenen op 26 april 2019 | deutsche harmonia mundi

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Liederen (Engeland) - Verschenen op 22 februari 2019 | Warner Classics

Onderscheidingen 5 de Diapason
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Vocale muziek (wereldlijk en religieus) - Verschenen op 15 februari 2019 | Signum Records

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Klassiek - Verschenen op 11 januari 2019 | Universal Music Australia Pty. Ltd.

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Klassiek - Verschenen op 23 november 2018 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice
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Klassiek - Verschenen op 19 oktober 2018 | deutsche harmonia mundi

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Klassiek - Verschenen op 12 oktober 2018 | Alpha

Hi-Res Booklet
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Klassiek - Verschenen op 21 augustus 2018 | Editions Audiovisuel Beulah

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Klassiek - Verschenen op 2 januari 2018 | Quintone Records

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Klassiek - Verschenen op 1 juni 2018 | Challenge Classics

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 27 april 2018 | Coro

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Following the sinister puritan religious dictatorship of Oliver Cromwell and the succession attempt by his son Richard during a few months, the King’s return from exile on his birthday in 1660 was celebrated as a breath of fresh air. Because under Cromwell, music and joy were banned, it was all about religion, only religion, always religion, along with war. It therefore comes as no surprise that the advent of the new king was celebrated with music. With that said, the present works by Purcell weren’t originally conceived for this particular return – the composer, albeit a young prodigy, was only one year old at the time – and in 1680 Welcome, vicegerent of the mighty King celebrated another royal return. Three years later, Purcell wrote Fly, bold rebellion to celebrate the king’s return following the failed Rye House Plot, a plan to assassinate the King as well as his brother, the future James II. The other works on the album, authored by Harry Christophers and his sumptuous ensemble The Sixteen, also offer other pieces by Purcell, including the stunning 1688 O sing unto the Lord, which is not directly related to any royal return, but whose essence perfectly encapsulates the spirit of artistic (and even, in a way, religious) freedom that prevailed in England at the time. © SM/Qobuz
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Klassiek - Verschenen op 20 april 2018 | DUX

Booklet
Despite the frilly album cover evoking the Biedermeier style, it is in fact the keyboard music of Henry Purcell that is presented here by Polish harpsichordist Ewa Rzetecka-Niewiadomska. Recorded in Łódź in 2017, this album is devoted to the eight suites for harpsichord that form the Choice Collection of Lessons for the harpsichord or spinet. Each of these Lessons starts with a prelude, followed by dances in a style borrowed from Italian and French composers that Purcell had discovered in the court of King Charles II, a fervent admirer of Louis XIV and the art of Frescobaldi, Froberger, Lully and Sweelinck. Ewa Rzetecka-Niewiadomska studied the harpsichord at the Academy of Music in Łódź, then at the Geneva Conservatory where she earned the title of “Maestro al Cembalo” in the class of Leonardo García Alarcón, with whom she plays for the production of John Blow’s Venus and Adonis. She also regularly works with the Capella Genevensis (Geneva) and with the Grand Theatre in Łódź. © François Hudry/Qobuz
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Klassiek - Verschenen op 6 april 2018 | Decca (UMO) (Classics)

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Klassiek - Verschenen op 6 april 2018 | Decca (UMO) (Classics)

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Klassiek - Verschenen op 30 maart 2018 | Universal Music B.V.

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Klassiek - Verschenen op 12 september 1983 | Decca Music Group Ltd.