Albums

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Symfonische muziek - Verschenen op 13 juni 2019 | Last Mill

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Symfonieën - Verschenen op 5 april 2019 | BR-Klassik

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Symfonische muziek - Verschenen op 29 maart 2019 | LeRockPsicophonique

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Balletten - Verschenen op 1 maart 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
In this fascinating recording the legendary Neeme Järvi explores two lesser-known French ballets by Sauguet and Ibert, complemented by the Ballet Suite from Massenet’s opera Hérodiade. Sauguet studied composition with Canteloube and Koechlin. He wrote in a variety of genres, notably for radio and for film, but his ballet scores – more than twenty of them – were central to his output. Les Forains (‘The Showfolk’) was first performed at the Théâtre des Champs-Élysées in March 1945. The cast was led by the work’s brilliant young choreographer, Roland Petit, and conducted by André Cluytens. Sauget’s wide-ranging influences, notably the orchestration of Richard Strauss as well as the works of Satie and les Six, give his work a flowing, openly melodic style that is immediately appealing and full of wit and charm. Following the success of Les Forains, and the formal establishment in October 1945 of Les Ballets des Champs-Élysées, Roland Petit and Boris Kochno devised a number of new ballets for the company. One of these was Ibert’s Les Amours de Jupiter, premiered on 9 March 1946 with a cast led by Petit himself as Jupiter. © Chandos
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Symfonische muziek - Verschenen op 8 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
The premiere of Mahler’s Third Symphony took place in June 1902 in Krefeld (not far from Düsseldorf), but it was indeed the Gürzenich Orchestra of Cologne which gave that first performance... greeted with acclaim – this was not always the composer’s experience with his masterpieces. Originally conceived as a hymn to Nature, in which the inert chaos of the opening movement is gradually left behind, the work calls for enormous forces (large orchestra, women’s choir, boys’ choir, and contralto soloist) and at each hearing leaves an unforgettable impression on the audience. Such was the case in October 2018, when François-Xavier Roth led the esteemed successors of the work’s first interpreters in this latest Mahler adventure. © harmonia mundi
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Soundtrack - Verschenen op 3 januari 2019 | Rotor Records

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Balletten - Verschenen op 2 november 2018 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 26 oktober 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 12 oktober 2018 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 12 oktober 2018 | CAvi-music

Hi-Res Booklet
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Symfonische muziek - Verschenen op 12 oktober 2018 | NoMadMusic

Hi-Res Booklets
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Symfonieën - Verschenen op 28 september 2018 | Tonkunstler Orchestra

Hi-Res Booklet
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Symfonieën - Verschenen op 7 september 2018 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Symfonische muziek - Verschenen op 31 augustus 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
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Symfonieën - Verschenen op 10 augustus 2018 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 30 juni 2018 | Rogelio Rojas Duro

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Symfonische muziek - Verschenen op 22 juni 2018 | harmonia mundi

Hi-Res Booklet
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Symfonische muziek - Verschenen op 15 juni 2018 | Rubicon Classics

Hi-Res Booklet
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Symfonische muziek - Verschenen op 25 mei 2018 | NoMadMusic

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica
It's true, we admit: no-one is really waiting for a new recording of Stravinsky's Firebird – even of the 1945 Suite, which is more rarely performed than the rather hackneyed one of 1919. But what's original about this album from the Orchestre National d’Ile-de-France is rather the rare work by Milhaud: La Bien-Aimée, a ballet from 1928 which had the considerable misfortune of being first performed at the same concert as Ravel's Boléro – which, of course, eclipsed everyone and everything else. But this Bien-Aimée is not without its charms; it is in fact a series of orchestrations of Liszt and Schubert, with one piece for pianola! Yes, the pianola, the mechanical piano which doesn't play quite as "automatically" as all that, given that the human musician decides the tempo, the dynamics and the balances themselves. The difficulty of course lies in perfectly synchronising the pianola and the orchestra: but here, it is pulled off perfectly. Milhaud's orchestrations of this music by Liszt and Schubert are a lot of fun, and Milhaud enjoys a few flashes of genius, and on occasion an unlikely orchestral hodgepodge with neither head nor tail but which, oddly, hits the mark, if in a somewhat slapstick manner. One to discover! © SM/Qobuz
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Symfonische muziek - Verschenen op 13 april 2018 | Mariinsky

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The second volume in a series of compilations exploring the jewels of Russian classical music as performed by the country’s greatest musical institution. Russian Classics Vol. 2 includes some of the most recognisable and well-loved pieces that Russian music has to offer, including Tchaikovsky’s delicate Waltz of the Flowers, the brooding opening to Tchaikovsky’s Fourth Symphony and the Great Gate of Kiev from Mussorgsky’s Pictures at an Exhibition.