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Klassiek - Verschenen op 29 december 2014 | harmonia mundi

In almost 20 years, since the release of the much-acclaimed Cosi fan tutte in 1999 (with Gens, Fink, Güra), René Jacobs has recorded the entirety of Mozart’s great operas, a feat considered as one of the most important discographical achievements of the beginning of the 20th century for its theatrical force, volcanic intensity of direction and vocal quality.Among this renewed collection, the recording of Die Zauberflöte is most Mozartian in nature: after the discovery of a new interpretation of his Da Ponte trilogy and a profoundly reimagined approach to two other opera serias (Idomeneo and La Clémence de Titus), Jacobs works to sensitively combine an array of perspectives in The Magic Flute, going well beyond the Masonic elements and integrating a range of theatrical genres.This sometimes rather sombre work contains a rather welcome light to it! Anna-Kristiina Kaappola’s “Queen of the night” is beautiful although less virtuoso than the former Cristina Deutekom’s rendition or the radiant “double” Pamina/Papageno by Marlis Petersn and Daniel Schmutzhard. © Qobuz“[…] Jacobs wanted a stripped down Flute, one that is de-romanticised […] and here, he works in a disc-oriented, hyper-theatrical mindset. The work displays an energy capable of charming a traditional Viennese audience (the work was created in Vienna’s Theater auf der Wieden) without losing any of its philosophical and Masonic airs […]. The interpretation includes a subtle study of dialogues: how to move from song to spoken word (the scenes with the Ladies of the Night are particularly revelatory), how to weave them into the music with the help of a loquacious and blunt pianoforte […] A masterfully captivating work in which multiple listens are required to extract all its riches […] (Diapason, novembre 2010/Michel Parouty)
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Symfonieën - Verschenen op 7 april 2015 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 17 maart 2011 | Alpha

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 28 mei 2021 | Sony Classical

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Thematic albums have become widespread, and often enjoy varying degrees of success. The pianist Leif Ove Andsnes, long known for his seriousness and exceptional musical talent, has chosen two crucial years of Mozart's output as the programme for this album and the one that is set to follow it. In 1785, Mozart was at the height of his genius. He had just been initiated into Freemasonry, which was then in vogue in Vienna; he had finished the 6 Quartets dedicated to his friend Haydn; he had begun composing the Marriage of Figaro and gave numerous "Academies", playing his own works on the piano.These productive times form the basis of Leif Ove Andsnes's project, which brings together three contemporary and very different concertos, from the dramatic D minor (n° 20, K. 466), to the luminous C major (n° 21, K. 467), and the most original (and longest at 23 minutes), the powerful E flat major (n° 22, K. 482). The prodigious year of 1785 also saw the creation of the Fantasia in C minor which seems to recall the teachings of the fickle Carl Philipp Emanuel Bach, the Masonic Funeral Music in the same dark tone and the Quartet with piano in G minor, another key in which Mozart wrote some masterpieces. By turns a pianist, a chamber musician and a conductor, the distinguished musician Leif Ove Andsnes offers up an album that is as historically coherent as it is musically successful. © François Hudry/Qobuz
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Volledige opera's - Verschenen op 16 juni 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - The Qobuz Ideal Discography
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Piano solo - Verschenen op 30 september 2016 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année - Uitzonderlijke Geluidsopnamen
  
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Concerten voor viool - Verschenen op 6 mei 2014 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Hi-Res Audio
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Klassiek - Verschenen op 4 september 2020 | Sony Classical

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In 2016, Sony Classical published its first recital dedicated to Mozart’s arias sang by the young cantata singer Regula Mühlemann alongside the Chambre de Bâle Orchestra under the direction of Umberto Benedetti Michelangeli (the nephew of the famous pianist). After the success of this first part, the same artists are back four years later to do it all again, with this new rosary of concert and opera airs from the Noces de Figaro, The Magic Flute and the sublime “Ruhe sanft, mein holdes Leben” extracted from Zaide. Here, we hear the vocal quality of this full-bodied and fresh voiced soprano with a fine and joyous musicality. The nine tracks on this new album demonstrate the full extent of Regula Mülemann’s sensitivity and the variety of his Mozartian incarnations. Present at the 2020 Salzbourg Festival for his interpretation of Pamina (The Magic Flute), the young soprano was victim, like most of his colleagues, to the ongoing pandemic which heavily impacted the arts this year, leading to an array of cancellations all over the world. © François Hudry/Qobuz
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Klassiek - Verschenen op 9 oktober 2020 | Sony Classical

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Klassiek - Verschenen op 21 mei 2021 | harmonia mundi

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By modifying the balance of the dialogue between the two protagonists, whom he turns into genuine alter egos, Mozart leads the genre of the sonata for fortepiano and violin onto the road to modernity. Isabelle Faust and Alexander Melnikov present here the third volume of an exciting complete set on period instruments. Their playing, showing "great elegance and utter rigour", is distinguished by "a tender and delicate expressiveness served by exceptionally subtle nuances" (Classica). © harmonia mundi
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Symfonieën - Verschenen op 28 mei 2013 | Naxos

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Klassiek - Verschenen op 25 juni 2021 | Alpha Classics

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Olga Pashchenko is one of today’s most versatile keyboard players. Equally at home on the fortepiano, the harpsichord, the organ and the modern piano, she radiates extraordinary virtuosity and passion. Her discography has hitherto enabled her to explore the music of Beethoven, her great passion, but also that of Dussek and Mendelssohn among others. A key figure was missing until now: Wolfgang Amadeus Mozart. That omission has now been repaired with this recording of his Piano Concertos No. 9 and No. 17, written in 1777 and 1784. This initial collaboration with the ensemble Il Gardellino, founded more than thirty years ago by the oboist Marcel Ponseele and the flautist Jan De Winne, is scheduled to continue with other Mozart concertos in the next few years. © Alpha Classics
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Symfonieën - Verschenen op 31 mei 2019 | Alia Vox

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By the middle of 1788, at the age of 32, Mozart had reached the height of his creative maturity, dominated by the last three symphonies, absolute masterpieces that he composed in a very short period of time – barely one and a half months. This extraordinary “symphonic massif” consisting of three peaks – Symphony No. 39 in E-flat major, completed on 26th June, Symphony No 40 in G minor, completed on 25th July and Symphony No. 41 in C major, the “Jupiter”, dated 10th August – is unquestionably the composer’s “Symphonic Testament”.
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Klassiek - Verschenen op 3 mei 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Opera - Verschenen op 14 februari 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles Classica - Hi-Res Audio
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Klassiek - Verschenen op 25 september 2020 | Alpha

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As in its Schubert recording in 2018, the Quatuor van Kuijk likes to delve into a composer’s youthful output and then measure his evolution by confronting it with his mature works. Hence, after recording two of Mozart’s early string quartets in 2016, the French group, here joined by violist Adrien La Marca, now offers the String Quintets K. 515 and K. 516. These two large-scale works dominate Mozart’s instrumental output in the year 1787, which ended with the premiere of Don Giovanni. They show us a composer at the height of his creative powers, in a genre to which he had not returned for fourteen years and which he herebrought to a high degree of formal perfection. © Alpha Classics
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Klassiek - Verschenen op 7 mei 2021 | harmonia mundi

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When Mozart took up the popular genre of the serenade, it was to transcend it and lend it new lustre. A festive masterpiece of simplicity and emotion, his Gran Partita quickly became a genuine "hit"! Thanks to the distinctive, spellbinding timbres of their period instruments, the members of the Akademie für Alte Musik Berlin give a unique flavour to these two extraordinary serenades, over which there blows – as it were – a tremendous wind of freedom. © harmonia mundi
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Missen, passies, requiems - Verschenen op 2 december 2016 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Award - Gramophone Editor's Choice - Uitzonderlijke Geluidsopnamen - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 25 september 2020 | Aparté

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Klassiek - Verschenen op 31 mei 2019 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica
Jean-Efflam Bavouzet’s first three volumes of Mozart concertos with the Manchester Camerata and Gábor Takács-Nagy have been received with widespread acclaim, and so it is with some excitement that we release the keenly anticipated fourth instalment in the series. Composed within just one month in early 1785, these two concertos by Mozart are among the most popular of all his piano concertos. No. 20, KV 466 was his first concerto in a minor key, and its dark and stormy nature contrasts with the light and sunny atmosphere of Concerto No. 21, KV 467. Like so many of his piano concertos, both works were composed for the Vienna concert season and were given their premiere performances with Mozart at the keyboard. The two concertos are interspersed on this recording with a vivid performance of the Overture to Don Giovanni, which shares traits with both concertos and further demonstrates the exemplary playing of Manchester Camerata. © Chandos