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Klassiek - Verschenen op 1 januari 1964 | Warner Classics

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Klassiek - Verschenen op 12 juni 2020 | Sony Classical

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It has been a while since major studios gave up recording operas in studio due to a lack of investment and profitability. But the world-renowned reputation of Jonas Kaufmann has incited Sony Classical to record and produce this new version of Verdi’s Othello in studio in the “traditional style”. The work was produced over twelve days of session recording in the generous acoustics of the splendid Parco della Musica built in Rome by the architect Renzo Piano. It is no exaggeration when we say that this is a truly astounding version of Verdi’s masterpiece that stands shoulder to shoulder with the legendary versions of the flamboyant Toscanini (1947), the winning trio Vickers-Rysanek-Gobbi of Serafin (1960) and also the electrifying live performance of Carlos Kleiber (1976). There are of course many others of diverse merit but none so utterly satisfying.Jonas Kaufmann has waited patiently before taking on the compelling title role, singing previously as Cassio in Chicago before playing Otello in London in 2017 under the passionate direction of Antonio Pappano (interpretation available on DVD). Here, the same conductor is at helm of the supercharged and on great form, Orchestre de l’Académie Sainte-Cécile in Rome. Alongside his strong, moving, impulsive and ultimately fragile depiction of Otello, Jonas Kaufmann is joined by Federica Lombardi’s sublime Desdemona and Carlos Álvarez’s solid take on the sordid, treacherous and conniving Iago. Liparit Avetisyan and Carlo Bossi, who play Cassio and Rodrigo respectively, provide this ensemble with a perfect harmony. The sound recording provides a great presence to this vocal and instrumental delight and does justice to the aggression and violent colouring of Verdi’s final drama as the composer proves more than ever to be a match for Shakespeare. © François Hudry/Qobuz
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Volledige opera's - Verschenen op 1 november 2019 | Prima Classic

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As if trying to prove that opera's centre of gravity has changed, this new Traviata is from Latvia. Recorded in Riga between 24 March and 3 April 2019, it's the first studio recording of a Verdi opera for... 26 years. This production shows off today's great voices, with a moving Violetta from Latvian soprano Marina Rebeka, who has been singing this role very successfully on the great stages of the world since 2007 and meeting with great acclaim (she has already featured in a Naxos DVD of a live performance of La Traviata in Hanover). At her side, Alfredo is played by Charles Castronovo, one of the world's most sought-after lyrical tenors. He sang this role (also for a DVD recording) alongside Natalie Dessay at Aix-en-Provence. As for the Verdian baritone George Petean, he is also seen at Vienna, and at Covent Garden, the Metropolitan, Dresden and Zurich. At the stand, the young German lyrical orchestra conductor Michael Balke is on the up and up. After having led the Magdeburg Opera, he is currently the musical director at St. Gallen, in German- speaking Switzerland. And today he is gradually becoming more and more in- demand on the Tokyo stage and on stages across Europe. For musicians, making a record often means running a gauntlet. Following her international success, Marina Rebeka, like a great many artists today, turned the tables by creating Prima Classic, her own independent label, keeping her intellectual property rights and artistic independence over her work: all in order to enjoy total freedom in her own artistic choices. This Traviata is very polished both vocally and instrumentally, and it's one of the first outings for the new label. © François Hudry/Qobuz
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Opera - Verschenen op 2 oktober 2015 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - 4F de Télérama - Diapason d'or / Arte - Choc de Classica
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Volledige opera's - Verschenen op 4 november 2016 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Choc de Classica
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Opera - Verschenen op 8 maart 2010 | Warner Classics

Booklet Onderscheidingen The Qobuz Ideal Discography
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Volledige opera's - Verschenen op 11 juli 2014 | Sony Classical

Hi-Res Onderscheidingen Diapason d'or - The Qobuz Ideal Discography
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Volledige opera's - Verschenen op 2 september 2016 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or
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Volledige opera's - Verschenen op 9 november 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or
Lady Macbeth's introduction alone, "Vieni t'affretta", sung by the formidable Shirley Verrett is enough to make this an immortal record! But there's a lot more to come. Recorded in the middle of a 1975 anthology performance at La Scala in Milan and superbly produced by Giorgio Strehler, this album possesses a theatricality that is difficult to recreate in a studio. Claudio Abbado directs with great subtlety and eloquence. Domingo, Cappuccilli, and Ghiaurov are all on top form. It's rare that this blend of Shakespeare and Verdi is performed with such a perfect sense of the dramatic. This is a brilliantly unique record. © François Hudry/Qobuz
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Klassiek - Verschenen op 7 april 2017 | LSO Live

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Klassiek - Verschenen op 1 januari 2013 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 4 étoiles Classica - Hi-Res Audio
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Missen, passies, requiems - Verschenen op 27 maart 2015 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Klassiek - Verschenen op 16 augustus 2019 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 1 januari 2014 | Decca Music Group Ltd.

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Opera - Verschenen op 1 mei 2020 | BR-Klassik

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Verdi strongly adhered to Italian patriotism and Attila is one of his works that goes to show it. A drama with a particularly inventive melodic invention, it aptly confronts the barbarian Attila, not devoid of greatness and humanity, the Roman general Ezio with his ambiguous character (“You will have the universe; but let Italy remain mine”) and the allegorical figure Odabella, an emblem of the Italian female fighters. Attila contains some major pages heralding the great works of maturity, especially in Attila’s scene and the grand finale of the first act. In this work and like so many others, Verdi carries his political ideas into an epic and national drama. Recorded during a concert at the Prince Regent Theatre in Munich on October 13, 2019, this production features the dark, deep voice of Italian bass baritone Ildebrando d’Archangelo, facing the powerful Ukrainian soprano Liudmyla Monastyrska, whose sharp style and impressive vocal abilities transfigure the Verdian melodies. Sicilian tenor Stefano La Colla en Foresto and Romanian baritone George Petean complete a motley but perfectly balanced cast. A special mention goes to the Bavarian Radio Choir, who bring a luxurious note to the Verdian drama conducted here by the Croatian conductor Ivan Repušić, marking his induction concert to his new position as Music Director of the Munich Radio Orchestra. © François Hudry/Qobuz
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Missen, passies, requiems - Verschenen op 29 maart 2019 | Les Indispensables de Diapason

Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 1 januari 1963 | Warner Classics

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Opera - Verschenen op 31 januari 2020 | Chandos

Hi-Res Booklet
With more than twenty-five roles from Italian and Russian repertoires to her name, Ukrainian soprano Olga Mykytenko has been setting opera house stages alight from St Petersburg all the way to New York. Her high level of musicality is admirable, her technique is infallible and the expression of her characters is particularly successful. Here she is on a journey across the feminine world of great Verdian sopranos; a recital which touches on ten different works, from Verdi’s difficult years to the triumph of La Traviata. Ten different roles and so ten different women: betrayed, abandoned, vengeful, beaten, sickly, assassinated… Although none of them resemble each other in their personalities, expressions or vocal classifications, all these heroines are similar in the way their art of singing relies on Verdi’s inimitable melodic talent. It is therefore understandable how such a recital is a veritable tour de force for a lone singer, transitioning from the fury of Lady Macbeth to the fragility of Violetta. A feat easily accomplished by Olga Mykytenko with the help of her compatriot Kirill Karabits heading up the Bournemouth Symphony Orchestra. © François Hudry/Qobuz The Ukrainian soprano Olga Mykytenko has won numerous international awards, including the Grand Prix at the Maria Callas International Singing Contest in Athens. Her extraordinary musicality, solid vocal technique, easy coloraturas, and strong expression allow her to sing major roles, from Iolanta, Mimì, and Nedda to Gilda, Violetta, and Lucia. Engaged for many years as a soloist at the National Opera of Ukraine in Kiev, where she made her debut, Olga has performed in opera houses and concert halls around the world. For this debut album for Chandos, she brings her interpretations of many of Verdi’s greatest soprano roles from the stage into the studio. Her programme also spans the majority of Verdi’s operatic output, from Ernani (Elvira) via Macbeth (Lady Macbeth) through to I vespri siciliani (Elena) and of course taking in Violetta (La Traviata), among many others, along the way. Accompanied by her compatriot Kirill Karabits and the thrillingly sympathetic Bournemouth Symphony Orchestra, this recital is a vocal and musical "tour de force". © Chandos
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Klassiek - Verschenen op 1 januari 2005 | Deutsche Grammophon (DG)

Onderscheidingen The Qobuz Ideal Discography
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Volledige opera's - Verschenen op 1 april 1962 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica