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François-Xavier Roth - Ravel: Ma Mère l'Oye, Tombeau de Couperin, Shéhérazade

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Ravel: Ma Mère l'Oye, Tombeau de Couperin, Shéhérazade

Les Siècles - François-Xavier Roth

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Recording Ravel's music on period instruments is the kind of thing that might raise a smile... until you realise just how much the production of instruments has changed in less than a hundred years: it's the return of catgut strings, skin drum heads, the French basson (and not the German system bassoon which is used across all the world's orchestras today), shaper tips, trumpets and trombones of French manufacture. At the head of his orchestra Les Siècles, François-Xavier Roth gives a new, orthodox, historically-informed version of Ma Mère l’oye (complete ballet), the Tombeau de Couperin and Shéhérazade, the long-neglected "ouverture de féérie" [Fairy Overture] which is pure Ravel. This return to the roots is clearly easier and more straightforwardly authentic for this period of music history, because, unlike earlier works, we possess recordings which date back to the 1920s, and even earlier, which can tell us about the style, the colours, the phrasing and the tempo.
But it isn't enough just to have all this historical information to hand to make something interesting. What makes this record thrilling is that all the musicians in the Siècles are excellent, and François-Xavier Roth is a talented artist himself, who knows this music inside out. At which point, his complete recording of Stravinsky's Firebird has already struck us with its quality. This rediscovery of Ravel resounds with clarity and finesse; it is a feast of well-defined timbres which cuts against the "beautiful sound" which prevails in orchestras around the world today. © François Hudry/Qobuz

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Ravel: Ma Mère l'Oye, Tombeau de Couperin, Shéhérazade

François-Xavier Roth

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Ma Mère L'Oye, M. 62 (Maurice Ravel)

1
Prélude. Très lent
00:03:05

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

2
Premier tableau : I. Danse du rouet et scène. Allegro
00:01:58

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

3
Interlude. Un peu moins animé
00:01:15

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

4
Deuxième tableau : II. Pavane de la Belle au bois dormant. Lent
00:01:38

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

5
Interlude. Plus lent
00:00:50

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

6
Troisième tableau : III. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré
00:04:00

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

7
Interlude. Lent
00:00:40

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

8
Quatrième tableau : IV. Petit Poucet. Très modéré
00:03:32

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

9
Interlude. Lent
00:01:20

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

10
Cinquième tableau : V. Laideronnette, impératrice des pagodes. Mouvement de marche
00:03:24

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

11
Interlude. Allegro
00:01:07

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

12
Apothéose. Le jardin féerique. Lent et grave
00:03:35

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

Shéhérazade, M. 17 (Maurice Ravel)

13
Shéhérazade, ouverture de féerie, M. 17
00:13:13

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

Le Tombeau de Couperin, M. 68a (Maurice Ravel)

14
I. Prélude. Vif
00:03:00

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

15
II. Forlane. Allegretto
00:05:39

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

16
III. Menuet. Allegro moderato
00:04:42

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

17
IV. Rigaudon. Assez vif
00:03:16

Les Siècles - François-Xavier Roth, Conductor - Maurice Ravel, Composer - Editions Universal - Durand, MusicPublisher

harmonia mundi harmonia mundi

Album Description

Recording Ravel's music on period instruments is the kind of thing that might raise a smile... until you realise just how much the production of instruments has changed in less than a hundred years: it's the return of catgut strings, skin drum heads, the French basson (and not the German system bassoon which is used across all the world's orchestras today), shaper tips, trumpets and trombones of French manufacture. At the head of his orchestra Les Siècles, François-Xavier Roth gives a new, orthodox, historically-informed version of Ma Mère l’oye (complete ballet), the Tombeau de Couperin and Shéhérazade, the long-neglected "ouverture de féérie" [Fairy Overture] which is pure Ravel. This return to the roots is clearly easier and more straightforwardly authentic for this period of music history, because, unlike earlier works, we possess recordings which date back to the 1920s, and even earlier, which can tell us about the style, the colours, the phrasing and the tempo.
But it isn't enough just to have all this historical information to hand to make something interesting. What makes this record thrilling is that all the musicians in the Siècles are excellent, and François-Xavier Roth is a talented artist himself, who knows this music inside out. At which point, his complete recording of Stravinsky's Firebird has already struck us with its quality. This rediscovery of Ravel resounds with clarity and finesse; it is a feast of well-defined timbres which cuts against the "beautiful sound" which prevails in orchestras around the world today. © François Hudry/Qobuz

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