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Language available : english
Some of the Europeans who came to Hollywood in the 1930s had to learn a new American language of film music; Kurt Weill, for example, gave himself a thorough course in the harmony of American popular music before he set pen to paper in the U.S. This is less true, though, of Miklós Rózsa, who wrote concert music over his entire career and often bemoaned its lack of popularity. He had a legitimate grievance, for works like the ones on this album ought to appeal to lovers of any of his 16 Academy Award-winning film scores; the musical language is not that far off. The Hungarian Serenade draws on folk music, more in a Dvořákian way than like Bartók, but even so, it unfolds a series of little scenes for which the listener will have no trouble imagining action. It was composed in 1932, before Rózsa left Europe, and revised in 1946. The wittily named Overture to a Symphony Concert (1957) is a festive thing that would fit perfectly well on a symphony concert with the likes of Nico Muhly today. Somewhat more progressive in style is the Tripartita (three movements, as promised), which is rhythmically complex. It remains a lively, appealing work that lies squarely in the interesting Eastern European generation after Bartók. The Deutsche Staatsphilharmonie Rheinland-Pfalz, an underrated regional group, gives crisp performances under conductor Gregor Bühl on a release that should find large audiences among both film buffs and fans of 20th century music generally.
© James Manheim /TiVo
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Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist - Schott Musikverlag, Mainz, MusicPublisher
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Breitkopf & Härtel, MusicPublisher - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Breitkopf & Härtel, MusicPublisher - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Breitkopf & Härtel, MusicPublisher - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Breitkopf & Härtel, MusicPublisher - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Breitkopf & Härtel, MusicPublisher - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Breitkopf & Härtel, MusicPublisher - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Breitkopf & Härtel, MusicPublisher - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Miklos Rozsa, Composer - Gregor Bühl, Conductor, MainArtist - Breitkopf & Härtel, MusicPublisher - Deutsche Staatsphilharmonie Rheinland-Pfalz, Orchestra, MainArtist
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
Albumbeschreibung
Some of the Europeans who came to Hollywood in the 1930s had to learn a new American language of film music; Kurt Weill, for example, gave himself a thorough course in the harmony of American popular music before he set pen to paper in the U.S. This is less true, though, of Miklós Rózsa, who wrote concert music over his entire career and often bemoaned its lack of popularity. He had a legitimate grievance, for works like the ones on this album ought to appeal to lovers of any of his 16 Academy Award-winning film scores; the musical language is not that far off. The Hungarian Serenade draws on folk music, more in a Dvořákian way than like Bartók, but even so, it unfolds a series of little scenes for which the listener will have no trouble imagining action. It was composed in 1932, before Rózsa left Europe, and revised in 1946. The wittily named Overture to a Symphony Concert (1957) is a festive thing that would fit perfectly well on a symphony concert with the likes of Nico Muhly today. Somewhat more progressive in style is the Tripartita (three movements, as promised), which is rhythmically complex. It remains a lively, appealing work that lies squarely in the interesting Eastern European generation after Bartók. The Deutsche Staatsphilharmonie Rheinland-Pfalz, an underrated regional group, gives crisp performances under conductor Gregor Bühl on a release that should find large audiences among both film buffs and fans of 20th century music generally.
© James Manheim /TiVo
About the album
- 1 disc(s) - 9 track(s)
- Total length: 00:55:55
- Main artists: Staatsphilharmonie Rheinland-Pfalz Gregor Bühl
- Composer: Miklós Rózsa
- Label: Capriccio
- Genre: Klassiek
2024 Capriccio, 1040 Vienna, Austria 2024 Capriccio, 1040 Vienna, Austria
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