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Chor des westdeutschen rundfunks|Gustav Mahler: Symphony No. 8

Gustav Mahler: Symphony No. 8

Chor des Westdeutschen Rundfunks, Münchner MotettenChor, Rafael Kubelik, Regensburger Domspatzen & Symphonieorchester des Bayerischen Rundfunks

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Rafael Kubelik made this live recording of Gustav Mahler's Symphony No. 8 in E flat major with the Bavarian Radio Symphony Orchestra on June 24, 1970, and it is certainly one of the most exciting on disc, if not quite the most exacting performance. Kubelik has enthusiastic soloists, choirs, and orchestral players who take on the so-called "Symphony of a Thousand" with great energy and heaven-storming power, and the force of the performance compels rapt listening. Yet this is perhaps a recording best enjoyed by people who know the work extremely well, and who understand the difficulties of keeping all these musicians together at the barline. Listeners who don't know the Symphony No. 8 may be puzzled at what seem to be disjointed tempos and some misalignments of rhythms, which are natural problems one might expect in a live performance of this sprawling symphony. Because of the large distances between the multiple choirs, eight singers, organ, and orchestra, to say nothing of the offstage brass, there are slight delays in response that can only be controlled in a studio setting. Newcomers to the work might opt instead for Georg Solti's classic 1971 recording on Decca, which is as accurate and thrilling a rendition as can be found anywhere. But connoisseurs who can forgive the minor inaccuracies of Kubelik's performance will still be impressed with its vitality and moved by its majesty.

© TiVo

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Gustav Mahler: Symphony No. 8

Chor des westdeutschen rundfunks

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1
Sinfonie "Sinfonie der Tausend" No. 8 in Es Dur: I. Teil - Hymnus: Veni, creator spiritus - Allegro Impetuoso.
Chor des Norddeutschen Rundfunks
00:21:30

Chor des Norddeutschen Rundfunks, Ensemble - Chor des westdeutschen rundfunks, Ensemble - Dietrich Fischer-Dieskau, Performer - Donald Grobe, Performer - Eberhard Kraus, Performer - Edith Mathis, Performer - Erna Spoorenberg, Performer - Franz Crass, Performer - Julia Hamari, Performer - Martina Arroyo, Performer - Münchner MotettenChor, Ensemble - Norma Procter, Performer - Rafael Kubelik, Conductor - Regensburger Domspatzen, Ensemble - Symphonieorchester Des Bayerischen Rundfunks, Ensemble - Gustav Mahler, Composer

2005 audite Musikproduktion 1970 BR

2
Sinfonie "Sinfonie der Tausend" No. 8 in Es Dur: II. Teil - Schlußszene aus "Faust" - Poco Adagio.
Chor des Norddeutschen Rundfunks
00:27:16

Chor des Norddeutschen Rundfunks, Ensemble - Chor des westdeutschen rundfunks, Ensemble - Dietrich Fischer-Dieskau, Performer - Donald Grobe, Performer - Eberhard Kraus, Performer - Edith Mathis, Performer - Erna Spoorenberg, Performer - Franz Crass, Performer - Julia Hamari, Performer - Martina Arroyo, Performer - Münchner MotettenChor, Ensemble - Norma Procter, Performer - Rafael Kubelik, Conductor - Regensburger Domspatzen, Ensemble - Symphonieorchester Des Bayerischen Rundfunks, Ensemble - Gustav Mahler, Composer

2005 audite Musikproduktion 1970 BR

3
Sinfonie "Sinfonie der Tausend" No. 8 in Es Dur: II. Teil - Schlußszene aus "Faust" - Äußerst langsam. Adagissimo.
Chor des Norddeutschen Rundfunks
00:24:50

Chor des Norddeutschen Rundfunks, Ensemble - Chor des westdeutschen rundfunks, Ensemble - Dietrich Fischer-Dieskau, Performer - Donald Grobe, Performer - Eberhard Kraus, Performer - Edith Mathis, Performer - Erna Spoorenberg, Performer - Franz Crass, Performer - Julia Hamari, Performer - Martina Arroyo, Performer - Münchner MotettenChor, Ensemble - Norma Procter, Performer - Rafael Kubelik, Conductor - Regensburger Domspatzen, Ensemble - Symphonieorchester Des Bayerischen Rundfunks, Ensemble - Gustav Mahler, Composer

2005 audite Musikproduktion 1970 BR

Albumbeschreibung

Rafael Kubelik made this live recording of Gustav Mahler's Symphony No. 8 in E flat major with the Bavarian Radio Symphony Orchestra on June 24, 1970, and it is certainly one of the most exciting on disc, if not quite the most exacting performance. Kubelik has enthusiastic soloists, choirs, and orchestral players who take on the so-called "Symphony of a Thousand" with great energy and heaven-storming power, and the force of the performance compels rapt listening. Yet this is perhaps a recording best enjoyed by people who know the work extremely well, and who understand the difficulties of keeping all these musicians together at the barline. Listeners who don't know the Symphony No. 8 may be puzzled at what seem to be disjointed tempos and some misalignments of rhythms, which are natural problems one might expect in a live performance of this sprawling symphony. Because of the large distances between the multiple choirs, eight singers, organ, and orchestra, to say nothing of the offstage brass, there are slight delays in response that can only be controlled in a studio setting. Newcomers to the work might opt instead for Georg Solti's classic 1971 recording on Decca, which is as accurate and thrilling a rendition as can be found anywhere. But connoisseurs who can forgive the minor inaccuracies of Kubelik's performance will still be impressed with its vitality and moved by its majesty.

© TiVo

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