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Pray For Me I Don’t Fit In

Melt Yourself Down

Alternatif et Indé - To be released February 18, 2022 | Decca (UMO)

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Smoke & Oakum

The Longest Johns

Folk - To be released January 21, 2022 | Decca (UMO)

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Brightside

The Lumineers

Alternatif et Indé - Released January 14, 2022 | Decca (UMO)

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Over the past decade, Colorado's The Lumineers have well proven that they are much more than the twee novelty of their hit "Ho Hey." Though they were originally lumped in with bands like Mumford and Sons, their brand of Americana folk is a more stark, incredibly intimate affair. Sometimes that can translate into an echo of Springsteen, like on the majestic title track—buzzing guitar, pomp drums, jangling tambourine—with its evocative lyrics: "I could see it in the air/ Every word was like smoke from a cigarette." At other times, there is a loose feel of Tom Petty circa Wallflowers, as on the sweet and low piano ballad "Big Shot." Produced by Simone Felice of the Felice Brothers, Brightside mostly opts for subtlety (barely plucked guitar, a wisp of piano on "A.M. Radio") that invites you to lean in and really listen. Vocalist Wesley Schultz has learned how to play his delightfully ragged voice over the years, too. To deliver the poignancy of the lyrics "Find a love, I was leveled at the sight of you/ You were wrong, what I needed was a little clue" on the great "Never Really Mine," he pushes it to a higher register—the song conveying swagger and a desperation all at once. On the daydreamy "Rollercoaster," floating lightly on piano and organ, Schultz punches unexpected words, making you think about what he really means: "I wish we could start it over, have another child." It's not so much traditional poetry as someone plainly sharing real human emotion. The Nilsson-esque "Birthday" is a bittersweet head-bob, and "Where We Are" is ready-made for a TV commercial: sentimental, folksy, warm-hearted, reassuring ("I don't know where we are/ But it will be OK," Schultz sings, with just a slight catch in his delivery). Closer "Reprise" is a treat: Starting off with a driving determination, the sub bass is lifted joyously by piano from Jeremiah Fraites. "I'm headed for the lights/ I'm headed for the bright side, baby, tonight," Schultz promises, the backing vocals rising and falling as if at sea. © Shelly Ridenour/Qobuz
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Brightside

The Lumineers

Alternatif et Indé - Released January 14, 2022 | Decca (UMO)

Over the past decade, Colorado's The Lumineers have well proven that they are much more than the twee novelty of their hit "Ho Hey." Though they were originally lumped in with bands like Mumford and Sons, their brand of Americana folk is a more stark, incredibly intimate affair. Sometimes that can translate into an echo of Springsteen, like on the majestic title track—buzzing guitar, pomp drums, jangling tambourine—with its evocative lyrics: "I could see it in the air/ Every word was like smoke from a cigarette." At other times, there is a loose feel of Tom Petty circa Wallflowers, as on the sweet and low piano ballad "Big Shot." Produced by Simone Felice of the Felice Brothers, Brightside mostly opts for subtlety (barely plucked guitar, a wisp of piano on "A.M. Radio") that invites you to lean in and really listen. Vocalist Wesley Schultz has learned how to play his delightfully ragged voice over the years, too. To deliver the poignancy of the lyrics "Find a love, I was leveled at the sight of you/ You were wrong, what I needed was a little clue" on the great "Never Really Mine," he pushes it to a higher register—the song conveying swagger and a desperation all at once. On the daydreamy "Rollercoaster," floating lightly on piano and organ, Schultz punches unexpected words, making you think about what he really means: "I wish we could start it over, have another child." It's not so much traditional poetry as someone plainly sharing real human emotion. The Nilsson-esque "Birthday" is a bittersweet head-bob, and "Where We Are" is ready-made for a TV commercial: sentimental, folksy, warm-hearted, reassuring ("I don't know where we are/ But it will be OK," Schultz sings, with just a slight catch in his delivery). Closer "Reprise" is a treat: Starting off with a driving determination, the sub bass is lifted joyously by piano from Jeremiah Fraites. "I'm headed for the lights/ I'm headed for the bright side, baby, tonight," Schultz promises, the backing vocals rising and falling as if at sea. © Shelly Ridenour/Qobuz
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Fix You

Jacob Collier

Pop - Released December 24, 2021 | Decca (UMO)

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Fix You

Jacob Collier

Pop - Released December 24, 2021 | Decca (UMO)

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The Parting Glass

Ronan Keating

Pop - Released December 10, 2021 | Decca (UMO)

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Scrooge

The Longest Johns

Folk - Released December 10, 2021 | Decca (UMO)

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The Parting Glass

Ronan Keating

Pop - Released December 10, 2021 | Decca (UMO)

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Sings Merry Christmas

MC Grammar

Pop - Released December 10, 2021 | Decca (UMO)

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Sings Merry Christmas

MC Grammar

Pop - Released December 10, 2021 | Decca (UMO)

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Scrooge

The Longest Johns

Folk - Released December 10, 2021 | Decca (UMO)

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This is Life (Merry Christmas)

The Lumineers

Alternatif et Indé - Released December 1, 2021 | Decca (UMO)

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This is Life (Merry Christmas)

The Lumineers

Alternatif et Indé - Released December 1, 2021 | Decca (UMO)

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Feliz Navidad

Cande y Paulo

Jazz - Released November 26, 2021 | Decca (UMO)

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Feliz Navidad

Cande y Paulo

Jazz - Released November 26, 2021 | Decca (UMO)

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Songs From Home

Ronan Keating

Pop - Released November 12, 2021 | Decca (UMO)

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Songs From Home

Ronan Keating

Pop - Released November 12, 2021 | Decca (UMO)

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Thank You

Diana Ross

Soul - Released November 5, 2021 | Decca (UMO)

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Jingle Bells

The Puppini Sisters

Jazz - Released December 18, 2006 | Decca (UMO)

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