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Eddie Harris|Come On Down!

Come On Down!

Eddie Harris

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The album title and the weird cover portrait of Eddie Harris with an orange substituting for his head refer to the recording locale -- Miami. The rationale might have been to give Miami the same down-home soul appeal that Muscle Shoals and Memphis were enjoying at the time. Certainly Harris got a romping soul/jazz/rock session out of the trip, a bit overloaded on the electric guitar side, but invigorating. Ira Sullivan joins the fracas now and then with some uninhibited trumpet, Donald "Duck" Dunn (from Booker T. & the MG's) is the anchor on bass, and supersessionman Cornell Dupree dominates the guitars. The centerpiece is a long, frantic, rowdy, R&B remake of "Live Right Now" where Harris seems to be jooglin' around on electric sax as part of the rhythm section, and "Fooltish" has a loose swaggering appeal. "Really" finds him soulfully crooning through his electric horn for the first time, and "Why Don't You Quit" builds inexorably to a majestic Echoplex extravaganza. Worth hunting for in the LP bins.

© Richard S. Ginell /TiVo

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Come On Down!

Eddie Harris

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1
Don't You Know the Future's in Space (LP Version)
00:05:28

E. Harris, Writer - Donald Dunn, Contributor - EDDIE HARRIS, MainArtist - Billy Carter, Organ - Dave Crawford, Performance - Tubby Ziegler, Drums - J O'Rourke, Guitar - C. Dupree, Guitar - Ira Sullivan, Trombone - J. Diorio, Guitar

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1970 Atlantic Records

2
Live Right Now (LP Version)
00:08:22

Charles Stepney, Arranger - E. Harris, Writer - Cornell Dupree, Guitar - EDDIE HARRIS, Composer, Tenor Saxophone, MainArtist - TOM DOWD, Producer - Billy Carter, Organ - Jimmy O'Rourke, Guitar - Tubby Ziegler, Drums - Grady Tate, Contributor - Donad Dunn, Contributor - Ira Sullivan, Trombone - Joseph Diorio, Guitar

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1970 Atlantic Records

3
Really? (LP Version)
00:04:44

E. Harris, Writer - Donald Dunn, Contributor - EDDIE HARRIS, MainArtist - Billy Carter, Organ - Dave Crawford, Performance - Tubby Ziegler, Drums - J O'Rourke, Guitar - C. Dupree, Guitar - Ira Sullivan, Trombone - J. Diorio, Guitar

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1970 Atlantic Records

4
Nowhere to Go (LP Version)
00:05:35

Donald Dunn, Performance - EDDIE HARRIS, Writer, Performance, MainArtist - Billy Carter, Organ - Dave Crawford, Piano - Jimmy O'Rourke, Guitar - Tubby Ziegler, Drums - C. Dupree, Guitar - Ira Sullivan, Trombone - J. Diorio, Guitar

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1970 Atlantic Records

5
Fooltish (LP Version)
00:07:10

E. Harris, Writer - EDDIE HARRIS, Performance, MainArtist

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1970 Atlantic Records

6
Why Don't You Quit (LP Version)
00:06:48

E. Harris, Writer - Donald Dunn, Contributor - EDDIE HARRIS, MainArtist - Billy Carter, Organ - Dave Crawford, Performance - Tubby Ziegler, Drums - J O'Rourke, Guitar - C. Dupree, Guitar - Ira Sullivan, Trombone - J. Diorio, Guitar

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1970 Atlantic Records

Album review

The album title and the weird cover portrait of Eddie Harris with an orange substituting for his head refer to the recording locale -- Miami. The rationale might have been to give Miami the same down-home soul appeal that Muscle Shoals and Memphis were enjoying at the time. Certainly Harris got a romping soul/jazz/rock session out of the trip, a bit overloaded on the electric guitar side, but invigorating. Ira Sullivan joins the fracas now and then with some uninhibited trumpet, Donald "Duck" Dunn (from Booker T. & the MG's) is the anchor on bass, and supersessionman Cornell Dupree dominates the guitars. The centerpiece is a long, frantic, rowdy, R&B remake of "Live Right Now" where Harris seems to be jooglin' around on electric sax as part of the rhythm section, and "Fooltish" has a loose swaggering appeal. "Really" finds him soulfully crooning through his electric horn for the first time, and "Why Don't You Quit" builds inexorably to a majestic Echoplex extravaganza. Worth hunting for in the LP bins.

© Richard S. Ginell /TiVo

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