Along with Cast, Ocean Colour Scene, Kula Shaker, and Embrace, Travis were one of the most prominent British trad rock bands in the mid- to late '90s. Following Oasis' lead of crafting down-to-earth, heartfelt songs in the vein of classic British bands from the '60s, Travis were more successful and enduring than some of their peers due to their lively, impassioned songwriting and performances. They would go on influence a generation of bands, including Coldplay, Keane, and Snow Patrol. The group formed in Glasgow around 1990 as something of a lark for its members, singer/songwriter Francis Healy, guitarist Andy Dunlop, drummer Neil Primrose, and bassist Dougie Payne. After finishing their studies at art school a few years later, the foursome became more serious about Travis' potential and moved to London in 1996. Their self-released debut EP, All I Wanna Do Is Rock, came out in the fall of that year; with its earnest vocals and soaring guitars, it captured the spirit of British rock at the time, which was retreating from some of Brit-pop's artiness to a back-to-basics sound. Their second single, 1997's "U16 Girls," was released by Independiente Records, the new label headed by former Go! Discs director Andy MacDonald; a few months later, their critically acclaimed full-length debut, Good Feeling, arrived. Recorded in a matter of days with top producer Steve Lillywhite, the album included hit singles like "Happy" and "Tied to the '90s" and immediately entered the Top Ten of the U.K. charts. The following year, Travis began sessions with star producer Nigel Godrich for the follow-up to Good Feeling, recording in six studios in as many months. Though it was a slower, darker affair, when The Man Who appeared in 1999 it eclipsed Travis' previous successes, going platinum six times in the U.K. and spawning more hit singles such as "Why Does It Always Rain on Me?" and "Writing to Reach You." Nominated Select Magazine's Album of the Year (and finishing in the Top Ten of many other publication's year-end lists), The Man Who appeared on U.S. shores in early 2000, just in time for a tour with their musical big brothers, Oasis. Debuting at the number one spot on the U.K. album chart, The Invisible Band was issued in June 2001 just prior to stateside summer gigs with Dido. Two years later, the band issued the thematically darker 12 Memories, which was loosely based on Healy's own struggles with depression. A singles collection followed in late 2004. Travis finally returned with an album of all-new material in the spring of 2007 entitled The Boy with No Name, whose arrival was announced by the release of the single "Closer." Travis opted for an edgier sound on Ode to J. Smith, which was released in early fall 2008 in the U.K. and later in the season in the U.S. Their seventh studio album, Where You Stand, was released in the summer of 2013, five years after Ode to J. Smith. The record was previewed with "Another Guy," which displayed a lo-fi, angular side to Travis. The band returned to the legendary Hansa Tonstudio (David Bowie, Depeche Mode, U2) in Berlin to record their eighth album, 2016's Everything at Once, which was preceded by the lead single of the same name in November 2015.
© Heather Phares /TiVo
© Heather Phares /TiVo
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Alternative & Indie - Released September 8, 1997 | Independiente
Like most post-Oasis bands, Travis are determined to be a classic band, which means they are decidedly classicist in their approach. Travis have the traditional Britpop influences -- Beatles, Kinks, Small Faces, etc. -- which are filtered through such '90s peers as the Stone Roses, Manic Street Preachers, and, of course, Oasis. Fortunately, they aren't tied to the '60s, like Cast or Ocean Colour Scene; they try to revitalize the traditions with harder backbeats and louder guitars, and Fran Healy's voice often strains at the edge of screaming. That approach can keep their conventional aspects entertaining, but what makes Good Feeling a successful debut is that Healy can write hooks, whether it's the anthemic "All I Want to Do Is Rock" or the stompy "U16 Girls." There are several slow spots on Good Feeling that illustrate how the group's sound has its limits, but it's a promising debut that establishes Travis as one of the better British trad rock groups. © Stephen Thomas Erlewine /TiVo
Alternative & Indie - Released November 1, 2004 | Independiente
Next to Coldplay, no other band was as successful in disseminating post-Britpop in the early 2000s as the Scottish four-piece Travis. Ironically, starting out as a neo-trad rock outfit on its 1997 debut album, Good Feeling, the band soon experienced a kind of soft rock epiphany and by its 1999 follow-up, The Man Who, was pursuing a decidedly more low-key acoustic sound. Centered around the delicately sanguine vocals of Fran Healy, Travis found radio-friendly currency with such melancholy anthems as "Why Does It Always Rain On Me?," "Sing," and "Flowers in the Window." However, despite a knack for catchy melodies and heartfelt lyrical sentiments, Travis albums often have a "samey" quality, which makes Singles such a pleasant addition to the band's catalog. Featuring every one of Travis' singles -- including the aforementioned hits -- as well as a new cut, Singles works as a great introduction to the band, hitting all the high points while avoiding any mid-album filler. Of course, some memorable album tracks like "Safe" can't technically be included here, and fans will have to wait for the inevitable "best-of" disc for a more complete Travis picture. Until then, Singles will do just fine, thanks. © Matt Collar /TiVo
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