Jean-Jacques Perrey
Recording both as a solo artist and in collaboration with Gershon Kingsley, Jean-Jacques Perrey helped popularize electronic music with a series of albums in the 1960s that used Moog synthesizers, the Ondioline, and magnetic tape. His work was never intended to be part of the avant-garde, as Perrey himself cheerfully declared in his liner notes. His goal was to popularize electronic music by deploying it in happy, simple tunes and arrangements. That's why his music falls far closer to easy listening/space age pop than any sort of cutting edge -- and that is also why his music sounds more nostalgic than futuristic.In the early '50s, Perrey became fascinated by the Ondioline, a keyboard instrument that anticipated the synthesizer with its emulation of other instruments. He dropped out of medical school to become a sales representative for the Ondioline, and by the early '60s he had moved to the U.S. to work in television, radio, and the recording studio. His '60s albums for Vanguard, both as a solo act and half of Perrey-Kingsley, were his most widely circulated, giving Perrey a chance to demonstrate his arsenal of electronic instruments, treatments, and tape manipulations. The actual results were bouncy and childish, perhaps betraying more of Perrey's considerable background in radio/TV jingles than may have been intended. (Treated more as novelties than innovations, they came back into vogue when Perrey was profiled in RE/SEARCH's Incredibly Strange Music book in the 1990s.)Perrey returned to France in 1970, where he continued to work in radio, TV, soundtracks, and other musical projects. By the '90s he had begun recording again, first in a collaboration with French electronica duo Air, then with an album of his own, Eclektronics. Additional albums followed, including 2008's Destination Space, which the 80-year-old Perrey created with help from fellow composer Dana Countryman. In keeping with the musicians' experimental nature, the album featured artificial, computer-generated vocals instead of sounds supplied by human vocalists. Perrey died in November 2016 at the age of 87.
© Richie Unterberger /TiVo
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Discography
14 album(s) • Sorted by Bestseller
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The Amazing New Electronic Pop Sound Of Jean-Jacques Perrey
Electronic - Released by Craft Recordings on Jan 1, 1968
Available in24-Bit/192 kHz Stereo -
Moog Indigo
Electronic - Released by Vanguard Records on Jan 1, 1970
Available in16-Bit/44.1 kHz Stereo -
Amazing Electronic Pop Sound Of
Electronic - Released by Vanguard Records on Jan 1, 1968
Available in16-Bit/44.1 kHz Stereo -
The Happy Electropop Music Machine
Electronic - Released by Oglio Entertainment on Sep 26, 2006
Available in16-Bit/44.1 kHz Stereo -
Moog Sensations
Electronic - Released by JJP Archives on Mar 20, 2020
Available in16-Bit/44.1 kHz Stereo -
Eclektronics
Electronic - Released by Basta Audio-Visuals on Jun 15, 1998
Available in16-Bit/44.1 kHz Stereo -
Musique Electronique Du Cosmos (Electronic Music from Outer Space)
Electronic - Released by JJP Archives on Feb 21, 2020
Available in16-Bit/44.1 kHz Stereo -
Prelude au sommeil (Jean Jacques Perrey)
Experimental - Released by Trunk Records on May 1, 2016
Available in16-Bit/44.1 kHz Stereo -
L'Ondioline
Electronic - Released by Forgotten Futures on Jan 20, 2022
Available in24-Bit/96 kHz Stereo -
The Ondioline
Electronic - Released by Forgotten Futures on Jan 20, 2022
Available in24-Bit/96 kHz Stereo -
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PRELUDE AU SOMMEIL
Classical - Released by INTERSECTION on Jun 8, 2018
Available in16-Bit/44.1 kHz Stereo -
The Alien Planet / Cybernuts (Remastered)
Classical - Released by BRAIN DISCOS on Jan 1, 1959
Available in16-Bit/44.1 kHz Stereo