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Classical - Released July 9, 2010 | Ricercar

Hi-Res Booklet Distinctions 4F de Télérama - Hi-Res Audio
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Classical - Released March 10, 2017 | Ricercar

Hi-Res Booklet Distinctions 5 de Diapason
Although Girolamo Frescobaldi’s organ works draw on the polyphonic tradition of the Renaissance, few virtuosos of the early 17th century tackled with as much originality the expressive movement that opened the way for what we consider ‘Baroque music’. He transposed for the keyboard this sense of the affect and virtuosity that, in the sphere of opera, overturned all the conventions of vocal music. He recommended flexible playing, freed of any overly strict constraints, insisting on the fact that the musician must play ‘con affetti cantabili’ (with the affects of singing). (Text from Ricercar)
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Classical - Released September 8, 2011 | Ricercar

Hi-Res Booklet Distinctions Hi-Res Audio
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Classical - Released February 12, 2009 | Ricercar

Booklet Distinctions Choc de Classica
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Classical - Released January 1, 2002 | Ricercar

Distinctions The Qobuz Ideal Discography
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Classical - Released October 21, 2014 | Aeon

Hi-Res Booklet Distinctions Diapason d'or
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Classical - Released June 18, 2013 | Cypres

Hi-Res Booklet Distinctions 4 étoiles Classica
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Classical - Released April 5, 2019 | Ricercar

Hi-Res Booklet
Bernard Foccroulle devotes his latest recording — the last of the anthology of Northern German organ music of the Baroque period — to Jacob Praetorius and Melchior Schildt, both pupils of Sweelinck. Praetorius and Schildt’s music is not only strongly marked by Lutheran tradition, in which the chorale played a fundamental part, but also by other influences, principally Italian, that prepared the way for the explosion of the stylus fantasticus at the end of the 17th century. © Ricercar
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Classical - Released November 13, 2020 | Ricercar

Hi-Res Booklet
In the 1960s, the blossoming interest in the rediscovery of early music was due in part to instrumentalists who also played a very active role in creating the newest contemporary works. It was in this context that Pierre Bartholomée wrote a Tombeau de Marin Marais for the musicians of the Alarius ensemble (Janine Rubinlicht, Robert Kohnen, Wieland and Sigiswald Kuijken) who played in the Musiques Nouvelles ensemble at the same time. The musicians of that generation are in a sense the ‘ancestors’ of those who became the first artists on the Ricercar label. This recording, released as part of Ricercar’s fortieth anniversary celebrations, thus pays tribute to Bartholomée’s pioneering initiative by reissuing a remastered version of his composition alongside recent works written for the period instruments of some of the label’s key ensembles in 2020. © Ricercar
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Sacred Vocal Music - Released January 1, 1989 | Ricercar

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Classical - Released February 9, 2009 | Ricercar

Booklet
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Classical - Released January 1, 1992 | naïve classique

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Classical - Released January 1, 2004 | Ricercar

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Classical - Released January 1, 2003 | Ricercar

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Classical - Released January 1, 1990 | Ricercar

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Classical - Released October 23, 2012 | Outhere - Rewind

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