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Peter Frampton - Where I Should Be

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Where I Should Be

Peter Frampton

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Frampton's fall from grace has been scrutinized ad nauseam, but notice the abundant use of "I" on this record as opposed to "you" in his hottest songs: "Do You Feel Like We Do," "I'll Give You Money," and "I'm in You." Here, Frampton is focused on self-preservation, rather than just blasting audiences like the straight rocker he is. The decent title cut begs to be "Back on the road, where I should be." No doubt, as over the year preceding the album Frampton suffered a car accident and his celebrity star imploded. The most excellent opener, "I Can't Stand It No More," lets loose another cry for the simpler days (akin to Cheap Trick's "Stop This Game"); the single even rose to number 13 on Billboard's Top 40, the last time Frampton would see the charts. Otherwise this wax stumbles over some weird disco steps and drags in the talk box for an attempt at former glory. Frampton has always tried to escape the gilded cage of his looks, first through the dirty blooze of Humble Pie and then as a low-key average guy whose career unexpectedly hit the stratosphere. By Where I Should Be, the world wanted too much from Frampton, a rock guitarist trapped in a teenybopper body.
© Doug Stone /TiVo

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Where I Should Be

Peter Frampton

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1
I Can't Stand It No More (Album Version)
00:04:12

Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Forman, Percussion, AssociatedPerformer - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

2
Got My Feet Back On The Ground (Album Version)
00:03:55

Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Forman, Percussion, AssociatedPerformer - Gary Mallaber, Drums, AssociatedPerformer - Rodney Eckerman, ComposerLyricist - Bob Mayo, Keyboards, AssociatedPerformer - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

3
Where I Should Be (Monkey's Song) (Album Version)
00:04:26

Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Forman, Percussion, AssociatedPerformer - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

4
Everything I Need (Album Version)
00:05:11

Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Forman, Percussion, AssociatedPerformer - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer, ComposerLyricist - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

5
May I Baby (Album Version)
00:03:37

Isaac Hayes, ComposerLyricist - Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - David Porter, ComposerLyricist - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

6
You Don't Know Like I Know (Album Version)
00:03:09

Isaac Hayes, ComposerLyricist - Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - David Porter, ComposerLyricist - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

7
She Don't Reply (Album Version)
00:03:56

Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Forman, Percussion, AssociatedPerformer - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

8
We've Just Begun (Album Version)
00:05:21

Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Forman, Percussion, AssociatedPerformer - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer - Charles Robert Mayo, ComposerLyricist - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

9
Take Me By The Hand (Album Version)
00:04:10

Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Forman, Percussion, AssociatedPerformer - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

10
It's A Sad Affair (Album Version)
00:04:19

Chris Kimsey, Producer - Peter Frampton, Producer, Guitar, Vocalist, MainArtist, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - Gary Mallaber, Drums, AssociatedPerformer - Bob Mayo, Keyboards, AssociatedPerformer - The Waters Family, Background Vocalist, AssociatedPerformer - Eddie N. Watkins, Jr, Bass Guitar, AssociatedPerformer

℗ 1979 A&M Records

Album Description

Frampton's fall from grace has been scrutinized ad nauseam, but notice the abundant use of "I" on this record as opposed to "you" in his hottest songs: "Do You Feel Like We Do," "I'll Give You Money," and "I'm in You." Here, Frampton is focused on self-preservation, rather than just blasting audiences like the straight rocker he is. The decent title cut begs to be "Back on the road, where I should be." No doubt, as over the year preceding the album Frampton suffered a car accident and his celebrity star imploded. The most excellent opener, "I Can't Stand It No More," lets loose another cry for the simpler days (akin to Cheap Trick's "Stop This Game"); the single even rose to number 13 on Billboard's Top 40, the last time Frampton would see the charts. Otherwise this wax stumbles over some weird disco steps and drags in the talk box for an attempt at former glory. Frampton has always tried to escape the gilded cage of his looks, first through the dirty blooze of Humble Pie and then as a low-key average guy whose career unexpectedly hit the stratosphere. By Where I Should Be, the world wanted too much from Frampton, a rock guitarist trapped in a teenybopper body.
© Doug Stone /TiVo

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