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Peter Frampton|All Blues

All Blues

Peter Frampton Band

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All Blues represents a return to roots of sorts for Peter Frampton. At the outset of his career, he was a hotshot six-string slinger, earning his stripes playing sheets of loud, gnarled guitar in Humble Pie, the band Steve Marriott formed after leaving the Small Faces. Frampton never lost his rep as a great guitarist and the blues was never far from his fingertips, but he also didn't devote a record to the blues the way he does on this 2019 album. It's possible Frampton intended the album to be part of a full-circle farewell: when he announced the album's release and its accompanying tour, he also announced that he has inclusion-body myositis, a degenerative autoimmune disease that weakens the muscles. Knowledge of Frampton's disease does lend All Blues a degree of poignancy; it's not intended as his final album -- at the time of its release, he had a collection of original material in the works -- yet it's hard not to think that it may not exist if Frampton didn't believe he should seize the day. That's precisely what he does on All Blues, an album that takes its name from the Miles Davis composition that kicks off the trumpeter's seminal 1959 album Kind of Blue. Frampton's choice to cover Davis suggests how he's willing to play within the margins of this album, adding hints of jazz and swing. Primarily, though, he's interested in delivering revved-up covers of blues standards, occasionally with the assistance of a friend: Sonny Landreth pops up on "The Thrill Is Gone," Steve Morse shows up on "Going Down Slow," while Kim Wilson plays on "I Just Want to Make Love to You." If Frampton doesn't take many chances with either the songs or arrangements -- this is straight-up classic British blues that leans heavily on the Chicago school -- there's still a palpable sense of passion and joy on All Blues, and that evident big, beating heart makes it worth a spin.
© Stephen Thomas Erlewine /TiVo

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All Blues

Peter Frampton

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1
I Just Want To Make Love To You
00:04:06

David LaBruyere, Bass Guitar, AssociatedPerformer - WILLIE DIXON, ComposerLyricist - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - Kim Wilson, Harp, FeaturedArtist, AssociatedPerformer - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

2
She Caught The Katy
00:04:45

Taj Mahal, ComposerLyricist - Glenn Worf, Bass Guitar, AssociatedPerformer - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Rachell James, ComposerLyricist - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

3
Georgia On My Mind
00:04:10

HOAGY CARMICHAEL, Composer - Stuart Gorrell, Author - Glenn Worf, Bass Guitar, AssociatedPerformer - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

4
You Can't Judge A Book By The Cover
00:04:24

WILLIE DIXON, ComposerLyricist - Glenn Worf, Bass Guitar, AssociatedPerformer - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

5
Me And My Guitar
00:04:23

David LaBruyere, Bass Guitar, AssociatedPerformer - Leon Russell, Composer - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Chuck Blackwell, Composer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

6
All Blues
00:06:57

David LaBruyere, Bass Guitar, AssociatedPerformer - Miles Davis, ComposerLyricist - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - LARRY CARLTON, Electric Guitar, FeaturedArtist, AssociatedPerformer - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

7
The Thrill Is Gone
00:05:51

David LaBruyere, Bass Guitar, AssociatedPerformer - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - Roy Hawkins, ComposerLyricist - Rick Darnell, ComposerLyricist - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Sonny Landreth, Slide Guitar, FeaturedArtist, AssociatedPerformer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

8
Going Down Slow
00:05:12

Steve Morse, Electric Guitar, FeaturedArtist, AssociatedPerformer - Glenn Worf, Bass Guitar, AssociatedPerformer - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - James Oden, ComposerLyricist - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

9
I'm A King Bee
00:03:58

James H. Moore, ComposerLyricist - Glenn Worf, Bass Guitar, AssociatedPerformer - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

10
Same Old Blues
00:04:34

Glenn Worf, Bass Guitar, AssociatedPerformer - Peter Frampton, Producer, Electric Guitar, Vocals, AssociatedPerformer - CHUCK AINLAY, Producer - Adam Lester, Electric Guitar, Background Vocalist, AssociatedPerformer - William Donald Nix, ComposerLyricist - Rob Arthur, Piano, Background Vocalist, AssociatedPerformer - Dan Wojciechowski, Drums, Percussion, AssociatedPerformer - Peter Frampton Band, MainArtist

℗ 2019 Phenix Phonograph

Album review

All Blues represents a return to roots of sorts for Peter Frampton. At the outset of his career, he was a hotshot six-string slinger, earning his stripes playing sheets of loud, gnarled guitar in Humble Pie, the band Steve Marriott formed after leaving the Small Faces. Frampton never lost his rep as a great guitarist and the blues was never far from his fingertips, but he also didn't devote a record to the blues the way he does on this 2019 album. It's possible Frampton intended the album to be part of a full-circle farewell: when he announced the album's release and its accompanying tour, he also announced that he has inclusion-body myositis, a degenerative autoimmune disease that weakens the muscles. Knowledge of Frampton's disease does lend All Blues a degree of poignancy; it's not intended as his final album -- at the time of its release, he had a collection of original material in the works -- yet it's hard not to think that it may not exist if Frampton didn't believe he should seize the day. That's precisely what he does on All Blues, an album that takes its name from the Miles Davis composition that kicks off the trumpeter's seminal 1959 album Kind of Blue. Frampton's choice to cover Davis suggests how he's willing to play within the margins of this album, adding hints of jazz and swing. Primarily, though, he's interested in delivering revved-up covers of blues standards, occasionally with the assistance of a friend: Sonny Landreth pops up on "The Thrill Is Gone," Steve Morse shows up on "Going Down Slow," while Kim Wilson plays on "I Just Want to Make Love to You." If Frampton doesn't take many chances with either the songs or arrangements -- this is straight-up classic British blues that leans heavily on the Chicago school -- there's still a palpable sense of passion and joy on All Blues, and that evident big, beating heart makes it worth a spin.
© Stephen Thomas Erlewine /TiVo

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