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Tim Hardin|Tim Hardin 4

Tim Hardin 4

Tim Hardin

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This collection of Tim Hardin's demos, recorded in 1964 as an audition for Columbia Records, was released in early 1969 by Verve/Forecast as though it were a newly recorded album. This did not amuse Hardin at the time, and the recording did nothing to enlarge his audience. However, the album holds some interest as a historical document. It's a batch of blues songs, highlighted by John Sebastian's harmonica playing, mixing covers of Chess blues classics with Hardin's original, though derivative, blues songs. "Airmobile" sounds like a direct rewrite of Chuck Berry's "You Can't Catch Me," and "I Can't Slow Down" borrows from Robert Johnson's "Crossroad Blues." The arrangements employ an understated, low-key folky mix as opposed to a more overt Chicago electric blues sound. Still, there's more drive to the music than on a typical early-'60s folk album. This is not essential listening by any means, but it's pleasant enough to hear on a lazy, cloud-covered afternoon.

© Jim Newsom /TiVo

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Tim Hardin 4

Tim Hardin

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1
Airmobile
00:02:20

Tim Hardin, MainArtist, ComposerLyricist - Erik Jacobsen, Producer

℗ 1964 UMG Recordings, Inc.

2
Whiskey Whiskey
00:05:40

Tim Hardin, MainArtist, ComposerLyricist - Erik Jacobsen, Producer

℗ 1964 UMG Recordings, Inc.

3
Seventh Son
00:02:05

Tim Hardin, MainArtist - Erik Jacobsen, Producer - WILLIE DIXON, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

4
How Long (Extended Version)
00:04:34

Tim Hardin, MainArtist, ComposerLyricist - Erik Jacobsen, Producer

℗ 1966 Universal Records, a Division of UMG Recordings, Inc.

5
Danville Dame
00:02:46

Tim Hardin, MainArtist, ComposerLyricist - Erik Jacobsen, Producer

℗ 1964 UMG Recordings, Inc.

6
Ain't Gonna Do Without (Part 1)
00:02:14

Tim Hardin, MainArtist, ComposerLyricist - Erik Jacobsen, Producer

℗ 1969 Universal Motown Records, a division of UMG Recordings, Inc.

7
Ain't Gonna Do Without (Part 2)
00:01:25

Tim Hardin, MainArtist, ComposerLyricist - Erik Jacobsen, Producer

℗ 1969 Universal Motown Records, a division of UMG Recordings, Inc.

8
House Of The Rising Sun
00:03:39

Traditional, ComposerLyricist - Tim Hardin, Arranger, Guitar, Vocals, Work Arranger, MainArtist, AssociatedPerformer - Erik Jacobsen, Producer - Val Valentin, Engineer, StudioPersonnel

℗ 1967 UMG Recordings, Inc.

9
Bo Diddely (Bo Diddly)
00:02:53

Tim Hardin, MainArtist - Erik Jacobsen, Producer - BO DIDDLEY, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

10
I Can't Slow Down
00:02:28

Tim Hardin, MainArtist, ComposerLyricist - Erik Jacobsen, Producer

℗ 1964 UMG Recordings, Inc.

11
Hello Baby
00:05:21

Tim Hardin, MainArtist, ComposerLyricist - Erik Jacobsen, Producer

℗ 1964 UMG Recordings, Inc.

12
Rolling Stone
00:02:38

Tim Hardin, Vocals, MainArtist, AssociatedPerformer - Muddy Waters, ComposerLyricist

℗ 1994 UMG Recordings, Inc.

13
You Got A Reputation
00:02:27

Tim Hardin, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 UMG Recordings, Inc.

14
Keep Your Hands Off Her
00:02:56

Traditional, ComposerLyricist - Tim Hardin, Vocals, MainArtist, AssociatedPerformer

℗ 1994 UMG Recordings, Inc.

15
Nobody Knows You (When You're Down And Out)
00:04:03

Jimmie Cox, ComposerLyricist - Tim Hardin, Vocals, MainArtist, AssociatedPerformer

℗ 1994 UMG Recordings, Inc.

16
Hootchie Kootchie Man
00:05:01

Tim Hardin, Vocals, MainArtist, AssociatedPerformer - WILLIE DIXON, ComposerLyricist

℗ 1994 UMG Recordings, Inc.

17
So Glad You're Mine
00:04:00

Tim Hardin, Vocals, MainArtist, AssociatedPerformer - Arthur "Big Boy" Crudup, ComposerLyricist

℗ 1994 UMG Recordings, Inc.

18
You Can't Judge A Book By Its Cover
00:03:13

Tim Hardin, Vocals, MainArtist, AssociatedPerformer - WILLIE DIXON, ComposerLyricist

℗ 1994 UMG Recordings, Inc.

Album review

This collection of Tim Hardin's demos, recorded in 1964 as an audition for Columbia Records, was released in early 1969 by Verve/Forecast as though it were a newly recorded album. This did not amuse Hardin at the time, and the recording did nothing to enlarge his audience. However, the album holds some interest as a historical document. It's a batch of blues songs, highlighted by John Sebastian's harmonica playing, mixing covers of Chess blues classics with Hardin's original, though derivative, blues songs. "Airmobile" sounds like a direct rewrite of Chuck Berry's "You Can't Catch Me," and "I Can't Slow Down" borrows from Robert Johnson's "Crossroad Blues." The arrangements employ an understated, low-key folky mix as opposed to a more overt Chicago electric blues sound. Still, there's more drive to the music than on a typical early-'60s folk album. This is not essential listening by any means, but it's pleasant enough to hear on a lazy, cloud-covered afternoon.

© Jim Newsom /TiVo

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