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Teodor Currentzis|Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique"

Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique"

Teodor Currentzis

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An album, a symphony: you would think that we had returned to the days of the Long Play, and the era of Mravinsky, Doráti, Markevitch, Karajan as well as many other performers and interpreters who have marked the discographic history of the last symphony from Piotr Ilitch Tchaikovsky. The album cover also seems to confirm it: it brings to mind the old RCA covers from the 50s and 60s. Sony Classical, being very supportive of the artistic endeavours of the Greco-Russian master, didn't hesitate to bring out a roughly 45-minute album - they had done better with the Rites of Spring (2015), which was feted in the press. Here, Teodor Currentzis continues his exploration of Tchaikovsky's world, with the Pathétique, putting the accent on the dynamic contrasts, sometimes naturally, sometimes by technical means (adagio lamentoso), and bringing to bear some methods that are normally specific to pop music. He exploits the sombre tone of the work, even above its rhythmic energy, and looks to create atmospheres that one could often call morbid. For record-lovers, this release is a great opportunity to revisit his discography, and for all other ardent Qobuz users it is an opportunity to rediscover this true emblem of the orchestral repertoire. © TG/Qobuz

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Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique"

Teodor Currentzis

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Symphony No. 6 in B Minor, Op. 74 "Pathétique" (Pyotr Illitch Tchaïkovski)

1
I. Adagio - Allegro non troppo
00:19:42

Pyotr Ilyich Tchaikovsky, Composer - Teodor Currentzis, Conductor, MainArtist - MusicAeterna, Orchestra - Damien Quintard, Producer, Editor, Mastering Engineer, Mixing Engineer, Recording Engineer - Arnaud Merckling, Assistant Engineer - Afanasy Chupin, Editor

(P) 2017 Sony Music Entertainment

2
II. Allegro con grazia
00:07:42

Pyotr Ilyich Tchaikovsky, Composer - Teodor Currentzis, Conductor, MainArtist - MusicAeterna, Orchestra - Damien Quintard, Producer, Editor, Mastering Engineer, Mixing Engineer, Recording Engineer - Arnaud Merckling, Assistant Engineer - Afanasy Chupin, Editor

(P) 2017 Sony Music Entertainment

3
III. Allegro molto vivace
00:08:36

Pyotr Ilyich Tchaikovsky, Composer - Teodor Currentzis, Conductor, MainArtist - MusicAeterna, Orchestra - Damien Quintard, Producer, Editor, Mastering Engineer, Mixing Engineer, Recording Engineer - Arnaud Merckling, Assistant Engineer - Afanasy Chupin, Editor

(P) 2017 Sony Music Entertainment

4
IV. Finale. Adagio lamentoso
00:10:21

Pyotr Ilyich Tchaikovsky, Composer - Teodor Currentzis, Conductor, MainArtist - MusicAeterna, Orchestra - Damien Quintard, Producer, Editor, Mastering Engineer, Mixing Engineer, Recording Engineer - Arnaud Merckling, Assistant Engineer - Afanasy Chupin, Editor

(P) 2017 Sony Music Entertainment

Album review

An album, a symphony: you would think that we had returned to the days of the Long Play, and the era of Mravinsky, Doráti, Markevitch, Karajan as well as many other performers and interpreters who have marked the discographic history of the last symphony from Piotr Ilitch Tchaikovsky. The album cover also seems to confirm it: it brings to mind the old RCA covers from the 50s and 60s. Sony Classical, being very supportive of the artistic endeavours of the Greco-Russian master, didn't hesitate to bring out a roughly 45-minute album - they had done better with the Rites of Spring (2015), which was feted in the press. Here, Teodor Currentzis continues his exploration of Tchaikovsky's world, with the Pathétique, putting the accent on the dynamic contrasts, sometimes naturally, sometimes by technical means (adagio lamentoso), and bringing to bear some methods that are normally specific to pop music. He exploits the sombre tone of the work, even above its rhythmic energy, and looks to create atmospheres that one could often call morbid. For record-lovers, this release is a great opportunity to revisit his discography, and for all other ardent Qobuz users it is an opportunity to rediscover this true emblem of the orchestral repertoire. © TG/Qobuz

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