Various Artists How to Talk to Girls at Parties (Original Motion Picture Soundtrack)

How to Talk to Girls at Parties (Original Motion Picture Soundtrack)

Various Artists

Hi-Res 24-bit – 44.10 kHz

Released on May 11, 2018 by Masterworks

Main artist: Various Interprets

Genre: Soundtracks > Film Soundtracks

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Album : 1 disk - 19 tracks Total length : 01:18:16

  1. 1 New Rose

  2. 2 Planned Adolescence

    Rory Attwell, Producer, Mixing Engineer, Recording Engineer - The Dyschords, MainArtist, AssociatedPerformer - Martin Tomlinson, Composer - Bryan Weller, Composer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  3. 3 Angry Universe

    A.C. Newman, Producer, Mixing Engineer, Recording Engineer, MainArtist, AssociatedPerformer - John Collins, Recording Engineer - Allan Carl Newman, Composer Copyright : (P) 2017 AC Newman Inc.

  4. 4 Communion

    Rory Attwell, Producer, Mixing Engineer, Recording Engineer - The Dyschords, MainArtist, AssociatedPerformer - Martin Tomlinson, Composer - Bryan Weller, Composer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  5. 5 Extraction

    John Cameron Mitchell, Composer, Producer - Patrick Derivaz, Recording Engineer - Justin Craig, Composer, Producer - Dyslexic Cnuts, MainArtist, AssociatedPerformer - Patrick Hyland, Mixing Engineer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  6. 6 Fuck All

    Allan Carl Newman, Composer - Rory Attwell, Producer, Mixing Engineer, Recording Engineer - The Dyschords, MainArtist, AssociatedPerformer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  7. 7 Going Straight

    Xiu Xiu, MainArtist, AssociatedPerformer - Jamie Stewart, Producer, Mixing Engineer, Recording Engineer - James Cyrus Stewart, Composer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  8. 8 Single

    Rory Attwell, Producer, Mixing Engineer, Recording Engineer - The Dyschords, MainArtist, AssociatedPerformer - Martin Tomlinson, Composer - Bryan Weller, Composer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  9. 9 Climb Over Me

    Rory Attwell, Producer, Mixing Engineer, Recording Engineer - The Dyschords, MainArtist, AssociatedPerformer - Martin Tomlinson, Composer - Bryan Weller, Composer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  10. 10 Rainy Life

  11. 11 Bermuda

    Amber Martin, Producer, Mixing Engineer, MainArtist, AssociatedPerformer - Brett Every, Composer, Producer, Recording Engineer Copyright : (P) 2016 Amber Martin Records

  12. 12 I Found A Reason (2015 Remastered)

  13. 13 Nursery Chymes

    Chris Gray, Recording Engineer - Prolific Urdoos, MainArtist, AssociatedPerformer - Bruno Wizard, Composer, Producer, Mixing Engineer Copyright : (P) 1978 Bruno Wizard

  14. 14 Nobody's Baby

    Patrick Dillett, Mixing Engineer - Thomas Bartlett, Producer - James Yost, Recording Engineer - Martin Tomlinson, Composer, MainArtist, AssociatedPerformer - Bryan Weller, Composer, MainArtist, AssociatedPerformer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  15. 15 Requiem

    Nico Muhly, Composer, Producer, MainArtist, AssociatedPerformer - Fritz Mysrs, Mixing Engineer, Recording Engineer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  16. 16 The Body Celestial

    Matmos, MainArtist, AssociatedPerformer - Drew Daniel, Composer, Recording Engineer - M.C. Schmidt, Composer, Mixing Engineer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  17. 17 Flecken

    Matmos, MainArtist, AssociatedPerformer - Rory Attwell, Mixing Engineer - Drew Daniel, Composer, Producer, Recording Engineer - M.C. Schmidt, Composer, Producer, Mixing Engineer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  18. 18 Eat Me Alive

    John Cameron Mitchell, Composer, Producer - Xiu Xiu, MainArtist, AssociatedPerformer - Jamie Stewart, Producer, Recording Engineer - James Cyrus Stewart, Composer - Patrick Hyland, Mixing Engineer - Elle Fanning, AssociatedPerformer - Alex Sharp, AssociatedPerformer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

  19. 19 Between the Breaths

    John Cameron Mitchell, Composer, Producer - Patrick Derivaz, Recording Engineer - Xiu Xiu, MainArtist, AssociatedPerformer - Jamie Stewart, Producer, Recording Engineer - Mitski, MainArtist, AssociatedPerformer - James Cyrus Stewart, Composer - Patrick Hyland, Mixing Engineer - Mitski & Xiu Xiu, AssociatedPerformer Copyright : (P) 2017 Colony Films Limited, under exclusive license to Sony Music Entertainment

About

In the punk England of 1977, three teenagers met humanoid aliens whose mission was to take their virginity at parties or concerts. Inspired by Neil Gaiman’s novel, How to talk to girls at parties gives John Cameron Mitchell (Shortbus) the opportunity to paint an era ruled by unbridled and scruffy anticonformism. With his first featuring film, Hedwig and the Angry Inch (2001), the American filmmaker had already tried his hand at making a unique musical film. For How to talk to girls at parties, he asked Jamie Stewart (member of the band Xiu Xiu) to compose original songs, co-written by Mitchell himself. Among them, Eat Me Alive stands out, interpreted by comedians Elle Fanning and Alex Shar. Furthermore the filmmaker tried to avoid falling into the trap of a vintage playlist featuring all the greatest punk “hits” of the time. While already existing songs from The Damned and A.C. Newman are indeed featured in the soundtrack, they share the peculiarity of remaining rather confidential. Finally Matmos and Nico Muhly’s experimentations within the film’s sound design are worth pointing out. Mulhy is an artist from the contemporary minimal scene, and acts here as the “voice” of the aliens: through electronic sound of great hypnotic serenity, he accompanies these characters in their initiatory schemes (Requiem). A UFO of a soundtrack. © Nicolas Magenham/Qobuz

Hi-Res 24-bit – 44.10 kHz

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