Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
The series of the complete Symphonies by Anton Bruckner recorded in concert by the Staatskapelle Dresden under the direction of Christian Thielemann continues here with the Symphony No. 1 in C minor, captured on the 1st of September 2017 at the Semperoper Dresden. As Brucknerians know, the choice of version is of paramount importance when it comes to performing a Bruckner symphony, since Bruckner was never satisfied and would constantly revise his works.
Make no mistake, this Symphony No. 1 is no first draft: the two pieces which preceded it had also undergone substantial revisions. Christian Thielemann chose the first, and minimal revision from 1877 (known as the "Linz version") which retains the formal and harmonic audacity of the original, in contrast to the composer's later re-writings made in 1891, when his style had evolved considerably.
It has often been said of this First Symphony that it was perhaps "the first modern symphony" (according to Paul-Gilbert Langevin) and marks a leap forward just as much as Beethoven's Eroica did in its own time. The work begins, curiously enough, with a marching rhythm (which Mahler would bring back for his Sixth) before developing into the three-theme sonata form (instead of the usual two-theme structure) that would become Bruckner's hallmark across the eight symphonies that followed. It is this innovative, hallucinatory aspect that is foregrounded here in a beautiful performance by Christian Thielemann and the wonderful musicians of the Staatskapelle, who are very much speaking in their native language with this recording. © François Hudry/Qobuz
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Symphony No. 1 in C Minor, WAB 101 (Anton Bruckner)
Staatskapelle Dresden, Orchestra, MainArtist - Anton BRUCKNER, Composer - Christian Thielemann, Conductor, MainArtist
(C) 2021 Profil (P) 2021 Profil
Staatskapelle Dresden, Orchestra, MainArtist - Anton BRUCKNER, Composer - Christian Thielemann, Conductor, MainArtist
(C) 2021 Profil (P) 2021 Profil
Staatskapelle Dresden, Orchestra, MainArtist - Anton BRUCKNER, Composer - Christian Thielemann, Conductor, MainArtist
(C) 2021 Profil (P) 2021 Profil
Staatskapelle Dresden, Orchestra, MainArtist - Anton BRUCKNER, Composer - Christian Thielemann, Conductor, MainArtist
(C) 2021 Profil (P) 2021 Profil
Album review
The series of the complete Symphonies by Anton Bruckner recorded in concert by the Staatskapelle Dresden under the direction of Christian Thielemann continues here with the Symphony No. 1 in C minor, captured on the 1st of September 2017 at the Semperoper Dresden. As Brucknerians know, the choice of version is of paramount importance when it comes to performing a Bruckner symphony, since Bruckner was never satisfied and would constantly revise his works.
Make no mistake, this Symphony No. 1 is no first draft: the two pieces which preceded it had also undergone substantial revisions. Christian Thielemann chose the first, and minimal revision from 1877 (known as the "Linz version") which retains the formal and harmonic audacity of the original, in contrast to the composer's later re-writings made in 1891, when his style had evolved considerably.
It has often been said of this First Symphony that it was perhaps "the first modern symphony" (according to Paul-Gilbert Langevin) and marks a leap forward just as much as Beethoven's Eroica did in its own time. The work begins, curiously enough, with a marching rhythm (which Mahler would bring back for his Sixth) before developing into the three-theme sonata form (instead of the usual two-theme structure) that would become Bruckner's hallmark across the eight symphonies that followed. It is this innovative, hallucinatory aspect that is foregrounded here in a beautiful performance by Christian Thielemann and the wonderful musicians of the Staatskapelle, who are very much speaking in their native language with this recording. © François Hudry/Qobuz
About the album
- 1 disc(s) - 4 track(s)
- Total length: 00:49:22
- 1 Digital booklet
- Main artists: Staatskapelle Dresden Christian Thielemann
- Composer: Anton Bruckner
- Label: Profil
- Genre: Classical
(C) 2021 Profil (P) 2021 Profil
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.