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Max Cooper|Yearning for the Infinite Remixed

Yearning for the Infinite Remixed

Max Cooper

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Yearning for the Infinite Remixed

Max Cooper

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1
Scalar (HAAi Remix)
00:07:02

Alison Moyet, Composer - Max Cooper, Composer, MainArtist - HAAi, Composer, Remixer

2021 Mesh under exclusive licence to Phases 2021 Max Cooper

2
Transcendental Tree Map (Rob Clouth Remix)
00:06:25

Max Cooper, Composer, MainArtist - Rob Clouth, Composer, Remixer

2021 Mesh under exclusive licence to Phases 2021 Max Cooper

3
Repetition (Josh Wink Interpretation)
00:07:06

Josh Wink, Composer, Remixer - Max Cooper, Composer, MainArtist

2021 Mesh under exclusive licence to Phases 2021 Max Cooper

4
Repetition (Non Square Remix)
00:03:54

Max Cooper, Composer, MainArtist - Non Square, Composer, Remixer

2021 Mesh under exclusive licence to Phases 2021 Max Cooper

5
Penrose Tiling (Max Cooper Remix)
00:04:37

Max Cooper, Composer, Remixer, MainArtist

2021 Mesh under exclusive licence to Phases 2021 Max Cooper

6
Nanotech (Steffi Remix)
00:05:28

Steffi, Composer, Remixer - Max Cooper, Composer, MainArtist

2021 Mesh under exclusive licence to Phases 2021 Max Cooper

7
Perpetual Motion (Fort Romeau's Love Eternal Mix)
00:10:13

Max Cooper, Composer, MainArtist - Fort Romeau, Composer, Remixer

2021 Mesh under exclusive licence to Phases 2021 Max Cooper

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Neoclassicism: The New World Between Classical Music and Electro

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... In recent years, these popular names have all been grouped under the vast and imprecise label "neoclassical". In truth, this "scene" looks more like a motley crew of curious artists who mix classical instruments with electronic production. Drawing influence from American minimalism, these musicians tantalise the senses and expand horizons on both sides of the musical spectrum.

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Hailed by critics of classical music as well as amateurs of the electronic genre, Nils Frahm’s talent has brought harmony between the two worlds for the last ten years. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and that’s what makes him so appealing.

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Since its birth in 2007, Erased Tapes has made a name for itself as one of the most innovative labels of the last 15 years and enjoyed great commercial success. Although some fail to see past its neoclassical shopfront (Nils Frahm, Ólafur Arnalds), the London-based label explores the outer limits of ambient, electronica and experimental with a catalogue that's smoothly curated by the German Robert Raths. Qobuz takes a closer look.

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