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Jackie DeShannon|What The World Needs Now Is Love

What The World Needs Now Is Love

Jackie DeShannon

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Jackie DeShannon's exquisite "What the World Needs Now Is Love" leads off this collection, and it's quickly followed by a cover of the Dusty Springfield hit "You Don't Have to Say You Love Me," as well as a version of "It's All in the Game," making for a very recognizable three songs in a row on this 1968 release featuring as its title her 1965 Top Ten hit, originally on the This Is Jackie DeShannon album. What THIS is, is another stellar set of vocal performances with DeShannon being produced and arranged by a dazzling array of industry names. "So Long Johnny" is a pop tune by Burt Bacharach and Hal David which sounds so much like their Dionne Warwick work it is interesting to hear another great singer in that setting. "Windows and Doors" follows the same formula, while "Changing My Mind" could have been straight from the session that produced Petula Clark's "I Couldn't Live Without Your Love." Bacharach tracked the hit on his own, while Calvin Carter, who produced the For You album, collaborates with Bacharach and David on a number of songs here. Dick Glasser's production of "Little Yellow Roses" is the only one of the dozen songs with his participation; the country ballad is a real departure from the rest of the album, even with the arrangement by Jack Nitzsche. There are five arrangers in all, and an interesting cover concept. Jackie DeShannon appears on the front barefoot against a tree, holding a bouquet, while on the back cover she holds the bouquet with two boys, a Caucasian and an African American. It wasn't something you saw often in the '60s, and truly held with the sentiment of the title track. Tony Hatch's "Call Me" ends the album, and you knew from "Changin' My Mind" that those involved here were listening to Hatch's work, his influence among the many in the grooves of this fine recording. The interesting thing here is that Arthur Wright's sweeping arrangement sounds less like the work of Tony Hatch than Clydie King's ideas on the previously mentioned "Changin' My Mind." This version of "Call Me" fades too fast, and has that big band sound DeShannon employed on the For You album. "A Lifetime of Loneliness" recalls the sounds on popular Gene Pitney records, while Bob Crewe's "Everything Under the Sun" is a perfect Phil Spector-style pop ballad. What the World Needs Now Is Love offers many moods and sounds from the '60s through the voice of DeShannon. Not only is the title track one of her most recognizable hits, this album is a precious look at more of DeShannon's interpretation of other songwriters. Her only composition here is "Where Does the Sun Go?," while Bacharach and David get five of the seven titles. Their "Too Wait for Love" is more of the laid-back West Coast pop that they did so well and is a nice addition to the DeShannon catalog.

© Joe Viglione /TiVo

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What The World Needs Now Is Love

Jackie DeShannon

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1
What The World Needs Now Is Love (Single Version)
00:03:16

Burt Bacharach, Producer, ComposerLyricist - Hal David, Producer, ComposerLyricist - Jackie DeShannon, MainArtist

℗ 1965 Capitol Records

2
You Don't Have To Say You Love Me
00:02:33

Simon Napier-Bell, Author - Vito Pallavicini, Author - Pino Donaggio, Composer - Jackie DeShannon, MainArtist - Cal Carter, Producer - Vicki Heather Wickham, Author

℗ 1966 Capitol Records

3
It's All In The Game (Single Version)
00:02:33

Calvin Carter, Producer - Jackie DeShannon, MainArtist - Carl Sigman, ComposerLyricist - Charles Gates Dawes, ComposerLyricist

℗ 1967 Capitol Records

4
So Long Johnny
00:02:26

Burt Bacharach, Composer, Producer - Hal David, Composer, Producer - Jackie DeShannon, MainArtist

℗ 1966 Capitol Records

5
Changin' My Mind (Single Version)
00:02:16

Calvin Carter, Producer - Myrna March, ComposerLyricist - Richard Grasso, ComposerLyricist - Gary Illingworth, ComposerLyricist - Jackie DeShannon, MainArtist

℗ 1967 Capitol Records

6
Windows And Doors
00:02:48

Burt Bacharach, Composer, Producer - Hal David, Author, Producer - Jackie DeShannon, MainArtist

℗ 1966 Capitol Records

7
A Lifetime Of Loneliness (Single Version)
00:02:35

Burt Bacharach, Composer, Producer - Hal David, Composer, Producer - Jackie DeShannon, MainArtist

℗ 1965 Capitol Records

8
Everything Under The Sun
00:03:47

Gary Knight, Composer - Bob Crewe, Composer - Jackie DeShannon, MainArtist - George Tipton, Recording Arranger, AssociatedPerformer

℗ 1967 Capitol Records

9
To Wait For Love
00:02:44

Calvin Carter, Producer - Burt Bacharach, ComposerLyricist - Hal David, ComposerLyricist - Jackie DeShannon, MainArtist

℗ 1966 Capitol Records

10
Where Does The Sun Go? (Single Version)
00:03:15

Calvin Carter, Producer - Jackie DeShannon, Composer, MainArtist

℗ 1967 Capitol Records

11
Little Yellow Roses (Single Version)
00:02:02

Dick Glasser, Producer - Jackie DeShannon, MainArtist - Trevor Peacock, Composer

℗ 1963 Capitol Records

12
Call Me
00:02:16

TONY HATCH, Composer - Jackie DeShannon, MainArtist - Arthur Wright, Recording Arranger, AssociatedPerformer

℗ 1966 Capitol Records

Album review

Jackie DeShannon's exquisite "What the World Needs Now Is Love" leads off this collection, and it's quickly followed by a cover of the Dusty Springfield hit "You Don't Have to Say You Love Me," as well as a version of "It's All in the Game," making for a very recognizable three songs in a row on this 1968 release featuring as its title her 1965 Top Ten hit, originally on the This Is Jackie DeShannon album. What THIS is, is another stellar set of vocal performances with DeShannon being produced and arranged by a dazzling array of industry names. "So Long Johnny" is a pop tune by Burt Bacharach and Hal David which sounds so much like their Dionne Warwick work it is interesting to hear another great singer in that setting. "Windows and Doors" follows the same formula, while "Changing My Mind" could have been straight from the session that produced Petula Clark's "I Couldn't Live Without Your Love." Bacharach tracked the hit on his own, while Calvin Carter, who produced the For You album, collaborates with Bacharach and David on a number of songs here. Dick Glasser's production of "Little Yellow Roses" is the only one of the dozen songs with his participation; the country ballad is a real departure from the rest of the album, even with the arrangement by Jack Nitzsche. There are five arrangers in all, and an interesting cover concept. Jackie DeShannon appears on the front barefoot against a tree, holding a bouquet, while on the back cover she holds the bouquet with two boys, a Caucasian and an African American. It wasn't something you saw often in the '60s, and truly held with the sentiment of the title track. Tony Hatch's "Call Me" ends the album, and you knew from "Changin' My Mind" that those involved here were listening to Hatch's work, his influence among the many in the grooves of this fine recording. The interesting thing here is that Arthur Wright's sweeping arrangement sounds less like the work of Tony Hatch than Clydie King's ideas on the previously mentioned "Changin' My Mind." This version of "Call Me" fades too fast, and has that big band sound DeShannon employed on the For You album. "A Lifetime of Loneliness" recalls the sounds on popular Gene Pitney records, while Bob Crewe's "Everything Under the Sun" is a perfect Phil Spector-style pop ballad. What the World Needs Now Is Love offers many moods and sounds from the '60s through the voice of DeShannon. Not only is the title track one of her most recognizable hits, this album is a precious look at more of DeShannon's interpretation of other songwriters. Her only composition here is "Where Does the Sun Go?," while Bacharach and David get five of the seven titles. Their "Too Wait for Love" is more of the laid-back West Coast pop that they did so well and is a nice addition to the DeShannon catalog.

© Joe Viglione /TiVo

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