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Locomotive|We Are Everything You See

We Are Everything You See

Locomotive

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Locomotive's only album was an oddball piece of second-tier British psychedelia, stuck somewhere between psych and progressive rock, and mixing in a lot of soul music, a good deal of jazz, and a bit of classical. In those respects, they were similar to Traffic and Family, though putting more emphasis on soul music. The influences didn't cohere as well as they did in Traffic and Family, though, and the material wasn't nearly as effective. Of-the-day traits like swirling organ, fishbowl-distorted vocals, and phased drumming provided the freakiest elements, along with the band's liking for throwing in jazzy tempo changes. Melodically and lyrically, Locomotive were uncommonly grim for a late-'60s British psychedelic band, and there was a touch of Procol Harum in the vague tormented metaphysical questing of some of their lyrics and vocals. It's a reflection of their relatively inaccessible original material that the most memorable song is their cover of the United States of America's "Coming Down/Love Song for the Dead Che," an imaginative choice, considering the original must have been barely known in Britain at that time.

© Richie Unterberger /TiVo

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We Are Everything You See

Locomotive

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1
Overture
00:02:03

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist - Nigel Phillips, Composer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

2
Mr Armageddon
00:04:24

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1969 Parlophone Records Ltd, a Warner Music Group Company

3
Now Is the End, the End Is When
00:03:14

Mick Taylor, Composer - Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

4
Lay Me Down Gently
00:03:58

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

5
Nobody Asked You to Come
00:03:15

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist - Nigel Phillips, Composer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

6
You Must Be Joking
00:04:05

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1969 Parlophone Records Ltd, a Warner Music Group Company

7
A Day in Shining Armour
00:03:28

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist - Nigel Phillips, Composer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

8
The Loves of St Augustus Abbey (Pt. One)
00:01:07

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist - Nigel Phillips, Composer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

9
Rain
00:03:25

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist - Mick Hincks, Composer - Nigel Phillips, Composer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

10
The Loves of St Augustus Abbey (Pt. Two)
00:01:28

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist - Nigel Phillips, Composer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

11
Coming Down / Love Song for the Dead Ché
00:04:29

Tony Hall, Producer - Gus Dudgeon, Producer - Moskowitz, Composer - Jeff Jarratt, Engineer - Locomotive, MainArtist - j Byrd, Composer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

12
The Loves of St Augustus Abbey (Pt. Three)
00:01:22

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist - Nigel Phillips, Composer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

13
Time of Light and Darkness
00:04:31

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

14
There's Got to Be a Way (Stereo)
00:03:42

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

15
There's Got to Be a Way (Mono)
00:03:45

Tony Hall, Producer - Norman Haines, Composer - Gus Dudgeon, Producer - Jeff Jarratt, Engineer - Locomotive, MainArtist

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 1970 Parlophone Records Ltd, a Warner Music Group Company

Album review

Locomotive's only album was an oddball piece of second-tier British psychedelia, stuck somewhere between psych and progressive rock, and mixing in a lot of soul music, a good deal of jazz, and a bit of classical. In those respects, they were similar to Traffic and Family, though putting more emphasis on soul music. The influences didn't cohere as well as they did in Traffic and Family, though, and the material wasn't nearly as effective. Of-the-day traits like swirling organ, fishbowl-distorted vocals, and phased drumming provided the freakiest elements, along with the band's liking for throwing in jazzy tempo changes. Melodically and lyrically, Locomotive were uncommonly grim for a late-'60s British psychedelic band, and there was a touch of Procol Harum in the vague tormented metaphysical questing of some of their lyrics and vocals. It's a reflection of their relatively inaccessible original material that the most memorable song is their cover of the United States of America's "Coming Down/Love Song for the Dead Che," an imaginative choice, considering the original must have been barely known in Britain at that time.

© Richie Unterberger /TiVo

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