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Ben Folds' seventh studio recording begins appropriately with an Elton John spoof. After a string of introspective albums, the old-school (as in Ben Folds Five era) "Hiroshima (B B B Benny Hit His Head)," with its bombastic strings, "Benny and the Jets"-inspired piano motif and not-so-subtle refrain of "They're watching me, watching me fall" marks a return to the snarky, sarcastic days of old when Folds' signature blend of nerdy bravado and apathetic melodiousness wrested dominance of the proverbial cheap, college dorm stereo from They Might Be Giants. Like all of Folds' records, Way to Normal is full of melodic hooks and witty, semi-obvious barbs. Folds rarely works in metaphor, so when he sings, "The bitch went nuts/she stabbed my basketball and the speakers to my stereo," that's really all that happened. Surprisingly, it's the quieter moments on Way to Normal like "Cologne," "Kylie from Connecticut," and to a lesser extent "You Don't Know Me" (the latter, a duet with Regina Spektor) that elicit the biggest thrills, but they're few and far between. Folds has always found a way to balance all of the privileged, rich-kid prickishness with moments of surprising profundity, but this time around the profanity and outrage feel more forced than usual -- the aforementioned "Bitch Went Nuts" feels somehow more sophomoric coming from the mouth of a 42-year-old producer, composer, and father. Way to Normal may win a few fans back who balked at the newfound sincerity that peppered his last two or three records, but a little more nuance and a lot less displaced teen angst would have made it palatable for everybody. [Folds reissued Way to Normal in 2009 as a two-disc set called Stems and Seeds. Disc one featured the remixed, remastered, re-sequenced album in its' entirety, though without the excessive, radio-ready compression that accompanies most major label releases, while disc two featured files from the sessions that listeners could upload to "Garageband" and remix themselves.]
© James Christopher Monger /TiVo
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Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Jared Reynolds, Bass - Joe Costa, Engineer - Csaba Petocz, Recording Engineer - Howie Weinberg, Mastering Engineer - Regina Spektor, Performer - Michael H. Brauer, Mixing Engineer - Ben Folds, Piano - Ben Folds, Composer - Ben Folds, Vocal - Ben Folds, Performer - Ben Folds, Lyricist - Sam Smith, Percussion - Anthony Ruotolo, Engineer - Dennis Herring, Percussion - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Arranger - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Howie Weinberg, Mastering Engineer - Ben Folds, Composer - Ben Folds, Performer - Ben Folds, Lyricist - Joe Costa, Engineer - Michael H. Brauer, Mixing Engineer - Csaba Petocz, Recording Engineer - Anthony Ruotolo, Engineer - Dennis Herring, Producer
(P) 2008 Sony Music Entertainment
Album review
Ben Folds' seventh studio recording begins appropriately with an Elton John spoof. After a string of introspective albums, the old-school (as in Ben Folds Five era) "Hiroshima (B B B Benny Hit His Head)," with its bombastic strings, "Benny and the Jets"-inspired piano motif and not-so-subtle refrain of "They're watching me, watching me fall" marks a return to the snarky, sarcastic days of old when Folds' signature blend of nerdy bravado and apathetic melodiousness wrested dominance of the proverbial cheap, college dorm stereo from They Might Be Giants. Like all of Folds' records, Way to Normal is full of melodic hooks and witty, semi-obvious barbs. Folds rarely works in metaphor, so when he sings, "The bitch went nuts/she stabbed my basketball and the speakers to my stereo," that's really all that happened. Surprisingly, it's the quieter moments on Way to Normal like "Cologne," "Kylie from Connecticut," and to a lesser extent "You Don't Know Me" (the latter, a duet with Regina Spektor) that elicit the biggest thrills, but they're few and far between. Folds has always found a way to balance all of the privileged, rich-kid prickishness with moments of surprising profundity, but this time around the profanity and outrage feel more forced than usual -- the aforementioned "Bitch Went Nuts" feels somehow more sophomoric coming from the mouth of a 42-year-old producer, composer, and father. Way to Normal may win a few fans back who balked at the newfound sincerity that peppered his last two or three records, but a little more nuance and a lot less displaced teen angst would have made it palatable for everybody. [Folds reissued Way to Normal in 2009 as a two-disc set called Stems and Seeds. Disc one featured the remixed, remastered, re-sequenced album in its' entirety, though without the excessive, radio-ready compression that accompanies most major label releases, while disc two featured files from the sessions that listeners could upload to "Garageband" and remix themselves.]
© James Christopher Monger /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:39:22
- Main artists: Ben Folds
- Composer: Ben Folds
- Label: Epic
- Genre: Pop/Rock
(P) 2008 Sony Music Entertainment
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