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The Ventures|Walk, Don't Run

Walk, Don't Run

The Ventures

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This debut album by the Ventures is surprisingly good, considering that it was recorded in a huge rush during an era when all concerned couldn't help but know that rock & roll albums (apart from those by Elvis Presley) generally didn't sell very well; indeed, the fact that this is so good speaks volumes about the class and talent of the group at this early point in their history. With a sudden and totally unexpected number two national hit in "Walk, Don't Run" and a burgeoning demand for live performances, the quartet went in and recorded the best 11 tracks they knew to get a long player together, all done in such a hurry that the members themselves couldn't stay around long enough to be photographed for the cover (those are stand-ins). The result is surprisingly sophisticated in its use of stereo (then still relatively unusual in rock & roll, stereo LPs only debuted three years earlier and were largely confined to classical recordings), dividing the sound of the band quite neatly on two sides, thus giving LP purchasers a treat that owners of the single "Walk, Don't Run" would miss -- not only the sound separation that was so prized by audiophiles of the era, but crisp presentation of each instrument, dividing the two guitars very neatly. Thus, the casual listener could play with the speaker settings and balances, and the serious fans could get in close on the actual playing. The material is a mix of originals and hits drawn from every category, including earlier rock & roll instrumentals ("Raunchy"), R&B "Night Train," and even film music ("My Own True Love [Tara's Theme]") -- one can just make out the familiar Max Steiner Gone with the Wind motif on the latter, and it is a fairly inventive approach to an old musical chestnut, rebuilding it from the ground up. The material all has a lean jauntiness, most unexpectedly "Night Train," which sounds closer in spirit to Chet Atkins than to Buddy Morrow or King Curtis. The originals were no filler, either, "The McCoy" being a hot piece of surf guitar showcasing all concerned.

© Bruce Eder /TiVo

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Walk, Don't Run

The Ventures

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1
Morgen (Stereo)
The Ventures
00:02:09

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

2
Raunchy (Stereo)
The Ventures
00:02:17

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

3
Home (Stereo)
The Ventures
00:02:20

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

4
My Own True Love (Tara's Theme) (Stereo)
The Ventures
00:02:15

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

5
The Switch (Stereo)
The Ventures
00:01:57

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

6
Walk, Don't Run (Stereo)
The Ventures
00:02:05

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

7
Night Train (Stereo)
The Ventures
00:02:52

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

8
No Trespassing (Stereo)
The Ventures
00:02:00

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

9
Caravan (Stereo)
The Ventures
00:02:10

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

10
Sleep Walk
The Ventures
00:02:05

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

11
The McCoy (Stereo)
The Ventures
00:02:08

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

12
Honky Tonk (Stereo)
The Ventures
00:02:46

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

13
Morgen (Mono)
The Ventures
00:02:04

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

14
Raunchy (Mono)
The Ventures
00:02:18

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

15
Home (Mono)
The Ventures
00:02:23

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

16
My Own True Love (Mono)
The Ventures
00:02:16

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

17
The Switch (Mono)
The Ventures
00:01:58

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

18
Walk, Don't Run (Mono)
The Ventures
00:02:05

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

19
Night Train (Mono)
The Ventures
00:02:51

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

20
No Trespassing (Mono)
The Ventures
00:01:59

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

21
Caravan (Mono)
The Ventures
00:02:11

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

22
Sleep Walk (Mono)
The Ventures
00:02:02

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

23
The McCoy (Mono)
The Ventures
00:02:09

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

24
Honky Tonk (Mono)
The Ventures
00:02:46

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

25
The McCoy (Single Version)
The Ventures
00:02:00

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

26
Perfida
The Ventures
00:02:06

The Ventures, MainArtist

© 2011 el Records ℗ 2011 el Records

27
Lonely Guitar
Bert Weedon
00:02:09

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

28
Querida
Bert Weedon
00:02:18

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

29
Apache
Bert Weedon
00:02:35

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

30
Sorry Robbie
Bert Weedon
00:02:12

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

31
Teenage Guitar
Bert Weedon
00:02:01

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

32
Theme from "A Summer Place"
Bert Weedon
00:02:05

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

33
Guitar Boogie Shuffle
Bert Weedon
00:02:15

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

34
Play That Big Guitar
Bert Weedon
00:02:09

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

35
Quiet, Quiet Sshh!
Bert Weedon
00:02:14

Bert Weedon, MainArtist

© 2011 el Records ℗ 2011 el Records

Album review

This debut album by the Ventures is surprisingly good, considering that it was recorded in a huge rush during an era when all concerned couldn't help but know that rock & roll albums (apart from those by Elvis Presley) generally didn't sell very well; indeed, the fact that this is so good speaks volumes about the class and talent of the group at this early point in their history. With a sudden and totally unexpected number two national hit in "Walk, Don't Run" and a burgeoning demand for live performances, the quartet went in and recorded the best 11 tracks they knew to get a long player together, all done in such a hurry that the members themselves couldn't stay around long enough to be photographed for the cover (those are stand-ins). The result is surprisingly sophisticated in its use of stereo (then still relatively unusual in rock & roll, stereo LPs only debuted three years earlier and were largely confined to classical recordings), dividing the sound of the band quite neatly on two sides, thus giving LP purchasers a treat that owners of the single "Walk, Don't Run" would miss -- not only the sound separation that was so prized by audiophiles of the era, but crisp presentation of each instrument, dividing the two guitars very neatly. Thus, the casual listener could play with the speaker settings and balances, and the serious fans could get in close on the actual playing. The material is a mix of originals and hits drawn from every category, including earlier rock & roll instrumentals ("Raunchy"), R&B "Night Train," and even film music ("My Own True Love [Tara's Theme]") -- one can just make out the familiar Max Steiner Gone with the Wind motif on the latter, and it is a fairly inventive approach to an old musical chestnut, rebuilding it from the ground up. The material all has a lean jauntiness, most unexpectedly "Night Train," which sounds closer in spirit to Chet Atkins than to Buddy Morrow or King Curtis. The originals were no filler, either, "The McCoy" being a hot piece of surf guitar showcasing all concerned.

© Bruce Eder /TiVo

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