Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Estonian Erkki-Sven Tüür (1959) is among those composers who draw liberally on the broadest range of musical influences and incorporate them into a personal style that is more an organic integration than a pastiche. Tüür began his musical career in a rock band, and those roots are evident in his music, as well as a native minimalism based on ancient runic singing, and the full arsenal of contemporary compositional techniques. His music bears some resemblance to that of Finnish composer Einojuhani Rautavaara in the immediacy of its appeal and the eclecticism of its sources. Tüür's Magma grew out of a request by Evelyn Glennie for a percussion concerto, but the composer elected to make it a symphony featuring a percussion soloist to emphasize the integrality of the soloist and the orchestra, rather than their opposition. The composer characterizes the work's opening as "the starry sky at midnight reflected on the very still water of the lake," and he is entirely successful in evoking that image in his music -- gently shimmering clouds of woodwinds flecked with glistening metallic percussion. The single-movement work includes four contrasting sections corresponding to the movements of a traditional symphony. The rhythmically and timbrally inventive percussion solo gives the piece an attractively colorful variety of textures and moods, and its tumultuous, organically evolving development makes the title entirely apt. Inquiétude du fini, for chamber choir and orchestra, and Igavik, for male choir and orchestra, somehow evoke the aesthetic of Arvo Pärt without sounding at all like Pärt. The Path and the Traces, for strings, was written as a tribute to Pärt, and contains some direct allusions to his music, but again, is distinctive and original and could never be mistaken for the work of the older composer. Tüür's colorful, evocative, and emotionally communicative music should find an appreciative audience as it is more broadly distributed internationally. Evelyn Glennie plays with spectacular virtuosity in Magma, creating the sound of what could very reasonably be assumed to be a fully staffed orchestral percussion section. The Estonian National Symphony Orchestra, the Estonian Philharmonic Chamber Choir, and the Estonian National Male Choir perform with delicacy and raw vigor, as required, under Paavo Järvi's nuanced and supple leadership. The sound quality is clean and spacious.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From 12.49€/month
Paavo Jarvi, Conductor, Lead Vocals - Maido Maadik, Producer, Produced & Engineered by - Estonian National Symphony Orchestra, Orchestra, Lead Vocals - Erkki-Sven TUUR, Composer - Evelyn Glennie, Percussion, Lead Vocals - Paavo Järvi/Evelyn Glennie/Estonian National Symphony Orchestra, MainArtist
© 2007 EMI Records Ltd./Virgin Classics ℗ 2007 Erato/Warner Classics, Warner Music UK Ltd
Paavo Jarvi, Conductor, Lead Vocals - Maido Maadik, Producer, Produced & Engineered by - Estonian National Symphony Orchestra, Orchestra, Choir, Lead Vocals - Erkki-Sven TUUR, Composer - Estonian Philharmonic Chamber Choir, Choir - Mikk Uleoja, Conductor, Lead Vocals - Tõnu Õnnepalu, Lyricist - Paavo Järvi/Estonian National Symphony Orchestra/Mikk Üleoja, MainArtist
© 2007 EMI Records Ltd./Virgin Classics ℗ 2007 Erato/Warner Classics, Warner Music UK Ltd
Paavo Jarvi, Conductor, MainArtist - Maido Maadik, Producer - Estonian National Symphony Orchestra, Orchestra - Erkki-Sven TUUR, Composer - Estonian Philharmonic Chamber Choir, Choir, FeaturedArtist - Estonian National Male Choir, Choir, FeaturedArtist - Doris Kareva, Poet
© 2007 EMI Records Ltd./Virgin Classics ℗ 2007 Erato/Warner Classics, Warner Music UK Ltd
Paavo Jarvi, Conductor, Lead Vocals - Maido Maadik, Producer, Produced & Engineered by - Estonian National Symphony Orchestra, Orchestra, Lead Vocals - Erkki-Sven TUUR, Composer - Paavo Järvi/Estonian National Symphony Orchestra, MainArtist
© 2007 EMI Records Ltd./Virgin Classics ℗ 2007 Erato/Warner Classics, Warner Music UK Ltd
Album review
Estonian Erkki-Sven Tüür (1959) is among those composers who draw liberally on the broadest range of musical influences and incorporate them into a personal style that is more an organic integration than a pastiche. Tüür began his musical career in a rock band, and those roots are evident in his music, as well as a native minimalism based on ancient runic singing, and the full arsenal of contemporary compositional techniques. His music bears some resemblance to that of Finnish composer Einojuhani Rautavaara in the immediacy of its appeal and the eclecticism of its sources. Tüür's Magma grew out of a request by Evelyn Glennie for a percussion concerto, but the composer elected to make it a symphony featuring a percussion soloist to emphasize the integrality of the soloist and the orchestra, rather than their opposition. The composer characterizes the work's opening as "the starry sky at midnight reflected on the very still water of the lake," and he is entirely successful in evoking that image in his music -- gently shimmering clouds of woodwinds flecked with glistening metallic percussion. The single-movement work includes four contrasting sections corresponding to the movements of a traditional symphony. The rhythmically and timbrally inventive percussion solo gives the piece an attractively colorful variety of textures and moods, and its tumultuous, organically evolving development makes the title entirely apt. Inquiétude du fini, for chamber choir and orchestra, and Igavik, for male choir and orchestra, somehow evoke the aesthetic of Arvo Pärt without sounding at all like Pärt. The Path and the Traces, for strings, was written as a tribute to Pärt, and contains some direct allusions to his music, but again, is distinctive and original and could never be mistaken for the work of the older composer. Tüür's colorful, evocative, and emotionally communicative music should find an appreciative audience as it is more broadly distributed internationally. Evelyn Glennie plays with spectacular virtuosity in Magma, creating the sound of what could very reasonably be assumed to be a fully staffed orchestral percussion section. The Estonian National Symphony Orchestra, the Estonian Philharmonic Chamber Choir, and the Estonian National Male Choir perform with delicacy and raw vigor, as required, under Paavo Järvi's nuanced and supple leadership. The sound quality is clean and spacious.
© TiVo
About the album
- 1 disc(s) - 4 track(s)
- Total length: 01:06:43
- Main artists: Paavo Järvi/Evelyn Glennie
- Composer: Erkki-Sven Tüür
- Label: Warner Classics
- Genre: Classical
© 2007 EMI Records Ltd./Virgin Classics ℗ 2007 The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.