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Cannonball Adderley|The Summer of '55

The Summer of '55

The Adderley Brothers

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Julian "Cannonball" Adderley and Nat Adderley are both legendary names in jazz now, but when the material on these two discs was recorded in 1955, they were newcomers on the New York jazz scene. These 21 tracks were originally released on three separate LPs: the first as Bohemia After Dark (with drummer Kenny Clarke billed as leader), the second under Cannonball's name as Spontaneous Combustion, and the third titled That's Nat. This reissue leaves the tracks in the same order as that found on the original LPs (with the addition of several alternate takes). The playing is stupendous, and Cannonball's alto sax is particularly reminiscent of Charlie Parker at the peak of his powers. Cannonball and Nat's compositions, especially the very boppish "Chasm" and the bluesy "Hear Me Talkin' to Ya" simultaneously hark back to and expand the bebop tradition in a way that would lead directly to the hard bop sound of Art Blakey and others. On his solo date, Nat's trumpet style is a bit more individualized than Cannonball's alto; his tone is sweet, his phrasing fluid. The packaging is attractive and there are excellent liner notes. Highly recommended.
© Rick Anderson /TiVo

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The Summer of '55

Cannonball Adderley

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1
Bohemia After Dark (Take 1)
00:06:05

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

2
Bohemia After Dark (Take 2)
00:05:44

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

3
Chasm
00:04:22

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

4
Willow Weep for Me
00:06:21

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

5
Late Entry
00:03:15

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

6
Hear Me Talkin to Ya
00:09:12

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

7
With Apologies to Oscar (Take 2)
00:05:43

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

8
With Apologies to Oscar (Take 3)
00:05:44

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

9
Spontaneous Combustion
00:10:06
10
Still Talkin to Ya
00:08:50

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

DISC 2

1
A Little Taste (Take 2)
00:05:10

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

2
A Little Taste (Take 3)
00:05:00

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

3
Carribean Cutie
00:07:03

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

4
Flamingo
00:07:00

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

5
We'll Be Together Again
00:06:56

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

6
Porky
00:05:16

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

7
I Married an Angel
00:04:33

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

8
Big E
00:10:41
9
Kuzzin's Buzzin
00:05:11

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

10
Ann Springs
00:06:19

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

11
You Better Go Now
00:05:58

The Adderley Brothers, MainArtist

(C) 2009 SLG, LLC (P) 2009 SLG, LLC

Album review

Julian "Cannonball" Adderley and Nat Adderley are both legendary names in jazz now, but when the material on these two discs was recorded in 1955, they were newcomers on the New York jazz scene. These 21 tracks were originally released on three separate LPs: the first as Bohemia After Dark (with drummer Kenny Clarke billed as leader), the second under Cannonball's name as Spontaneous Combustion, and the third titled That's Nat. This reissue leaves the tracks in the same order as that found on the original LPs (with the addition of several alternate takes). The playing is stupendous, and Cannonball's alto sax is particularly reminiscent of Charlie Parker at the peak of his powers. Cannonball and Nat's compositions, especially the very boppish "Chasm" and the bluesy "Hear Me Talkin' to Ya" simultaneously hark back to and expand the bebop tradition in a way that would lead directly to the hard bop sound of Art Blakey and others. On his solo date, Nat's trumpet style is a bit more individualized than Cannonball's alto; his tone is sweet, his phrasing fluid. The packaging is attractive and there are excellent liner notes. Highly recommended.
© Rick Anderson /TiVo

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