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Daniel Weissmann|The Romantic Viola II

The Romantic Viola II

Daniel Weissmann and Peter Petrov

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Daniel Weissmann, Managing Director of the Liège Royal Philharmonic, is also a violist. Following an initial album released by Fuga Libera (2018) and chiefly devoted to German music, he continues his exploration of the chamber repertory for viola with this new album, here in partnership with the pianist Peter Petrov. The programme explores the French Romantic repertory, in a worldpremiere recording of the British musicologist Hugh Macdonald’s remarkable and formidably difficult arrangement for viola and piano of Berlioz’s Harold en Italie. The album is completed by ‘fin-de-siècle’ pieces by Vierne, Chausson and Tournemire (all three students of César Franck), written between 1894 and 1897, which embrace the full expressive and melancholic potential of the instrument. © Fuga Libera

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The Romantic Viola II

Daniel Weissmann

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Suite en trois parties, Op. 11 (Charles Tournemire)

1
I. Allegro ben moderato
00:05:58

Charles Tournemire, Composer - Editions Max Eschig, MusicPublisher - Peter Petrov, MainArtist - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

2
II. Largo
00:05:48

Charles Tournemire, Composer - Editions Max Eschig, MusicPublisher - Peter Petrov, MainArtist - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

3
III. Allegro
00:06:30

Charles Tournemire, Composer - Editions Max Eschig, MusicPublisher - Peter Petrov, MainArtist - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

4
Pièce pour violoncelle ou alto et piano, Op. 39: Tranquille mais sans lenteur, plus animé, lent
00:06:48

Ernest Chausson, Composer - Editions Salabert, MusicPublisher - Peter Petrov, MainArtist - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

Deux pièces pour alto, Op. 5 (Louis Vierne)

5
I. Le soir
00:03:30

Louis Vierne, Composer - Peter Petrov, MainArtist - Editions Leduc, MusicPublisher - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

6
II. Légende
00:01:51

Louis Vierne, Composer - Peter Petrov, MainArtist - Editions Leduc, MusicPublisher - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

Harold en Italie, H 68 (Hector Berlioz)

7
I. Adagio - Allegro (Arr. for viola and piano by Hugh Macdonald)
00:14:35

Hector Berlioz, Composer - Hugh Macdonald, Arranger - Bärenreiter Verlag, MusicPublisher - Peter Petrov, MainArtist - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

8
II. Allegretto (Arr. for viola and piano by Hugh Macdonald)
00:07:24

Hector Berlioz, Composer - Hugh Macdonald, Arranger - Bärenreiter Verlag, MusicPublisher - Peter Petrov, MainArtist - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

9
III. Allegro Assai - Allegretto (Arr. for viola and piano by Hugh Macdonald)
00:06:26

Hector Berlioz, Composer - Hugh Macdonald, Arranger - Bärenreiter Verlag, MusicPublisher - Peter Petrov, MainArtist - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

10
IV. Allegro frenetico - Adagio - Tempo con fuoco (Arr. for viola and piano by Hugh Macdonald)
00:12:17

Hector Berlioz, Composer - Hugh Macdonald, Arranger - Bärenreiter Verlag, MusicPublisher - Peter Petrov, MainArtist - Daniel Weissmann, MainArtist

2020 Outhere 2020 Daniel Weissmann

Album review

Daniel Weissmann, Managing Director of the Liège Royal Philharmonic, is also a violist. Following an initial album released by Fuga Libera (2018) and chiefly devoted to German music, he continues his exploration of the chamber repertory for viola with this new album, here in partnership with the pianist Peter Petrov. The programme explores the French Romantic repertory, in a worldpremiere recording of the British musicologist Hugh Macdonald’s remarkable and formidably difficult arrangement for viola and piano of Berlioz’s Harold en Italie. The album is completed by ‘fin-de-siècle’ pieces by Vierne, Chausson and Tournemire (all three students of César Franck), written between 1894 and 1897, which embrace the full expressive and melancholic potential of the instrument. © Fuga Libera

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