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Hurray For The Riff Raff|The Navigator

The Navigator

Hurray For The Riff Raff

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On her previous five albums as Hurray for the Riff Raff, singer/songwriter Alynda Segarra subscribed to an audacious, far-reaching definition of Americana, but she's never been as ambitious as she is on 2017's The Navigator. A pseudo-autobiographical concept album partially inspired by Segarra's first listen to David Bowie's The Rise & Fall of Ziggy Stardust, The Navigator follows the journey of Navita, a Puerta Rican folk-punk who discovers her identity and sharpens her politics as she journeys through the boroughs of New York City. Although Segarra's story is relatively easy to parse, the pleasure in The Navigator lies not in the narrative but rather its ideas. While the album may open with "Living in the City," a song that makes a conscious nod to her early influence Bob Dylan, Segarra expands her musical palette considerably, finding space for spectral strings, gospel choirs, barrelhouse piano, and percolating funk. All of these flourishes give The Navigator a lush, enveloping atmosphere, but they're not merely flair: They're an indication of how Segarra pulls from several different American traditions to create a vibrant, modern Americana. Certainly, this album feels richer than previous Hurray for the Riff Raff records, which all benefitted from the stripped-down aesthetic that often signifies authenticity in Americana, but this broadening of Segarra's scope hardly constitutes pandering. The Navigator is nothing if it isn't a bold risk, a record that attempts to carve out a new kind of Americana, one where the past informs the present instead of the present preserving the past -- and one where the political is personal, too.

© Stephen Thomas Erlewine /TiVo

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The Navigator

Hurray For The Riff Raff

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1
Entrance
00:01:43

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

2
Living in the City
00:03:17

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

3
Hungry Ghost
00:03:26

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

4
Life to Save
00:02:57

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

5
Nothing's Gonna Change That Girl
00:04:00

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

6
The Navigator
00:03:07

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

7
Halfway There
00:02:12

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

8
Rican Beach
00:03:32

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

9
Fourteen Floors
00:04:13

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

10
Settle
00:02:58

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

11
Pa'lante
00:05:53

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

12
Finale
00:03:22

Paul Butler, Producer - Michael Brauer, MixingEngineer - Hurray For The Riff Raff, MainArtist - Alynda Segarra, Composer

2017 ATO Records, under exclusive license to [PIAS] Cooperative 2017 ATO Records, under exclusive license to [PIAS] Cooperative

Album review

On her previous five albums as Hurray for the Riff Raff, singer/songwriter Alynda Segarra subscribed to an audacious, far-reaching definition of Americana, but she's never been as ambitious as she is on 2017's The Navigator. A pseudo-autobiographical concept album partially inspired by Segarra's first listen to David Bowie's The Rise & Fall of Ziggy Stardust, The Navigator follows the journey of Navita, a Puerta Rican folk-punk who discovers her identity and sharpens her politics as she journeys through the boroughs of New York City. Although Segarra's story is relatively easy to parse, the pleasure in The Navigator lies not in the narrative but rather its ideas. While the album may open with "Living in the City," a song that makes a conscious nod to her early influence Bob Dylan, Segarra expands her musical palette considerably, finding space for spectral strings, gospel choirs, barrelhouse piano, and percolating funk. All of these flourishes give The Navigator a lush, enveloping atmosphere, but they're not merely flair: They're an indication of how Segarra pulls from several different American traditions to create a vibrant, modern Americana. Certainly, this album feels richer than previous Hurray for the Riff Raff records, which all benefitted from the stripped-down aesthetic that often signifies authenticity in Americana, but this broadening of Segarra's scope hardly constitutes pandering. The Navigator is nothing if it isn't a bold risk, a record that attempts to carve out a new kind of Americana, one where the past informs the present instead of the present preserving the past -- and one where the political is personal, too.

© Stephen Thomas Erlewine /TiVo

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