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Sergio Mendes|The Great Arrival

The Great Arrival

Sergio Mendes

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The hype-laden title undoubtedly refers to Sergio Mendes' move to America two years before this album's release, settling in Los Angeles, where this record was made. Clearly he was out to make it big in the U.S.A., for this album tries to move a bit away from Brazil by spotlighting Mendes' jazz and pop piano against the elaborate charts of Clare Fischer, Bob Florence and Dick Hazard. There are contributions from the best-known Brazilians (Edu Lobo, Jobim of course) as well as up-to-the-minute pop tunes "Monday, Monday" and "Don't Go Breaking My Heart" and American songbook material like "Here's That Rainy Day" and "Girl Talk," all served up in airplay-sized packages mostly under three minutes in length. Inevitably, then, Mendes' piano doesn't get much room to breathe, but the charts are quite interesting; Florence's are the most big-band-oriented, Fischer's are the most harmonically challenging, and Hazard's lush offerings are the signposts of Mendes' future with Brasil '66. Though an encouraging step forward, Mendes' first big strike was still several months away.

© Richard S. Ginell /TiVo

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The Great Arrival

Sergio Mendes

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1
The Great Arrival (Chegança)
00:02:17

Norman Gimbel, ComposerLyricist - Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Edu Lobo, ComposerLyricist - Joao Palma, Drums, AssociatedPerformer - Oduvaldo Viana Filho, ComposerLyricist - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

2
Monday Monday
00:02:29

John Phillips, ComposerLyricist - Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

3
Carnaval
00:02:38

Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Clare Fischer, ComposerLyricist - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

4
Canção Do Amanhecer
00:02:47

Vinicius De Moraes, ComposerLyricist - Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Edu Lobo, ComposerLyricist - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

5
Here's That Rainy Day
00:02:19

Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Johnny Burke, ComposerLyricist - Jimmy Van Heusen, ComposerLyricist - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

6
Borandá
00:02:39

Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Edu Lobo, ComposerLyricist - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

7
Nanã
00:02:34

Mario Telles, Composer - Moacir Santos, Composer - Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

8
Bonita
00:03:22

Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, ComposerLyricist - Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

9
Morning
00:02:37

Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Clare Fischer, ComposerLyricist - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

10
Don't Go Breaking My Heart
00:02:29

Burt Bacharach, ComposerLyricist - Hal David, ComposerLyricist - Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

11
Tristeza De Amar
00:03:16

Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Joao Palma, Drums, AssociatedPerformer - Geraldo Vandré, ComposerLyricist - Luiz Roberto, ComposerLyricist - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

12
Girl Talk
00:02:24

Sergio Mendes, Piano, MainArtist, AssociatedPerformer - Nesuhi Ertegun, Producer, Recording Engineer, Recording Producer, StudioPersonnel - Neal Hefti, ComposerLyricist - Bobby Troup, ComposerLyricist - Joao Palma, Drums, AssociatedPerformer - John Norman, Recording Engineer, StudioPersonnel

℗ 1966 Craft Recordings.

Album review

The hype-laden title undoubtedly refers to Sergio Mendes' move to America two years before this album's release, settling in Los Angeles, where this record was made. Clearly he was out to make it big in the U.S.A., for this album tries to move a bit away from Brazil by spotlighting Mendes' jazz and pop piano against the elaborate charts of Clare Fischer, Bob Florence and Dick Hazard. There are contributions from the best-known Brazilians (Edu Lobo, Jobim of course) as well as up-to-the-minute pop tunes "Monday, Monday" and "Don't Go Breaking My Heart" and American songbook material like "Here's That Rainy Day" and "Girl Talk," all served up in airplay-sized packages mostly under three minutes in length. Inevitably, then, Mendes' piano doesn't get much room to breathe, but the charts are quite interesting; Florence's are the most big-band-oriented, Fischer's are the most harmonically challenging, and Hazard's lush offerings are the signposts of Mendes' future with Brasil '66. Though an encouraging step forward, Mendes' first big strike was still several months away.

© Richard S. Ginell /TiVo

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