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Lavinia Meijer|Spohr, Fauré, Pierné, Saint-Saëns & Roussel: Fantasies and Impromptus

Spohr, Fauré, Pierné, Saint-Saëns & Roussel: Fantasies and Impromptus

Lavinia Meijer

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What prompts a composer to write fantasies and impromptus? And what do the fantasy, a free form, and the impromptu, originally an improvised poem, have in common? We know that Spohr was inspired by a young harpist who was later to become his wife. But did Fauré, as director of the Paris Conservatory, simply have no option than to write, because a compulsory solo piece was required for the harp class examinations? Was the marine officer Roussel influenced by his travels to distant shores? And were the fantasias by Saint-Saëns inspired by his great love of the Arab world? We can sometimes only guess. What we do know is that the harp has always appealed to the imagination, and that both fantasies and impromptus have inspired many composers to give free rein to their creative powers. (...)Lavinia Meijer ( from liner notes)

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Spohr, Fauré, Pierné, Saint-Saëns & Roussel: Fantasies and Impromptus

Lavinia Meijer

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1
Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato
00:06:21

Gabriel Pierné, Composer - Copyright Control, MusicPublisher - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

2
Fantasia for Harp in C Minor, Op. 35. Adagio molto - Allegretto
00:08:50

Copyright Control, MusicPublisher - Louis Spohr, Composer - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

3
Variations sur "Je suis encore dans mon printemps", Op. 36: Thema. Allegretto - Var. I, II, III, IV - Rondo. Allegro
00:06:38

Copyright Control, MusicPublisher - Louis Spohr, Composer - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

4
Fantaisie for Harp, Op. 95. Allegretto con malinconia tempo rubato - Andantino espressivo - Allegretto
00:11:04

CAMILLE SAINT-SAENS, Composer - Copyright Control, MusicPublisher - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

5
Impromptu No. 6 in D-Flat Major, Op. 86. Allegretto molto moderato - Allegro con moto
00:08:58

Gabriel Fauré, Composer - Copyright Control, MusicPublisher - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

6
Une châtelaine en sa tour, Op. 110. Andante
00:05:28

Gabriel Fauré, Composer - Copyright Control, MusicPublisher - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

7
Impromptu No. 2 in A-Flat Major. Moderato - Grazioso - Lento e espressivo
00:06:17

Copyright Control, MusicPublisher - Gabriel Verdalle, Composer - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

8
Phantasie über das niederländische Volkslied "Wien Neerlandsch bloed", Op. 51. Allegro ma non troppo - Andante maestoso
00:08:28

Johannes Snoer, Composer - Lavinia Meijer, MainArtist - Jules Heinrich Zimmermann, Leipzig, MusicPublisher

2011 Channel Classics Records 2011 Channel Classics Records

9
Impromptu, Op. 21. Modéré
00:05:53

Copyright Control, MusicPublisher - Albert Roussel, Composer - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

10
Impromptu for Harp
00:04:00

Copyright Control, MusicPublisher - Reinhold Glière, Composer - Lavinia Meijer, MainArtist

2011 Channel Classics Records 2011 Channel Classics Records

Album review

What prompts a composer to write fantasies and impromptus? And what do the fantasy, a free form, and the impromptu, originally an improvised poem, have in common? We know that Spohr was inspired by a young harpist who was later to become his wife. But did Fauré, as director of the Paris Conservatory, simply have no option than to write, because a compulsory solo piece was required for the harp class examinations? Was the marine officer Roussel influenced by his travels to distant shores? And were the fantasias by Saint-Saëns inspired by his great love of the Arab world? We can sometimes only guess. What we do know is that the harp has always appealed to the imagination, and that both fantasies and impromptus have inspired many composers to give free rein to their creative powers. (...)Lavinia Meijer ( from liner notes)

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