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E 40|Sharp On All 4 Corners: Corner 1

Sharp On All 4 Corners: Corner 1

E-40

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Maybe his breakthrough hit "Tell Me When to Go" was a threat, as the Bay Area slang king known as E-40 has kept a brutally prolific release schedule since 2011. It was then he released a quadrilogy of albums with Revenue Retrievin': Day Shift, Night Shift. Overtime Shift, and Graveyard Shift all landing within the year, then The Block Brochure: Welcome to the Soil 1 landed in 2012, kicking off a series that would drop no less than six albums over the next two years. The 2014 release Sharp on All 4 Corners: Corner 1 sets in motion another quadrilogy that uses The Block Brochure's two-year roll-out plan, but E-40 fans should check their already beat-up wallets, because this one balls hard. The abundance of minimal techno beats and hyphy lyrics found here all fall within E-40's comfort zone, and yet, he attacks these cuts with the punch and and the throwback nastiness of 2006's My Ghetto Report Card. Then, there's "Red Cup" with T-Pain, B.o.B., and Kid Ink helping to bring the Bay Area strip club anthem into 2014 as lyrics like "She can make some Guess Jeans stretch like polyester/Call me Lord Bobby, I'ma bless her with the scepter" say all there needs to be said. Rounding it all out are a couple ambitious numbers that border on experimentation ("Paint the Picture" is a ghostly take on cloud rap while the crooked "2 Fingers" sounds like a Zapp album malfunctioning) and in the end, E-40's unwieldy discography becomes frustrating primarily because these high points can get lost in the woods.

© David Jeffries /TiVo

More info

Sharp On All 4 Corners: Corner 1

E 40

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1
Programmin Explicit
00:03:04

Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

2
Can't Fuck With Me Explicit
00:03:13

Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

3
Money Sack (feat. Lil Boosie) Explicit
00:03:23

Earl Stevens, Composer - E-40, MainArtist - Lil Boosie, FeaturedArtist - Michael Denten, Engineer

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

4
Red Cup (feat. T-Pain, Kid Ink & B.o.B) Explicit
00:04:11

Earl Stevens, Composer - E-40, MainArtist - B.O.B, FeaturedArtist - T-Pain, FeaturedArtist - Michael Denten, Engineer - Kid Ink, FeaturedArtist

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

5
Knockin' At The Light Explicit
00:03:14

Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

6
Choices (Yup) Explicit
00:04:32

Michelle Bell, Composer - Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer - Clarence Hutchinson, Composer - David Tima Iosua, Composer - Devon Gazaway, Composer

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

7
Three Jobs Explicit
00:03:31

Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

8
Paint The Picture (feat. Turf Talk & Cousin Fik) Explicit
00:03:45

Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer - Turf Talk, FeaturedArtist - Cousin Fik, FeaturedArtist

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

9
Straight Mobbin' (feat. Ezale & Vell) Explicit
00:03:16

Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer - Vell, FeaturedArtist - Ezale, FeaturedArtist

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

10
2 Fingers (feat. Adrian Marcel) Explicit
00:05:10

Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer - Adrian Marcel, FeaturedArtist

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

11
Playa (feat. VT) Explicit
00:03:51

Earl Stevens, Composer - E-40, MainArtist - Vt, FeaturedArtist - Michael Denten, Engineer

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

12
707 (feat. Willie Joe & Nef The Pharaoh) Explicit
00:04:36

Earl Stevens, Composer - E-40, MainArtist - Michael Denten, Engineer - Willie Joe, FeaturedArtist - Nef The Pharaoh, FeaturedArtist

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

13
Same Since '88 (feat. Too Short & B-Legit) Explicit
00:03:59

Too Short, FeaturedArtist - Earl Stevens, Composer - B-Legit, FeaturedArtist - E-40, MainArtist - Michael Denten, Engineer

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

14
Family (feat. Otis & Suge) Explicit
00:05:02

Earl Stevens, Composer - E-40, MainArtist - Otis, FeaturedArtist - Michael Denten, Engineer - Suge, FeaturedArtist

© 2014 BMG Rights Management (US) LLC ℗ 2014 BMG Rights Management (US) LLC

Album review

Maybe his breakthrough hit "Tell Me When to Go" was a threat, as the Bay Area slang king known as E-40 has kept a brutally prolific release schedule since 2011. It was then he released a quadrilogy of albums with Revenue Retrievin': Day Shift, Night Shift. Overtime Shift, and Graveyard Shift all landing within the year, then The Block Brochure: Welcome to the Soil 1 landed in 2012, kicking off a series that would drop no less than six albums over the next two years. The 2014 release Sharp on All 4 Corners: Corner 1 sets in motion another quadrilogy that uses The Block Brochure's two-year roll-out plan, but E-40 fans should check their already beat-up wallets, because this one balls hard. The abundance of minimal techno beats and hyphy lyrics found here all fall within E-40's comfort zone, and yet, he attacks these cuts with the punch and and the throwback nastiness of 2006's My Ghetto Report Card. Then, there's "Red Cup" with T-Pain, B.o.B., and Kid Ink helping to bring the Bay Area strip club anthem into 2014 as lyrics like "She can make some Guess Jeans stretch like polyester/Call me Lord Bobby, I'ma bless her with the scepter" say all there needs to be said. Rounding it all out are a couple ambitious numbers that border on experimentation ("Paint the Picture" is a ghostly take on cloud rap while the crooked "2 Fingers" sounds like a Zapp album malfunctioning) and in the end, E-40's unwieldy discography becomes frustrating primarily because these high points can get lost in the woods.

© David Jeffries /TiVo

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