Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

The Durutti Column|Sex and Death

Sex and Death

The Durutti Column

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

The first Durutti release on the reorganized Factory Too label, Sex and Death is Reilly once again coaxing lovely magic from his chosen instruments -- no change there, then. With the ever-present Mitchell assisting him on drums and another variety of assisting players -- old bandmate Metcalfe back again with some viola, album co-producer Stephen Street helping with a bit of bass (as does New Order's Peter Hook), three guest singers, and more -- Reilly again serves up a smart set of songs. His generally up-to-the-minute approach to recording and performing still in place, Reilly embraces breakbeat culture via hip-hop loops at points while otherwise following his particular muse as he chooses. "The Rest of My Life" could and should have been a hit single, a sharp, funky rhythm the bed for a great, slightly twangy series of guitar lines and a softly sung female vocal, intertwining just so. Meanwhile, "The Next Time" is a touch straightforward even for Reilly, with Rob Gray's passionate lead vocal soaring over the delicate soloing and big, at-times arena rock-level drums from Mitchell, which Reilly then matches with a duly bolstered but still clean rip. Interests from here and there suggest themselves throughout -- "Fado," for instance, refers to the traditional song style of Portugal, and has an air about it from that background. Other songs recall the murkier beginnings of Reilly's work, like "For Collette," Metcalfe's plucked strings echoing off into the distance over a fragile, barely there lead melody accompanied by a simple three-note loop on synth, all of which develops into another quietly triumphant anthem. He saves a sly joke for the end -- "Blue Period," not so much referring to an artistic period by anyone or another as it does the fact the song itself is a classic blues lick revamped in Reilly's own preferred playing style.

© Ned Raggett /TiVo

More info

Sex and Death

The Durutti Column

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From 12.49€/month

1
Anthony
00:02:05

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

2
The Rest of My Life
00:04:14

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

3
For Colette
00:06:05

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

4
The Next Time
00:06:23

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

5
Beautiful Lies
00:05:28

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

6
My Irascible Friend
00:05:53

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

7
Believe in Me
00:02:49

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

8
Fermina
00:02:51

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

9
Where I Should Be
00:02:00

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

10
Fado
00:05:16

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

11
Madre Mio
00:01:43

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

12
Blue Period
00:05:10

The Durutti Column, Composer, MainArtist - Vini Reilly, Writer - Produced by Stephen Street with Vini Reilly, Producer

© 1995 London Records Ltd ℗ 1995 London Music Stream Ltd. LC77554

Album review

The first Durutti release on the reorganized Factory Too label, Sex and Death is Reilly once again coaxing lovely magic from his chosen instruments -- no change there, then. With the ever-present Mitchell assisting him on drums and another variety of assisting players -- old bandmate Metcalfe back again with some viola, album co-producer Stephen Street helping with a bit of bass (as does New Order's Peter Hook), three guest singers, and more -- Reilly again serves up a smart set of songs. His generally up-to-the-minute approach to recording and performing still in place, Reilly embraces breakbeat culture via hip-hop loops at points while otherwise following his particular muse as he chooses. "The Rest of My Life" could and should have been a hit single, a sharp, funky rhythm the bed for a great, slightly twangy series of guitar lines and a softly sung female vocal, intertwining just so. Meanwhile, "The Next Time" is a touch straightforward even for Reilly, with Rob Gray's passionate lead vocal soaring over the delicate soloing and big, at-times arena rock-level drums from Mitchell, which Reilly then matches with a duly bolstered but still clean rip. Interests from here and there suggest themselves throughout -- "Fado," for instance, refers to the traditional song style of Portugal, and has an air about it from that background. Other songs recall the murkier beginnings of Reilly's work, like "For Collette," Metcalfe's plucked strings echoing off into the distance over a fragile, barely there lead melody accompanied by a simple three-note loop on synth, all of which develops into another quietly triumphant anthem. He saves a sly joke for the end -- "Blue Period," not so much referring to an artistic period by anyone or another as it does the fact the song itself is a classic blues lick revamped in Reilly's own preferred playing style.

© Ned Raggett /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
More on Qobuz
By The Durutti Column

Fidelity

The Durutti Column

Fidelity The Durutti Column

Time Was GIGANTIC... When We Were Kids

The Durutti Column

LC

The Durutti Column

LC The Durutti Column

Vini Reilly

The Durutti Column

Vini Reilly The Durutti Column

The Return of The Durutti Column

The Durutti Column

You may also like...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

St. Vincent

All Born Screaming St. Vincent

Did you know that there's a tunnel under Ocean Blvd

Lana Del Rey

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish