Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Brian Eno - Music For Installations

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Music For Installations

Brian Eno

Available in
16-Bit CD Quality 44.1 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Select Audio Quality

To be elegible for this price, subscribe to Studio Sublime

A real soundtrack for a film by John Carpenter (such as, for example The Fog, written in 1980), Kazakhstan, the first track on this vast five-hour box set, sets the tone. Enormous blankets of sound, serpentine melodies, dustings of notes scattered across parallel dimensions, with in(de)finite contours. Music For Installations is the first collection of all of the music that Brian Eno (who turns 70 in 2018) composed for different art exhibitions from 1986 to the present day. When the Briton visited the Venice Biennale, the Russian Museum in St Petersburg or the Sydney Opera House, he decided to accompany each of these exhibitions with a new, tailor-made musical composition, and he brings magisterial skill to a genre of which he has been the uncontested champion since 1978’s visionary Ambient 1: Music for Airports: the atmospheric wanderings, the sensory, spartan touches, the minimalist and languorous structures dominate the field. By bringing together music and painting, Brian Eno has fun creating contrasts, and subverting common points of reference: “If you think of music", he says, "as a moving, changing form, and painting as a still form, what I’m trying to do is make very still music and paintings that move, “I’m trying to find in both of those forms, the space in between the traditional concept of music and the traditional concept of painting." There can be no doubt that this new collection of ambient sounds, always exhilarating, often utterly hypnotic, is one of the most exciting displays of Brian Eno's genius. This is not to be missed. © Pierre-Yves Lascar/Qobuz

More info

Music For Installations

Brian Eno

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 60 million songs with an unlimited streaming plan.

Listen to this album and more than 60 million songs with your unlimited streaming plans.

1
Kazakhstan
00:20:17

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Leo Abrahams, Guitar, AssociatedPerformer - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 2017 Opal Music Ltd.

2
The Ritan Bells
00:16:44

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 2005 Opal Music Ltd.

3
Five Light Paintings
00:19:49

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 1985 Opal Music Ltd.

4
Flower Bells
00:18:44

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 2017 Opal Music Ltd.

DISC 2

1
77 Million Paintings
00:44:00

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel - Kyoko Inatome, Vocals, AssociatedPerformer

℗ 2017 Opal Music Ltd.

DISC 3

1
Atmospheric Lightness
00:30:32

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 1997 Opal Music Ltd.

2
Chamber Lightness
00:25:01

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 1997 Opal Music Ltd.

DISC 4

1
I Dormienti
00:39:45

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel - Kyoko Inatome, Voice, AssociatedPerformer

℗ 1999 Opal Music Ltd.

2
Kites I
00:08:03

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 1999 Opal Music Ltd.

3
Kites II
00:07:14

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 1999 Opal Music Ltd.

4
Kites III
00:13:59

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 1999 Opal Music Ltd.

DISC 5

1
Needle Click
00:04:07

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel

℗ 2010 Opal Music Ltd.

2
Light Legs
00:03:37

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel

℗ 2010 Opal Music Ltd.

3
Flora And Fauna / Gleise 581d
00:03:54

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel - Leo Abrahams, Guitar, AssociatedPerformer, ComposerLyricist

℗ 2010 Opal Music Ltd.

4
New Moons
00:04:02

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel - Leo Abrahams, Guitar, AssociatedPerformer, ComposerLyricist

℗ 2010 Opal Music Ltd.

5
Vanadium
00:01:55

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel - Leo Abrahams, Guitar, AssociatedPerformer, ComposerLyricist

℗ 2010 Opal Music Ltd.

6
All The Stars Were Out
00:03:52

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel

℗ 2010 Opal Music Ltd.

7
Hopeful Timean Intersect
00:05:11

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Tim Harries, Bass Guitar, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel - Leo Abrahams, Guitar, AssociatedPerformer, ComposerLyricist

℗ 2010 Opal Music Ltd.

8
World Without Wind
00:05:23

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel

℗ 2010 Opal Music Ltd.

9
Delightful Universe (Seen From Above)
00:07:32

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Kevin Metcalfe, Mastering Engineer, StudioPersonnel

℗ 2010 Opal Music Ltd.

DISC 6

1
Unnoticed Planet
00:07:49

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 2018 Opal Music Ltd.

2
Liquidambar
00:07:00

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 2018 Opal Music Ltd.

3
Sour Evening (Complex Heaven 3)
00:08:12

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 2018 Opal Music Ltd.

4
Surbahar Sleeping Music
00:18:09

Brian Eno, Producer, Music Production, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Colton, Mastering Engineer, StudioPersonnel

℗ 2018 Opal Music Ltd.

Album Description

A real soundtrack for a film by John Carpenter (such as, for example The Fog, written in 1980), Kazakhstan, the first track on this vast five-hour box set, sets the tone. Enormous blankets of sound, serpentine melodies, dustings of notes scattered across parallel dimensions, with in(de)finite contours. Music For Installations is the first collection of all of the music that Brian Eno (who turns 70 in 2018) composed for different art exhibitions from 1986 to the present day. When the Briton visited the Venice Biennale, the Russian Museum in St Petersburg or the Sydney Opera House, he decided to accompany each of these exhibitions with a new, tailor-made musical composition, and he brings magisterial skill to a genre of which he has been the uncontested champion since 1978’s visionary Ambient 1: Music for Airports: the atmospheric wanderings, the sensory, spartan touches, the minimalist and languorous structures dominate the field. By bringing together music and painting, Brian Eno has fun creating contrasts, and subverting common points of reference: “If you think of music", he says, "as a moving, changing form, and painting as a still form, what I’m trying to do is make very still music and paintings that move, “I’m trying to find in both of those forms, the space in between the traditional concept of music and the traditional concept of painting." There can be no doubt that this new collection of ambient sounds, always exhilarating, often utterly hypnotic, is one of the most exciting displays of Brian Eno's genius. This is not to be missed. © Pierre-Yves Lascar/Qobuz

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...
More on Qobuz
By Brian Eno
You may also like...
In your panoramas...
Neoclassicism: The New World Between Classical Music and Electro

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... In recent years, these popular names have all been grouped under the vast and imprecise label "neoclassical". In truth, this "scene" looks more like a motley crew of curious artists who mix classical instruments with electronic production. Drawing influence from American minimalism, these musicians tantalise the senses and expand horizons on both sides of the musical spectrum.

Nick Cave: Bad Seed

Nick Cave and his Bad Seeds remain one of the most prolific adventures of the post-punk era. Since the late 1980s, the vast magnetism of the Australian singer has swirled through violent paroxysms, fulminating covers, piano ballads and sweaty rock'n'roll. As the years went by, Cave became more and more of a crooner, part way between a punk Frank Sinatra and an austere Johnny Cash.

The Talking Heads Revolution

Forty years after its release, David Byrne and his band’s album “Remain in Light” has held on to all of its mad and funky allure. The album’s merging of intellectual post-punk with cosmopolitan dance music influenced groups such as LCD Soundsystem, Vampire Weekend and Arcade Fire. On this fourth album produced by Brian Eno, the Talking Heads revolutionized their sound, but also that of rock itself.

In the news...