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Mu|Mu

Mu

Mu

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One of the best overlooked albums of the early '70s. Daring rhythms and song structures that build off the blues without following the standard three-chord/12-bar progressions, occasional modal jazzy sax by Cotton, and great slide guitar combine to form one of the most unclassifiable recordings of the time, with a high-spirited lightness that avoids the heavy excesses that sometimes burdened late-period psychedelia.

© Richie Unterberger /TiVo

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Mu

Mu

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1
Ballad Of Brother Lew
00:04:36

Mu, MainArtist - Merrell Fankhauser, Composer

© 1974 Cherry Red Records Ltd ℗ 1971 Merrell Fankhauser Merrell Fankhauser

2
Blue Form
00:04:08

Mu, MainArtist - Merrell Fankhauser, Composer - Jeff Cotton, Composer

© 1974 Cherry Red Records Ltd ℗ 1971 Merrell Fankhauser Merrell Fankhauser

3
Nobody Wants To Shine
00:04:14

Mu, MainArtist - Merrell Fankhauser, Composer - Jeff Cotton, Composer

© 1974 Cherry Red Records Ltd ℗ 1971 Merrell Fankhauser Merrell Fankhauser

4
Eternal Thirst
00:09:38

Mu, MainArtist - Merrell Fankhauser, Composer - Jeff Cotton, Composer

© 1974 Cherry Red Records Ltd ℗ 1971 Merrell Fankhauser Merrell Fankhauser

5
Mumbella Baye Tu La
00:03:26

Mu, MainArtist - Merrell Fankhauser, Composer - Jeff Cotton, Composer

© 1974 Cherry Red Records Ltd ℗ 1971 Merrell Fankhauser Merrell Fankhauser

6
The Clouds Went That Way
00:03:10

Mu, MainArtist - Merrell Fankhauser, Composer

© 1974 Cherry Red Records Ltd ℗ 1971 Merrell Fankhauser Merrell Fankhauser

7
You've Been Here Before
00:02:57

Mu, MainArtist - Merrell Fankhauser, Composer

© 1974 Cherry Red Records Ltd ℗ 1972 Merrell Fankhauser Merrell Fankhauser

8
One More Day
00:02:34

Mu, MainArtist - Merrell Fankhauser, Composer

© 1974 Cherry Red Records Ltd ℗ 1972 Merrell Fankhauser Merrell Fankhauser

9
On Our Way To Hana
00:02:17

Mu, MainArtist - Merrell Fankhauser, Composer

© 1974 Cherry Red Records Ltd ℗ 1973 Merrell Fankhauser Merrell Fankhauser

Album review

One of the best overlooked albums of the early '70s. Daring rhythms and song structures that build off the blues without following the standard three-chord/12-bar progressions, occasional modal jazzy sax by Cotton, and great slide guitar combine to form one of the most unclassifiable recordings of the time, with a high-spirited lightness that avoids the heavy excesses that sometimes burdened late-period psychedelia.

© Richie Unterberger /TiVo

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