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Joni Mitchell|Misses

Misses

Joni Mitchell

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Misses intends to round up the best of Joni Mitchell's failed singles and forgotten album tracks, which is a daunting task, to be sure. In a career as acclaimed, idiosyncratic, and prolific as Mitchell's, it's problematic to boil all the forgotten favorites down to one disc, but the task is made all the more difficult by the fact that the songwriter herself compiled the collection and has an agenda. Mitchell is out to prove that her neglected Geffen recordings during the '80s were as consistent as her classic '70s albums for Reprise. Although she is correct in her assessment that the albums should be given more respect, her execution could have been better. The bulk of Misses is comprised of the Geffen recordings, which were frequently difficult to appreciate, and in this presentation, they're only marginally easier to digest. "A Case of You," which probably should have been on Hits, is added as bait, but the compilation is ultimately of more use to hardcore fans than casual listeners.

© Stephen Thomas Erlewine /TiVo

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Misses

Joni Mitchell

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1
Passion Play (When All The Slaves Are Free)
00:05:23

Joni Mitchell, Producer, Arranger, Acoustic Guitar, Vocals, Writer, MainArtist - LARRY KLEIN, Percussion, Bass - Alex Acuna, Percussion - Bill Dillon, Guitar - Ranon Breton, Masterer

© 1996 Reprise Records ℗ 1991 Geffen Records

2
Nothing Can Be Done
00:04:50

Joni Mitchell, Producer, Acoustic Guitar, Keyboards, Vocals, Writer, MainArtist - LARRY KLEIN, Writer, Bass - Alex Acuna, Percussion - Bill Dillon, Guitar - DAVID BAERWALD, Vocals - Ranon Breton, Masterer

© 1996 Reprise Records ℗ 1991 Geffen Records

3
A Case of You
00:04:23

Russ Kunkel, Drums - Henry Lewy, Engineer - JAMES TAYLOR, Guitar - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist

© 1996 Reprise Records ℗ 1971 Warner Records Inc.

4
The Beat Of Black Wings
00:05:24

Benjamin Orr, Background Vocals - Joni Mitchell, Producer, Acoustic Guitar, Programmer, Vocals, Writer, MainArtist - LARRY KLEIN, Bass - Alex Acuna, Percussion - Manu Katche, Percussion - Bill Dillon, Guitar - Ranon Breton, Masterer

© 1996 Reprise Records ℗ 1988 Geffen Records

5
Dog Eat Dog
00:04:42

Michael Fisher, Percussion - JAMES TAYLOR, Background Vocals - Joni Mitchell, Producer, Programmer, Vocals, Writer, MainArtist - DON HENLEY, Background Vocals - Michael Landau, Guitar - Vinnie Colaiuta, Drums - LARRY KLEIN, Keyboards, Bass - Ranon Breton, Masterer

© 1996 Reprise Records ℗ 1985 Geffen Records

6
The Wolf That Lives in Lindsey
00:06:35

Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Guitar, Vocals, Lead Vocals, Writer, MainArtist, MixingEngineer - HERBIE HANCOCK, Piano - Emil Richards, Percussion - Wayne Shorter, Soprano Saxophone - Don Alias, Congas Drums - JACO PASTORIUS, Bass Guitar - JERRY SOLOMON, AdditionalEngineer - Peter Erkskine, Drums

© 1996 Reprise Records ℗ 1979 Asylum Records

7
The Magdalene Laundries
00:04:04

Bernie Grundman, MasteringEngineer - Joni Mitchell, Producer, Guitar, Keyboards, Vocals, Writer, MainArtist - LARRY KLEIN, Producer, Bass Guitar - Julie Last, AssistantEngineer - DAN MARNIEN, Audio Recording Engineer, MixingEngineer - Paul Lundin, AssistantEngineer - Paula Schaper, AssistantEngineer, AssistantProducer - Marsha Burns, AssistantProducer

© 1996 Reprise Records ℗ 1994 Reprise Records

8
Impossible Dreamer
00:04:30

Michael Fisher, Percussion - Joni Mitchell, Producer, Keyboards, Vocals, Writer, MainArtist - Vinnie Colaiuta, Drums - LARRY KLEIN, Bass - Wayne Shorter, Soprano Saxophone - Ranon Breton, Masterer

© 1996 Reprise Records ℗ 1985 Geffen Records

9
Sex Kills
00:03:57

Bernie Grundman, MasteringEngineer - Joni Mitchell, Producer, Guitar, Keyboards, Percussion, Vocals, Writer, MainArtist - Michael Landau, Electric Guitar - LARRY KLEIN, Producer, Bass Guitar, Percussion - Julie Last, AssistantEngineer - DAN MARNIEN, Audio Recording Engineer, MixingEngineer - Paul Lundin, AssistantEngineer - Paula Schaper, AssistantEngineer, AssistantProducer - Marsha Burns, AssistantProducer

© 1996 Reprise Records ℗ 1994 Reprise Records

10
The Reoccurring Dream
00:03:05

Joni Mitchell, Producer, Keyboards, Vocals, Writer, MainArtist - Michael Landau, Guitar - LARRY KLEIN, Bass - Manu Katche, Drums - Ranon Breton, Masterer

© 1996 Reprise Records ℗ 1988 Geffen Records

11
Harry's House / Centerpiece
00:06:48

Bernie Grundman, MasteringEngineer - Chuck Findley, Trumpet - JOHN GUERIN, Drums - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Vocals, Writer, MainArtist, MixingEngineer - JOE SAMPLE, Keyboards - Jon Hendricks, Writer - Graham nash, Backing Vocals - Max Bennett, Bass Guitar - Harry Edison, Writer - Robben Ford, Guitar - Ellis Sorkin, AssistantEngineer

© 1996 Reprise Records ℗ 1975 Asylum Records

12
The Arrangement
00:03:35

Milt Holland, Percussion - Henry Lewy, Engineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, MainArtist - Paul Horn, Clarinet, Flute - Teresa Adams, Cello - The Sasaktunes, Chorus - Jim Horn, Baritone Saxophone - Don Bagley, Cello Arranger

© 1996 Reprise Records ℗ 1970 Warner Records Inc.

13
For the Roses
00:03:43

Henry Lewy, Engineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist

© 1996 Reprise Records ℗ 1972 Asylum Records

14
Hejira
00:06:42

Steve Katz, Audio Recording Engineer, AssistantProducer - Abe Most, Clarinet - Bernie Grundman, MasteringEngineer - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist - Bobbye Hall, Percussion - LARRY CARLTON, Lead Guitar - JACO PASTORIUS, Bass Guitar

© 1996 Reprise Records ℗ 1976 Asylum Records

Album review

Misses intends to round up the best of Joni Mitchell's failed singles and forgotten album tracks, which is a daunting task, to be sure. In a career as acclaimed, idiosyncratic, and prolific as Mitchell's, it's problematic to boil all the forgotten favorites down to one disc, but the task is made all the more difficult by the fact that the songwriter herself compiled the collection and has an agenda. Mitchell is out to prove that her neglected Geffen recordings during the '80s were as consistent as her classic '70s albums for Reprise. Although she is correct in her assessment that the albums should be given more respect, her execution could have been better. The bulk of Misses is comprised of the Geffen recordings, which were frequently difficult to appreciate, and in this presentation, they're only marginally easier to digest. "A Case of You," which probably should have been on Hits, is added as bait, but the compilation is ultimately of more use to hardcore fans than casual listeners.

© Stephen Thomas Erlewine /TiVo

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