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New Zealand Symphony Orchestra|Meyerbeer: Overtures & Entr'actes from the French Operas

Meyerbeer: Overtures & Entr'actes from the French Operas

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The most popular opera composer of the mid-19th century was Giacomo Meyerbeer, whose spectacular stage works dominated the music establishment in Paris and influenced composers across Europe. Yet despite the survival of his operas well into the 20th century, very little of Meyerbeer is played today due to the high costs of mounting such elaborate productions, and the general neglect that befell his music in the modern era. This Naxos disc by Darrell Ang and the New Zealand Symphony Orchestra presents what might be called Meyerbeer's greatest hits, or more accurately, the most popular excerpts that were once regular fare on concert programs, which are now only occasionally taken out of mothballs. The best-known selection is still the Coronation March from Le prophète (track 17), followed by the overtures to Robert le diable, Les Huguenots, and L'Africaine, though the entr'actes and other selections on this CD are quite obscure to all except dedicated students of French opera. Because Meyerbeer's music was most effective in the theater, that is really where it has the best chance of revival. But heard on disc, away from the pomp and pageantry, it has a limited appeal, and despite the energetic performances presented here, the music is most interesting as a historical artifact.

© TiVo

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Meyerbeer: Overtures & Entr'actes from the French Operas

New Zealand Symphony Orchestra

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Robert le Diable (Giacomo Meyerbeer)

1
Overture
00:03:21

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

L'étoile du Nord (Giacomo Meyerbeer)

2
Overture
00:09:06

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Les Huguenots (Giacomo Meyerbeer)

3
Overture
00:04:45

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Les Huguenots, Act I (Giacomo Meyerbeer)

4
Orgie
00:03:35

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Les Huguenots, Act II (Giacomo Meyerbeer)

5
Entr'acte
00:02:28

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Les Huguenots, Act V (Giacomo Meyerbeer)

6
Entr'acte
00:00:39

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

7
Ballet
00:02:02

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

L'Africaine (Giacomo Meyerbeer)

8
Overture
00:04:30

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

L'Africaine, Act II (Giacomo Meyerbeer)

9
Entr'acte
00:01:30

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

L'Africaine, Act III (Giacomo Meyerbeer)

10
Entr'acte
00:03:44

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

L'Africaine, Act V (Giacomo Meyerbeer)

11
Entr'acte
00:01:23

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

12
Grand scène du mancenillie
00:01:41

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Dinorah, "Le pardon de Ploërmel" (Giacomo Meyerbeer)

13
Overture
00:13:12

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Dinorah, "Le pardon de Ploërmel", Act II (Giacomo Meyerbeer)

14
Entr'acte
00:02:52

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Dinorah, "Le pardon de Ploërmel", Act III (Giacomo Meyerbeer)

15
Entr'acte
00:01:44

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Le Prophète (Giacomo Meyerbeer)

16
Overture
00:11:04

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Le Prophète, Act IV (Giacomo Meyerbeer)

17
Coronation March
00:03:16

New Zealand Symphony Orchestra, Orchestra, MainArtist - Giacomo Meyerbeer, Composer - Darrell Ang, Conductor

(C) 2014 Naxos (P) 2014 Naxos

Album review

The most popular opera composer of the mid-19th century was Giacomo Meyerbeer, whose spectacular stage works dominated the music establishment in Paris and influenced composers across Europe. Yet despite the survival of his operas well into the 20th century, very little of Meyerbeer is played today due to the high costs of mounting such elaborate productions, and the general neglect that befell his music in the modern era. This Naxos disc by Darrell Ang and the New Zealand Symphony Orchestra presents what might be called Meyerbeer's greatest hits, or more accurately, the most popular excerpts that were once regular fare on concert programs, which are now only occasionally taken out of mothballs. The best-known selection is still the Coronation March from Le prophète (track 17), followed by the overtures to Robert le diable, Les Huguenots, and L'Africaine, though the entr'actes and other selections on this CD are quite obscure to all except dedicated students of French opera. Because Meyerbeer's music was most effective in the theater, that is really where it has the best chance of revival. But heard on disc, away from the pomp and pageantry, it has a limited appeal, and despite the energetic performances presented here, the music is most interesting as a historical artifact.

© TiVo

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