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The Tubby Hayes Quartet|Mexican Green (Remastered 2019)

Mexican Green (Remastered 2019)

The Tubby Hayes Quartet

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Mexican Green heralded the final creative milestone of Tubby Hayes' brilliant but all-too-brief career, signaling the maturation of his compositional skills as well as his entrance into the free jazz stratosphere. A quartet session recorded in collaboration with bassist Ron Matthewson, pianist Mike Pyne, and drummer Tony Levin, the album's seven titles are all Hayes' originals, and stretch out in a series of directions spanning from ballads to blues. Hayes' tenor sax crackles with startling energy and power, achieving maximum velocity on the scalding opener "Dear Johnny B," written in honor of late drummer Johnny Butts. Most remarkable of all is the title cut, which forces Hayes outside his modernist comfort zone to embrace the improvisational spirit.

© Jason Ankeny /TiVo

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Mexican Green (Remastered 2019)

The Tubby Hayes Quartet

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1
Dear Johnny B. (Remastered 2019)
00:07:09

Terry Brown, Producer - Tony Levin, Drums, AssociatedPerformer - Tubby Hayes, Flute, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - The Tubby Hayes Quartet, MainArtist - Mike Pyne, Piano, AssociatedPerformer - Ron Mathewson, Double Bass, AssociatedPerformer - David Voyde, Engineer, StudioPersonnel

℗ 2019 Universal Music Operations Limited

2
Off The Wagon (Remastered 2019)
00:08:30

Terry Brown, Producer - Tony Levin, Drums, AssociatedPerformer - Tubby Hayes, Flute, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - The Tubby Hayes Quartet, MainArtist - Mike Pyne, Piano, AssociatedPerformer - Ron Mathewson, Double Bass, AssociatedPerformer - David Voyde, Engineer, StudioPersonnel

℗ 2019 Universal Music Operations Limited

3
Trenton Place (Remastered 2019)
00:05:14

Terry Brown, Producer - Tony Levin, Drums, AssociatedPerformer - Tubby Hayes, Flute, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - The Tubby Hayes Quartet, MainArtist - Mike Pyne, Piano, AssociatedPerformer - Ron Mathewson, Double Bass, AssociatedPerformer - David Voyde, Engineer, StudioPersonnel

℗ 2019 Universal Music Operations Limited

4
The Second City Steamer (Remastered 2019)
00:05:24

Terry Brown, Producer - Tony Levin, Drums, AssociatedPerformer - Tubby Hayes, Flute, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - The Tubby Hayes Quartet, MainArtist - Mike Pyne, Piano, AssociatedPerformer - Ron Mathewson, Double Bass, AssociatedPerformer - David Voyde, Engineer, StudioPersonnel

℗ 2019 Universal Music Operations Limited

5
Blues In Orbit (Remastered 2019)
00:03:23

Terry Brown, Producer - Tony Levin, Drums, AssociatedPerformer - Tubby Hayes, Flute, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - The Tubby Hayes Quartet, MainArtist - Mike Pyne, Piano, AssociatedPerformer - Ron Mathewson, Double Bass, AssociatedPerformer - David Voyde, Engineer, StudioPersonnel

℗ 2019 Universal Music Operations Limited

6
A Dedication To Joy (Remastered 2019)
00:07:06

Terry Brown, Producer - Tony Levin, Drums, AssociatedPerformer - Tubby Hayes, Flute, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - The Tubby Hayes Quartet, MainArtist - Mike Pyne, Piano, AssociatedPerformer - Ron Mathewson, Double Bass, AssociatedPerformer - David Voyde, Engineer, StudioPersonnel

℗ 2019 Universal Music Operations Limited

7
Mexican Green (Remastered 2019)
00:13:46

Terry Brown, Producer - Tony Levin, Drums, AssociatedPerformer - Tubby Hayes, Flute, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - The Tubby Hayes Quartet, MainArtist - Mike Pyne, Piano, AssociatedPerformer - Ron Mathewson, Double Bass, AssociatedPerformer - David Voyde, Engineer, StudioPersonnel

℗ 2019 Universal Music Operations Limited

Album review

Mexican Green heralded the final creative milestone of Tubby Hayes' brilliant but all-too-brief career, signaling the maturation of his compositional skills as well as his entrance into the free jazz stratosphere. A quartet session recorded in collaboration with bassist Ron Matthewson, pianist Mike Pyne, and drummer Tony Levin, the album's seven titles are all Hayes' originals, and stretch out in a series of directions spanning from ballads to blues. Hayes' tenor sax crackles with startling energy and power, achieving maximum velocity on the scalding opener "Dear Johnny B," written in honor of late drummer Johnny Butts. Most remarkable of all is the title cut, which forces Hayes outside his modernist comfort zone to embrace the improvisational spirit.

© Jason Ankeny /TiVo

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