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Diana Ross|Live At Caesars Palace (Live At Caesar's Palace/1974)

Live At Caesars Palace (Live At Caesar's Palace/1974)

Diana Ross

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An entertaining, lavish, and sometimes a bit pretentious concert album from Diana Ross. It was the first album that really presented how a typical Ross live performance sounded, and that proved both complimentary and negative. The staged conversations, often awkward monologues, and rough pacing were balanced by some excellent performances, and the album was produced well enough to keep her voice at the core of the sound. It's not an essential purchase, but it's worth getting if it turns up in an oldies collection.

© Ron Wynn /TiVo

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Live At Caesars Palace (Live At Caesar's Palace/1974)

Diana Ross

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1
Overture (Live At Caesar's Palace/1974)
00:00:49

Berry Gordy Jr., Producer - Unknown, ComposerLyricist - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

2
Don't Rain On My Parade (Live At Caesar's Palace/1974)
00:02:21

Berry Gordy Jr., Producer - Jule Styne, ComposerLyricist - Bob Merrill, ComposerLyricist - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

3
Big Mable Murphy (Live At Caesar's Palace/1974)
00:03:01

Berry Gordy Jr., Producer - Dallas Frazier, ComposerLyricist - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

4
Reach Out And Touch (Somebody's Hand) (Live At Caesar's Palace/1974)
00:06:57

Berry Gordy Jr., Producer - NICKOLAS ASHFORD, ComposerLyricist - Valerie Simpson, ComposerLyricist - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

5
The Supremes Medley: Stop In The Name Of Love/My World Is Empty Without You/Baby Love/I Hear A Symphony (Live At Caesar's Palace/1974)
00:05:19

Lamont Dozier, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, ComposerLyricist - Berry Gordy, Producer - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

6
Ain't No Mountain High Enough (Live At Caesar's Palace/1974)
00:04:56

Berry Gordy Jr., Producer - NICKOLAS ASHFORD, ComposerLyricist - Valerie Simpson, ComposerLyricist - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

7
Corner Of The Sky (Live At Caesar's Palace/1974)
00:04:03

Berry Gordy Jr., Producer - Stephen Schwartz, ComposerLyricist - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

8
Bein' Green (Live At Caesar's Palace/1974)
00:02:49

Berry Gordy Jr., Producer - Joe Raposo, ComposerLyricist - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

9
I Loves You Porgy (Live At Caesar's Palace/1974)
00:01:36

Berry Gordy Jr., Producer - George Gershwin, Composer - Ira Gershwin, Author - Dubose Heyward, Author - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

10
Lady Sings The Blues Medley (Live At Caesar's Palace/1974)
00:07:24

Berry Gordy Jr., Producer - Billie Holiday, ComposerLyricist - Ervin M. Drake, ComposerLyricist - Ervin Drake, ComposerLyricist - Diana Ross, MainArtist - Porter Grainger, ComposerLyricist - Arthur Herzog Jr., ComposerLyricist - Herbie Nichols, ComposerLyricist - DAN FISHER, ComposerLyricist - Everett Robbins, ComposerLyricist - Irene Higginbotham, ComposerLyricist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

11
The Lady Is A Tramp (Live At Caesar's Palace/1974)
00:02:28

Berry Gordy Jr., Producer - Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Diana Ross, MainArtist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

12
My Man (Mom Homme) (Live At Caesar's Palace/1974)
00:04:24

Berry Gordy Jr., Producer - Diana Ross, MainArtist - Channing Pollock, ComposerLyricist

℗ 1974 Motown Records, a Division of UMG Recordings, Inc.

Album review

An entertaining, lavish, and sometimes a bit pretentious concert album from Diana Ross. It was the first album that really presented how a typical Ross live performance sounded, and that proved both complimentary and negative. The staged conversations, often awkward monologues, and rough pacing were balanced by some excellent performances, and the album was produced well enough to keep her voice at the core of the sound. It's not an essential purchase, but it's worth getting if it turns up in an oldies collection.

© Ron Wynn /TiVo

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