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Accordone|Il settecento napoletano

Il settecento napoletano

Marco Beasley - Guido Morini

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Tenor and composer Marco Beasley developed the concept for this album of cantatas, arias, and sonatas by the mostly obscure composers of Naples of the early eighteenth century. Alessandro Scarlatti is the only composer widely known today, but each of the pieces here is so delightful that the discoveries on the CD call for a wider exploration of this repertoire. The writing has a distinctive delicacy and avoidance of the clichés of the Italian late Baroque that gives credence to Beasley's assertion that Naples' musical culture developed in relative isolation from that of the rest the Italian peninsula, due largely to the pervasive influence of an individual late seventeenth century teacher, Francesco Provenzale. The pieces are written in the Neapolitan dialect and are further unified by an inventiveness that discovers fresh means of dealing with the conventions of late Baroque harmony, melody, thematic development, and scale. Alessandro Scarlatti's wonderfully quirky cantata Ammore, brutto figlio de pottana is in nine movements, but lasts just over seven minutes, and includes a da capo aria that clocks in at 55 seconds. It ends with a recitative rather than an aria, but the whole piece is so compactly conceived and persuasively executed that it feels entirely satisfying. Giuseppe Porsile's charming Cantata sopra l'arcicalascione is a marvel of graceful, rhythmic, and melodic surprises. Alfonso M. dei Liguori's engaging and melodically memorable pastorale Quanno nascette Ninno a Betlemme deserves to become a Christmas standard. Beasley sings with utter naturalness, full tone, and easy warmth, and the ensemble Accordone, directed by Guido Morini, gives a spirited performance and plays with a lovely blend. This revelatory disc should be of strong interest to fans of Baroque music at its most sparkling and gives rise to the hope that Beasley and Morini will continue their exploration of Neapolitan music of the era.
© TiVo

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Il settecento napoletano

Accordone

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Cantata sopra l’Arcicalascione (arr. G. Morini) (Giuseppe Porsile)

1
Cantata sopra l'arcicalascione: I. Recitative
00:00:25

Marco Beasley, MainArtist - Accordone, MainArtist - Giuseppe Porsile, Composer

(C) 2010 Cypres (P) 2009 Cypres

2
Cantata sopra l'arcicalascione: II. Aria - Romanella
00:04:02

Marco Beasley, MainArtist - Accordone, MainArtist - Giuseppe Porsile, Composer

(C) 2010 Cypres (P) 2009 Cypres

3
Cantata sopra l'arcicalascione: III. Recitative
00:00:14

Marco Beasley, MainArtist - Accordone, MainArtist - Giuseppe Porsile, Composer

(C) 2010 Cypres (P) 2009 Cypres

4
Cantata sopra l'arcicalascione: IV. Aria
00:00:46

Marco Beasley, MainArtist - Accordone, MainArtist - Giuseppe Porsile, Composer

(C) 2010 Cypres (P) 2009 Cypres

Lena (arr. G. Morini) (Giulio Cesare Rubino)

5
Lena: I. Recitative
00:01:03

Marco Beasley, MainArtist - Accordone, MainArtist - Giulio Cesare Rubino, Composer

(C) 2010 Cypres (P) 2009 Cypres

6
Lena: II. Aria
00:04:03

Marco Beasley, MainArtist - Accordone, MainArtist - Giulio Cesare Rubino, Composer

(C) 2010 Cypres (P) 2009 Cypres

7
Lena: III. Recitative
00:01:12

Marco Beasley, MainArtist - Accordone, MainArtist - Giulio Cesare Rubino, Composer

(C) 2010 Cypres (P) 2009 Cypres

8
Lena: IV. Aria
00:03:50

Marco Beasley, MainArtist - Accordone, MainArtist - Giulio Cesare Rubino, Composer

(C) 2010 Cypres (P) 2009 Cypres

Quanno nascette Nínno a Bettlemme (Alfonso Dei Liguori)

9
Quanno nascette Ninno a Bettlemme
00:07:06

Marco Beasley, MainArtist - Accordone, MainArtist - Alfonso M. Dei Liguori, Composer

(C) 2010 Cypres (P) 2009 Cypres

Sonate pour 2 violons & basse (Nicola Matteis)

10
Sonata a due violini e basso: I. Adagio - Eco
00:02:51

Nicola Matteis, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

11
Sonata a due violini e basso: II. Corrente all maniero Francese
00:01:02

Nicola Matteis, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

12
Sonata a due violini e basso: III. Gigg (Prestissimo)
00:01:14

Nicola Matteis, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

13
Sonata a due violini e basso: IV. Diverse bizzarrie su Sarabanda ò Ciaccona
00:04:48

Nicola Matteis, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

Ammore, brutto figlio de pottana (arr. G. Morini) (Alessandro Scarlatti)

14
Ammore, brutto figlio de pottana: I. Recitativo
00:00:32

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

15
Ammore, brutto figlio de pottana: II. Aria
00:01:37

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

16
Ammore, brutto figlio de pottana: III. Recitativo & Arioso
00:00:27

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

17
Ammore, brutto figlio de pottana: IV. Aria
00:00:49

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

18
Ammore, brutto figlio de pottana: V. Aria
00:01:17

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

19
Ammore, brutto figlio de pottana: VI. Aria
00:00:54

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

20
Ammore, brutto figlio de pottana: VII. Recitativo
00:00:25

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

21
Ammore, brutto figlio de pottana: VIII. Aria
00:00:54

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

22
Ammore, brutto figlio de pottana: IX. Finale
00:00:37

ALESSANDRO SCARLATTI, Composer - Marco Beasley, MainArtist - Accordone, MainArtist

(C) 2010 Cypres (P) 2009 Cypres

Sonate I pour 3 violons & basse continue (Angelo Ragazzi)

23
Sonata I a tre violini e continuo: I. Allegro
00:02:04

Marco Beasley, MainArtist - Accordone, MainArtist - Angelo Ragazzi, Composer

(C) 2010 Cypres (P) 2009 Cypres

24
Sonata I a tre violini e continuo: II. Grave
00:01:08

Marco Beasley, MainArtist - Accordone, MainArtist - Angelo Ragazzi, Composer

(C) 2010 Cypres (P) 2009 Cypres

25
Sonata I a tre violini e continuo: III. Allegro
00:01:21

Marco Beasley, MainArtist - Accordone, MainArtist - Angelo Ragazzi, Composer

(C) 2010 Cypres (P) 2009 Cypres

L'Arfeo annammurato (Guido Morini)

26
L'Arfeo annammurato: I. Aria
00:02:44

Marco Beasley, MainArtist - Accordone, MainArtist - Giudo Morini, Composer

(C) 2010 Cypres (P) 2009 Cypres

27
L'Arfeo annammurato: II. Recitativo
00:01:44

Marco Beasley, MainArtist - Accordone, MainArtist - Giudo Morini, Composer

(C) 2010 Cypres (P) 2009 Cypres

28
L'Arfeo annammurato: III. Aria
00:02:17

Marco Beasley, MainArtist - Accordone, MainArtist - Giudo Morini, Composer

(C) 2010 Cypres (P) 2009 Cypres

29
L'Arfeo annammurato: IV. Recitativo - Aria
00:02:51

Marco Beasley, MainArtist - Accordone, MainArtist - Giudo Morini, Composer

(C) 2010 Cypres (P) 2009 Cypres

30
L'Arfeo annammurato: V. Finale
00:03:02

Marco Beasley, MainArtist - Accordone, MainArtist - Giudo Morini, Composer

(C) 2010 Cypres (P) 2009 Cypres

Album review

Tenor and composer Marco Beasley developed the concept for this album of cantatas, arias, and sonatas by the mostly obscure composers of Naples of the early eighteenth century. Alessandro Scarlatti is the only composer widely known today, but each of the pieces here is so delightful that the discoveries on the CD call for a wider exploration of this repertoire. The writing has a distinctive delicacy and avoidance of the clichés of the Italian late Baroque that gives credence to Beasley's assertion that Naples' musical culture developed in relative isolation from that of the rest the Italian peninsula, due largely to the pervasive influence of an individual late seventeenth century teacher, Francesco Provenzale. The pieces are written in the Neapolitan dialect and are further unified by an inventiveness that discovers fresh means of dealing with the conventions of late Baroque harmony, melody, thematic development, and scale. Alessandro Scarlatti's wonderfully quirky cantata Ammore, brutto figlio de pottana is in nine movements, but lasts just over seven minutes, and includes a da capo aria that clocks in at 55 seconds. It ends with a recitative rather than an aria, but the whole piece is so compactly conceived and persuasively executed that it feels entirely satisfying. Giuseppe Porsile's charming Cantata sopra l'arcicalascione is a marvel of graceful, rhythmic, and melodic surprises. Alfonso M. dei Liguori's engaging and melodically memorable pastorale Quanno nascette Ninno a Betlemme deserves to become a Christmas standard. Beasley sings with utter naturalness, full tone, and easy warmth, and the ensemble Accordone, directed by Guido Morini, gives a spirited performance and plays with a lovely blend. This revelatory disc should be of strong interest to fans of Baroque music at its most sparkling and gives rise to the hope that Beasley and Morini will continue their exploration of Neapolitan music of the era.
© TiVo

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