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With all undeserved respect to Pat Boone's short-lived metallic conversion on the frankly laughable In a Metal Mood album, never has rock's most fearsome musical subgenre been coerced with such admirable ulterior motives as when Swedish "lounge metal" trio Hellsongs took it upon themselves to deconstruct ten heavy metal standards for 2008's brilliant Hymns in the Key of 666. Yes, there's a certain tongue-in-cheek element involved here, and the CD comes disarmingly packaged in colorful, hippie-dippy artwork (including the group's trademarked Volkswagen Kombi), but there's no doubting the serious deliberation and earnest respect -- not mockery -- with which the members of Hellsongs approached these uniformly mellow reinterpretations. For the most part, the band uses minimalist piano and cello-led arrangements to make melancholy laments out of originally hostile fare like Iron Maiden's galloping battle anthems "The Trooper" and "Run to the Hills," Slayer's hellish travel log "Seasons in the Abyss," and Black Sabbath's desperate cry for help, "Paranoid" -- as well as less severe heavy rock classics like Twisted Sister's anthemic "We're Not Gonna Take It," Saxon's oft-overlooked gem "Princess of the Night," and even Europe's insufferable "Rock the Night" (must be the Swedish connection). In this regard, Hymns in the Key of 666 recalls Mark Kozelek's unrivaled, Nick Drake-esque revisions of Bon Scott-era AC/DC (whose Brian Johnson-period "Thunderstruck is given a similar treatment here), making it impossible to disregard its influence on this set. But Hellsongs makes a small effort to challenge this conclusion by whipping up a pair of buoyant acoustic guitar strum-a-thons (oddly reminiscent of Jane's Addiction's "Been Caught Stealin'") for Megadeth's cynical political tirade "Symphony of Destruction" and Metallica's bleak apocalyptic prophecy "Blackened." The only question is whether dream pop aficionados will find Hymns in the Key of 666 as entertaining as good-humored metal heads, since it's ultimately the contradiction between vocalist Harriet Ohlsson's amiably innocent croon and the violent lyrics she recites that proves the highlight of this highly amusing experiment. Damnation never sounded so sweet.
© Eduardo Rivadavia /TiVo
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Stephen Percy Harris, Composer, Writer - Hellsongs, MainArtist
© 2008 Despotz Records ℗ 2008 Despotz Records
Dave Mustaine, Composer, Writer - Hellsongs, MainArtist
© 2008 Despotz Records ℗ 2008 Despotz Records
Hellsongs, MainArtist - Joey Tempest, Composer, Writer
© 2008 Despotz Records ℗ 2008 Despotz Records
Hellsongs, MainArtist - Tomas Enrique Araya, Composer, Writer - Jeffery John Hanneman, Composer, Writer
© 2008 Despotz Records ℗ 2008 Despotz Records
Hellsongs, MainArtist - Daniel Dee Snider, Composer, Writer
© 2008 Despotz Records ℗ 2008 Despotz Records
James Alan Hetfield, Composer, Writer - Lars Ulrich, Composer, Writer - Hellsongs, MainArtist - Jason C Newsted, Composer, Writer
© 2008 Despotz Records ℗ 2008 Despotz Records
Angus McKinnon Young, Composer, Writer - Hellsongs, MainArtist - Malcolm Mitchell Young, Composer, Writer
© 2008 Despotz Records ℗ 2008 Despotz Records
Stephen Percy Harris, Composer, Writer - Hellsongs, MainArtist
© 2008 Despotz Records ℗ 2008 Despotz Records
Ozzy Osbourne, Composer, Writer - Tony Iommi, Composer, Writer - William Ward, Composer, Writer - Michael Butler, Composer, Writer - Hellsongs, MainArtist
© 2008 Despotz Records ℗ 2008 Despotz Records
Paul Quinn, Composer, Writer - Graham Oliver, Composer, Writer - Stephen Dawson, Composer, Writer - Hellsongs, MainArtist - Petery Rooney Byford, Composer, Writer
© 2008 Despotz Records ℗ 2008 Despotz Records
Album review
With all undeserved respect to Pat Boone's short-lived metallic conversion on the frankly laughable In a Metal Mood album, never has rock's most fearsome musical subgenre been coerced with such admirable ulterior motives as when Swedish "lounge metal" trio Hellsongs took it upon themselves to deconstruct ten heavy metal standards for 2008's brilliant Hymns in the Key of 666. Yes, there's a certain tongue-in-cheek element involved here, and the CD comes disarmingly packaged in colorful, hippie-dippy artwork (including the group's trademarked Volkswagen Kombi), but there's no doubting the serious deliberation and earnest respect -- not mockery -- with which the members of Hellsongs approached these uniformly mellow reinterpretations. For the most part, the band uses minimalist piano and cello-led arrangements to make melancholy laments out of originally hostile fare like Iron Maiden's galloping battle anthems "The Trooper" and "Run to the Hills," Slayer's hellish travel log "Seasons in the Abyss," and Black Sabbath's desperate cry for help, "Paranoid" -- as well as less severe heavy rock classics like Twisted Sister's anthemic "We're Not Gonna Take It," Saxon's oft-overlooked gem "Princess of the Night," and even Europe's insufferable "Rock the Night" (must be the Swedish connection). In this regard, Hymns in the Key of 666 recalls Mark Kozelek's unrivaled, Nick Drake-esque revisions of Bon Scott-era AC/DC (whose Brian Johnson-period "Thunderstruck is given a similar treatment here), making it impossible to disregard its influence on this set. But Hellsongs makes a small effort to challenge this conclusion by whipping up a pair of buoyant acoustic guitar strum-a-thons (oddly reminiscent of Jane's Addiction's "Been Caught Stealin'") for Megadeth's cynical political tirade "Symphony of Destruction" and Metallica's bleak apocalyptic prophecy "Blackened." The only question is whether dream pop aficionados will find Hymns in the Key of 666 as entertaining as good-humored metal heads, since it's ultimately the contradiction between vocalist Harriet Ohlsson's amiably innocent croon and the violent lyrics she recites that proves the highlight of this highly amusing experiment. Damnation never sounded so sweet.
© Eduardo Rivadavia /TiVo
About the album
- 1 disc(s) - 10 track(s)
- Total length: 00:46:06
- Main artists: Hellsongs
- Composer: Various Composers
- Label: Despotz Records AB
- Genre: Pop/Rock Pop
© 2008 Despotz Records ℗ 2008 Despotz Records
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